Death of a Salesman - A Modern Day Tragedy
The question which arises within Death of a Salesman is, 'Is this a
modern Tragedy?' A tragic play can be commonly observed when a
protagonist falls from a great height. His decline is not about
immediate death, although in most cases death becomes apparent at the
end of the play, e.g. Macbeth. A tragedy shows the suffering of a
character and utter compulsion of him if he does not succeed to reach
his dream. These plays show the blissful release from intolerable
suffering this character feels. In most tragedies the immediate
audience is unable to relate directly to this torture the character is
going through. They will still have emotions towards the play but
usually, e.g. Shakespeare's plays the main tragic protagonist is that
of status, a king.
Aristotelian defined tragedy as "the imitation of an action that is
serious and also, as having magnitude, complete in itself." It
incorporates "incidents arousing pity and fear, wherewith to
accomplish the catharsis of such emotions."
The tragic hero will most effectively evoke both our pity and terror
if he is neither thoroughly good nor thoroughly evil but a combination
of both. The tragic effect will be stronger if the hero is "better
than we are," in that he is of higher than ordinary moral worth. But
this is not always the case in today's modern plays such as 'Death of
a Salesman.'
In Death of a Salesman, Willy Loman is seen falling from a great
height. Although, he is not born into nobility like most tragic heroes
are generally portrayed. Willy Loamn was responsible for is own fate.
At the beginning of the play within the initial flashbacks we judge
that Willy's life used to be fairly successful. Willy br...
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...lso as he too excluded his dream of
getting out of the city into open spaces and own a large ranch. Willy
thought this was a boy's dreams not a man's. Eventually he met a
tragic death. When this play was initially staged the audience
remained silent for a number of minutes after it had concluded. The
director thought that they did not enjoy it, after which he found out
that the silence was emotion as the play was so touching that the
audience could immediately reach out and relate to the Loman's life.
They did not clap immediately as they had become so engrossed with it
that their natural instincts reminded them that it was rude to clap at
a funeral. This accompanied the idea that the audience was deeply
affected by pity and fear, like all tragic plays. This clarifies to me
that this is a modern day tragedy. Approached with an air of realism,
not a faade.
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
support is a pathetic effort to protect his identity. Linda will never admit to herself,
Death of a Salesman is a play about a man named Willy Loman who is an aging sales man that has difficulty remembering events, as well as distinguishing the present from his memories. Willy has always tried to live up to the “American Dream,” but unfortunately has failed miserably as a salesman and a father. Willy still having high hopes of the dream tries to live his life through his oldest son Biff, who has turned out to be just as big as a failure. Biff uncovers the truth behind his father’s lies and Willy being tormented by his failures starts to spiral downward. The thoughts of having failed as a salesman and father finally lead Willy to take his own life. In order to understand a play like this one you need to use a strategy in approaching it. One valid approach to any type of literature is to experience, interpret, and evaluate it.
Death Of A Salesman Vs. Hamlet & nbsp; & nbsp; Willy Loman and Hamlet, two characters so alike, though different. Both are perfect examples of tragedy in literature, though for separate reasons. reasons and by distinct methods. The definition of a tragedy, in a nutshell, states that for a character to be considered tragic, he/she must. be of high moral estate, fall to a level of catastrophe, induce sympathy.
Many dilemmas throughout the recent decades are repercussions of an individual's foibles. Arthur Miller represents this problem in society within the actions of Willy Loman in his modern play Death of a Salesman. In this controversial play, Willy is a despicable hero who imposes his false value system upon his family and himself because of his own rueful nature, which is akin to an everyman. This personality was described by Arthur Miller himself who "Believe[s] that the common man is as apt a subject for a tragedy in its highest sense as kings were" (Tragedy 1).
Have you ever worked long and hard on a project, only to realize that it was effort wasted and the project was totally meaningless in the end? That is just what occurred in the play The Death of a Salesman by Arthur Miller. Willy Loman, the protagonist, spent decades in mind numbing work, only to discover that he had “built his life on shifting sand” (Nicholas). Through the course of his journey, Willy kept on the straight and narrow highway, which he thought would bring success and happiness. He often contemplated when he would draw his last breath and if he should. Willy begins to realize the futility of his journey when his son Biff Loman returned from college after he had flunked out. Willy had a prevailing hope that his son would amount to something, that he would be successful and become someone great. The cold and brutal reality was that both Biff and Willy were still living in the past. It takes until the final scenes in the play, for Biff to finally comprehend what his dad wanted for him; which was for him to go get a job in business instead of chasing his senseless dreams of being a rancher in Texas. It is in those final moments that Biff steps
No one’s life can be classified as “normal”. Everyone has conflicts that they have to eventually deal with. People do in fact deal with these personal conflicts in different ways; some take it easy some take it hard. Some ignore the problem as long as possible and some deal with it right away to get it out of the way. In Death of a Salesman, Willy Lowman’s technique to his problem solving leads to severe consequences. Willy never does anything to help the situation; he just escapes into the past to happier times when there were few problems. He uses this escape as if it was a drug, and as the play goes on, this drug becomes dangerous, leading him to his death.
