In the 21st century, the media still has power over the public, even more so than what is seen in Citizen Kane, as there are many more forms of media than just the newspaper. Citizen Kane is largely concerned with exposing the deceit and manipulation inherent in the media. Welles’ statement on ‘truth’ in the media is perhaps best summed up in Kane’s line: “Don’t believe everything you hear on the radio. Read The Inquirer.” Other than the obvious self-aware irony of this line, given by the founder of The Inquirer with a cheeky smile, the line is also a sly nod to Welles’ own history on radio, and particularly the War of the Worlds prank. The 1940s audience would have recognised this intertextuality and appreciated its comment on the untrustworthiness …show more content…
This is a theme that is still very much present in today’s society. To begin with, Thatcher describes Kane’s founding of The Inquirer as a “philanthropic enterprise”, and Kane asserts that its purpose is to “look after the underprivileged.” However as Kane’s business and power grow, these morals begin to disintegrate. He begins to lie – Welles appropriates a famous line of Hearst’s – “you provide the prose poems, I’ll provide the war” – to depict the beginning of ‘yellow journalism’, in which the journalism makes up news which will shock and sell the paper, whether or not the story is actually …show more content…
This is best conveyed through the famous breakfast montage, which depicts Kane and his wife Emily at progressive breakfasts throughout the course of their marriage. To begin with Kane seems to be the ideal husband, which is visually and aurally reflected by the physical closeness of the two, as well as the light, romantic violin music. However throughout the montage the two become progressively tenser and terser, as they grow gradually further apart, both emotionally and physically – by the end the two are seated at opposing ends of the long table. The score by the end is dark, deep and ominous – underscoring the transformation of Kane from a loving and in love husband to a domineering man who expects submission from his wife because people should think, “what I tell them to
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements of the film, aiding the audience by combining lighting, blocking and panning to define significant roles and objects that further the movie as a whole.
What’s all the ‘hype’ about this “media-controlled universe”? Cynthia L. Kemper writes in her article “Living in Spin” about how the twenty-first century has a corrupt sense of honesty. Her paper, published in “Communication World”, is generally a reaction to her findings about the new age style of communication. She bases it mostly on interviews and supports it by the many quotes weaved between her logic-based trails of thought. Appealing mostly to logos and pathos, she carries a conversational tone with her audience. This tone is abundant in rhetorical questions that she doesn’t attempt to answer. The main purpose of her article appears to be the ‘eye-opening’ factor. Kemper manages to provide a conscious effort to tell people how many different factors have affected the current generation’s ability to speak without ‘spinning’. She quotes the editor of slate, Michael Kinsley, in order to explain that “Spinning means describing a reality that suits your purposes. Whether it resembles the reality we all share is an issue that doesn't even arise”. Simply put, the author that begins her essay with a very intriguing question, “Have 21st Century Communicators Stopped Telling the Truth?”; refrains from clearly answering this very question throughout her work. In the article the author talks about the problems of people ‘coloring’ stories to make them more appealing. Modern day rules allow people to stretch the truth to sell products better among other things. She blames these ‘innovations’ in the world of communication to the new progresses in technology.
In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?
With the novels publication in the 1960s, a new genre called ‘New Journalism’ had begun to surface; it sought to combine the elements of journalism with the elements of fiction and in doing so it sought to challenge the readers mo...
Edward R. Murrow’s profound impact on the field of journalism defines much of what the modern news media industry is today. Edward R. Murrow’s career offers aspiring journalist a detailed set of standards and moral codes in how a journalist should receive and report the news. The development of CBS is largely attributed to Murrow, and derives from his ambitious attitude in utilizing the television and radio to deliver the news. Murrow gained a stellar reputation in the minds of American’s during WWII by placing himself in the heart of the war, and delivering information through radio in his famous This is London broadcasts. His battles with Senator Joseph McCarthy are largely referred to as his most prominent achievement in which Murrow exposed the unfair practices of Senator McCarthy in his wild accusations on those in the American public of being affiliated with communism.
The author provides a rough timeline of the objective norm emerging in American journalism, and explains the inner origin of these co...
Looking the historical moment we are living at, it is undeniable that the media plays a crucial role on who we are both as individuals and as a society, and how we look at the...
Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that
During these difficult economic times sensationalism has become more prevalent in the media. Stories involving sex scandals and child murders have taken over our T.V and internet screens as well as the front pages of our newspapers. The media bias of sensationalism has been used as a sort of escapism for readers. Although it may seem that sensationalism has just started making waves, it has been around for decades. Sensationalism has been influencing viewers and contributing to media bias since the days of the penny press. Sensationalisms long history has been turbulent, self-serving, and influential to today’s reporting practices. With the influence over readers’ sensationalism’s media bias have and will continue to affect media reporting for years to come.
The idea of wealth bringing power is exhibited by Charles Kane, in Citizen Kane by Orson Welles. In Citizen Kane, the theme of money bringing ultimate power, more specifically the shift of power from Thatcher to Kane, is shown through lighting and Angles. Wells’ uses low-key lighting, high-key lighting and Angles to show as Kane gains money, he gains more and more power.
The public was further angered by something called “yellow journalism”. Yellow journalism refers to writers such as Joseph Pullitzer and William Hearst trying to outdo each other with screeching headlines and hair raising “scoops”. Where there were no headlines, the yellow press would exaggerate and fabricate stories to get readers interested in their newspaper. For example, Hearst once wrote about Spanish Customs Offic...
The absolutely stunning film, Citizen Kane (1941), is one of the world’s most famous and highly renowned films. The film contains many remarkable scenes, cinematic techniques, as well as innovations. Within this well-known film, Orson Welles portrays many stylistic features and fundamentals of cinematography. The scene of Charles Foster Kane and his wife, Susan, at Xanadu shows the dominance that Kane bears over people in general as well as Susan specifically. Throughout the film, Orson Welles continues to convey the message of Susan’s inferiority to Mr. Kane.
Television is a vital source from which most Americans receive information. News and media delegates on television have abused theirs powers over society through the airing of appealing news shows that misinform the public. Through literary research and experimentation, it has been proven that people's perception of reality has been altered by the information they receive from such programs. Manipulation, misinterpretation, word arrangement, picture placement and timing are all factors and tricks that play a major role in the case. Research, experimentation, and actual media coverage has pinpointed actual methods used for deceptive advertising. Television influences society in many ways. People are easily swayed to accept a belief that they may not normally have unless expressed on television, since many people think that everything they hear on television is true. This, however, is not always the case. It has been observed that over the past twenty to thirty years, normal social behavior, even actual life roles of men and women and media, regulatory policies have all been altered (Browne 1998). Media has changed with time, along with quality and respectability. Many Americans receive and accept false information that is merely used as an attention grabber that better the show's ratings and popularity. Many magazines and Journal reviews have periodically discussed the "muckraking" that many tabloid shows rely on to draw in their viewers. This involves sensationalizing a story to make it more interesting, therefore increasing the interest of the audience. "Along the way, all sorts of scandalous substance and goofy tricks appear, but not much mystery in the logic," (Garnson 1997). People often know that these shows aim to deceive them, but still accept the information as truth. Many times, people have strong opinions on certain topics. Yet, when they are exposed to the other side of the argument, they may be likely to agree with the opposite view. As Leon Festinger said, "If I chose to do it (or say it), I must believe in it," (Myers 1997). This is an example of Festinger's cognitive dissonance theory, which pertains to acting contrary to our beliefs. Television influences many people to change their original beliefs. It has the viewers think that the majority of other people hold the contrary idea. Once these views are presented, people have the option to hol...
“Power is the ability to define reality and to have other people respond to your definition as if it were their own (Nobles).” People fail to see responsible journalism as a crisis because it is so convenient to have news media make up your mind for you. The foundation of our personal philosophies stems from irresponsible journalism through the major news sources we consume, the exposure to less responsible entertainment, and the biased reporting enforcing negative stereotypes.
McLoed and Hawley (as cited in Wilson, 1995) elucidated appropriately, "a recurrent journalistic controversy has involved the question whether journalism is a true profession or merely a craft." Sparked primarily by Lippmann and Dewey, extending into the age of the penny press (mid 1980s) and later, the attempt to commercialise the news (late 1980s) to our present era, there has existed a contentious debate on journalism being distinguished as a profession (Wilson, 1995). Encapsulated in a democratic homeland since the advent of time, media systems are habitually acclaimed as the “fourth power,” with its journalists often hailed as the “watch-dogs” of such a society. Lending itself to act as ‘gatekeeper’ for the wider society and performing the traditional role of journalism, the media (overall) exist as powerful “instruments of knowledge” that perform the function of providing information to the masses in a public sphere, where issues may be discussed, justified and contested (Scannell, 1995, p. 17). Evidently, media workers play a pivotal role in our society; however, their status in the realm of professions is not definite.