Demolition Derby
Demolition derbies have made their way through history as races that only involve crashes. There is more to a demolition derby than just crashes. Demolition derbies are more complex than what is seen from the stands because of the long hard work it takes to get a car ready, and the actual competition of the derby.
There are three stories about where the first demolition derby was held. Islip Raceway (Long Island, NY), Hales Corner Raceway (Hales Corner, WI), and an unknown town in Ohio. The first and only story with creditable proof is that Larry Mendelson, a 28 year stock car racer noticed that the most cheering and excitement happened when cars crashed. He held the first demolition derby in 1958 at Islip Raceway. Another story is that Hales Corner Raceway had held a demo years previous to Islip. According to legend, 'Crazy Jim' Groh had a few too many cars on his dealership lot. So he got a few people to drive them as a promotion. The only other proof to back this story are the Happy Days episodes 64, 64, 66 'Fonzie loves Pinkie part1, 2, 3' shows demolition derbies. This show was based in Milwaukee during the 50's. These episodes featured Fonzie battling it out with the Mallachi brothers. The last account is that an un-named town in Ohio was a scene of road rage gone wild in the mid- 50's. Two cars collided at a busy intersection and both continued to battle it out drawing a large crowd to the scene. This story fails to name a town or date, and only gets some credit ability because Ohio is a mecca for demolition derbies (geocities.com par. 2-5).
When credit needs to be given to the inventor of demolition derbies it goes to Larry Mendelson and Islip Raceway because they were the first to officially organize a derby.
There are many modifications that need to be done to a car before it is ready to go to the demolition derby. A car cannot be bought demolition derby ready. There are many rules to take into consideration and many alterations that need to be done to car when getting the car ready for a demolition derby.
Richard Wright grew up in a bitterly racist America. In his autobiography Black Boy, he reveals his personal experience with the potency of language. Wright delineates the efficacious role language plays in forming one’s identity and social acceptance through an ingenious use of various rhetorical strategies.
The drive-in got its humble beginnings in the driveway of Hollingshead’s Riverton, New Jersey home, at 212 Thomas Avenue. This is where his first experimentations took place. Setting a 1928 Kodak projector on the hood of the family car, he projected the film onto a screen he had nailed to a tree. He tested the potential hazards of foul weather by turning on his lawn sprinkler to simulate a rainstorm. His home radio sitting behind the screen to provide sound, Hollingshead sat in his car watching and listening. The car windows up or down, sprinkler on or off, he liked what he saw and heard. And with that, the drive-in’s inception was well under way.
Fielden, Greg (2005). "The First Beach Race". In Editors of Consumer Guide. NASCAR: A Fast History. Lincolnwood, Illinois: Publications International Ltd
One of the most famous drivers was a man by the name of Junior Johnson. He was a shiner who had been caught and had spent a year in prison. He got out of prison and went back into the fast money life style of running shine. In his prime he was considered the fastest man on the ridge. He later made his way to NASCAR in 1955 and went on to win over 50 races. He then retired in 1966. Mike Devlin September 30, 2013
the craze in California. John Powers rode 150 miles on a racetrack in 6 hours, 43
First, a trip to the track takes longer than a street race, since the closest track in the southwest suburbs of Chicago is an hour away. Going to the track is a hassle versus the get set, ready, go drag race down the street. Simply, street racing is nearby and does not disturb anyone as the contest usually takes place in the dead of the night or in the wee hours of the morning. Secondly, legal racing at a circuit track costs hundreds of dollars. Drag strips are shorter, most commonly a quarter of a mile, than the longer circuit tracks, but the entrance fee is about twenty dollars, which adds up over repeated visits. On the other hand, street racing is free and in 20 seconds, a winner emerges from the duo. Lastly, racing at a track puts enormous stress on a car. By driving fast for extended periods on a track, consider the brakes and tires shot since both will need replacement from tracking over 200 miles per hour. In addition, launching a car from a dead stop at a track versus from a rolling start, as in street racing, is more difficult and can easily ruin the car. Although street racing is not as organized as track racing, impromptu racing has the advantages of availability, affordability, and economic
Stories have existed since the beginning of mankind. Going back as far as ancient Greece in history, or even further back, one can examine the many different types of stories that have been passed down. The Ancient Greeks wrote about gods and developed drama; the Romans passed down biographies of Caesars containing their life achievements as well as their failures; numerous stories questioning the institution of slavery were produced here in American. Usually by reading the work of an author one is able to find a message or a moral hidden beneath the storyline. In most cases, authors dictate their writings in their culture’s dialect for many different reasons, many reasons of which that would not conclude them as being racist for using it.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
Toni Cade Bambara, a well known author and social activist, uses language and experience to incite change in a warped society that marginalizes its people based on language, race, and class. With the utilization of African American English (AAE), Bambara sheds light on some questionable prejudices and problems with capitalism in American society. Bambara’s works are noted for their use of traditional AAE and its support in teaching the overall “lesson” and the underlying message to the public. The majority of Bambara’s works were inspired by and written in response to her experiences of growing up a black woman, of lower class status, in Harlem. Her short story, “The Lesson,” is no exception. Bambara uses first person narrative, omission of tense markers, and African American English to prove her point that even with education, wealth and prosperity are unevenly distributed throughout the United States.