Willy’s idea that success comes from popularity and wealth is something he just can’t achieve, and he has been lying to himself for so long that he has become delusional. Willy’s dreams of success are inspired by the life of his deceased brother Ben who quickly became a very wealthy man in life. Ben being his hero, bringing Willy to build his own twisted definition to success that is closely related to the classic “American dream”. To Willy, success means wealth, a happy family, big house, popularity, and to be praised. For example, Willy tells his sons “Be liked and you will never want.”-pg 33. It shows that Willy has an obsession with popularity and being considered superior. This shows up in his perception of success. Though despite his best efforts, Willy’s dream has not brought him any good nor happiness, in fact it has made him a monster. He no longer has any sense of reality, and essentially lies his ways through life. In the scene where Happy and Biff take Willy out to dinner, Willy tells them “I was fired, and I’m looking for a little good news to tell your mother, because the woman has waited and the woman has suffered. The gist of it is that I haven’t got a story left in my head Biff. So don’t give me a lecture about facts and aspects. I am not interested. Now what’ve you got to say to me?”-pg 107. This clearly shows that Willy is not only lying to his wife, but also to himself. It seems that despite all the bad experiences he has while trying to chase his dreams,...
BANG! Your father is dead. Within a few seconds, although he attempted many times, your father dies. He gave up. All the fights, all the disrespect, and all the struggles are behind you. However, all the hope, all the passion, and all the love is still there. In Arthur Miller’s Death of a Salesman, the main conflict is between Willy Lowman and his son Biff. Most of their struggles are based on disrespect; however, much of the tension throughout the play is also caused by the act of giving up.
Willy Loman has an innate ability for dreaming way beyond his capabilities. Throughout the play, Willy’s dreams represent more fantasy than truth, a behavior which his boys clearly imitate. Yet, despite the talk, there is an ongoing criticism for the world and the way things work. He brags about his sales for a trip, “I’m tellin’ you, I was selling thousands and thousands, but I had to come home” (1224). It’s difficult to tell if the stories Willy tells are what he believes to be true or what he imagines is correct; as a result, he continually tells lies to cover his shortcomings and mistakes. On the contrary, with all the “thousands and thousands” of dollars he is making, he complains about necessary repairs to mechanical objects around the house: “Once in my life I would like to own something outright before it’s broken! I’m always in a race with the junkyard” (1244)!
“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of a Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide.
Willy Loman is one of the most tragic heroes in American drama today. He has a problem differentiating reality from fantasy. No one has a perfect life. Everyone has conflicts that they must face sooner or later. The ways in which people deal with these personal conflicts can differ as much as the people themselves. Some insist on ignoring the problem as long as possible, while some attack the problem to get it out of the way. In the case of Willy in Arthur Miller’s, Death of a Salesman, the way he deals with his life as a general failure leads to very severe consequences. Willy never really faced his problems in fact in stead of confronting them he just escapes into the past, whether intentionally or not, to those happier childhood times where problems were scarce. He uses this escape as if it were a narcotic, and as the play progresses, we learns that it can be as dangerous as a drug, because of its ability to addict Willy, and it’s deadliness.
Arthur Miller’s Death of a Salesman is a play that follows the troubles of a salesman named William “Willy” Loman, whose overzealous definition of true success inevitably leads to his suicide. I feel that a few of Willy’s unique characteristics contribute to his downfall, but that his unstable point of view and completely misconstrued concept of reality make the greatest contributions.
Every tragic play must have a tragic hero. A tragic hero does not need to be good; for example, Macbeth was a wicked person, even though he was a tragic hero. This tragic hero, Aristotle tell us, should not be absolutely evil, since the death of such a figure, being only just, would fall to move the audience; not should the figure be absolutely good, for his death would violate our concept of right and wrong, evoking not a tragic sense but a feeling of courage" (Fallon, Shakespeare 7). According to Aristotle, "The tragic hero must be an important person in the community, a king, a queen, a prince, of a famous warrior, a man or woman of substance and responsibility because that figures experiences a fall, and any fall is more moving if it comes from a great height" (6). Also a tragic hero does not have to die, but in all Shakespeare's plays the hero dies, while in other tragic plays they may alive.
To conclude, “Death of a Salesman” by Arthur Miller satisfies the criteria for a tragic play because Willy’s pride is a tragic flaw that leads to his downfall. Ultimately, Willy gains enlightenment of his false perception of life and realizes how he inhibits the success of his family. This epiphany leads him to sacrifice himself for the well-being of his family. During his lifetime, Willy’s pride caused him to have an overinflated ego, a bizarre idealistic view on life, and a false value system. These negative traits eventually lead to his downfall in which he sacrifices himself, proving to be a modern tragic hero. Willy Loman is a common man brought down to his demise because of the one tragic flaw of pride that he possesses.