First, the legalization of marijuana would have a tremendous economic impact. Since “marijuana is thought to be the second most profitable cash crop in the United States,” (Erb __) the government could control and then tax the drug if it is legal. This would mean that an enormous amount of money could be raised through the taxing of the drug. A recent study at Harvard estimated that “marijuana legalization would yield tax revenue of $2.4 billion dollars annually if marijuana were taxed like all other goods and $6.2 billion annually if marijuana were taxed at rates comparable to those on alcohol or tobacco” (Miron ____). The money raised from this tax could be used to improve schools, roads, and public parks. In the end, legalizing marijuana would be a great benefit to the economy.
Menace II Society, a film about a young Black man who has lived the “hustler” lifestyle and is struggling to leave it, is a perfect example of deviance as the main character, Caine Lawson, and the characters around him violate many of society’s norms. Throughout the film, the characters swear incessantly, carry around guns and drugs as most people would carry around cell phones, commit street crimes, especially burglary and mugging, on a regular basis, and beat and kill people unscrupulously. The following quote captures just how deviant Caine and the other characters in this film were, “[Caine] went into the store just to get a beer. Came out an accessory to murder and armed robbery. It's funny like that in the hood sometimes. You never knew what was gonna happen, or when” (Albert Hughes). Why would Caine consider these crimes “funny”, or rather, so insignificant? What caused Caine to become so deviant? The answers to such questions were woven into the plot of the film and will be discussed in the following paragraphs.
These repeated words show the reader that the narrator identifying himself as a “colored” man is sincerely shameful and desires to abandon his colored race. In addition, the word choice of debating, shame, forsake, and inferiority in the context conveys a feeling of negative categorization to the reader while the narrator is talking about the African American race. This projects the narrator’s idea, which is carried throughout the novel, that being a “colored” man in society is looked down upon and shameful. In the beginning of the novel when the narrator is conversing with his mother for his true identity, there is a sense of shame as the narrator says, “ She must have felt that I was examining her, for she hid her face in my hair…” (8). Also when the narrators mother talks about his white father, a positive sense of categorization is delivered as the mother says, “ No, I am not white you- your father is one of the greatest men in the country- the best blood of the south is in you” (8). These two quotes early in the novel connect to the narrator’s general idea that being an African American in society is categorized as shameful and negative while being white is classified as the “best” and “great.” This idea is relevant to the social issue of racial
In the anime, Attack on Titan, the director is able to create and blend different master plots: vengeance by visual editing that places flashbacks at important moments inside the story and camera angles; hero’s quest by visual cuts and transitions from different character points of view; underdog by changing camera angles. Finally, but not least temptation through the use of sound editing with actions scenery and coloring. Narrative elements used by the director inside a film can change the master plot at any critical moment inside a story, elaborating a different story that can vary depending on our way of interpreting and analyzing the world around us. The director may have a general message that he wants to convey through narrative elements as it was previously stated, but we as the audience have the last word in what the film represents even though we obtain the main idea through the manipulation of the narrative elements used by the director.
Although this article appeals to common sense the most, Paul-Mark’s claims are obvious with very good example to back those claims up. Readers get the full picture of what is really going down in the street racing scene and how the dangers continue to exist. Paul-Mark has strong appeals and emotions throughout this paper that keeps readers hooked the entire time.
...t Efficiency and Stock Market Predictability" [Online] Available On: http://www.e-m-h.org/Pesa03.pdf [Accessed On 5 december, 2011].