Death in Young Adult Fiction

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There are many reasons why authors of young adult fiction write character deaths in their novels. In their article “Death and Dying in Young Adult Fiction” Carolyn Harvey and Frances Dowd state, “Reading about the death of a fictional character can help adolescents develop a personal code of values, appreciate life more fully, and release feelings of grief or anger that result from the loss of someone close to them” (141). It is not only the readers who benefit in these ways, but also the characters in the novel. In The Outsiders, Johnny’s death helps Ponyboy and the gang clean up their acts and appreciate the fleeting nature of life. Johnny’s death was a catalyst for change in the gang and helped Ponyboy craft his essay and write about the importance of the life of boys like him and Johnny. Ponyboy says, “But it still hurt anyway. You know a guy a long time, and I mean really know him, you don't get used to the idea that he's dead just overnight. Johnny was something more than a buddy to all of us. I guess he had listened to more beefs and more problems from more people than any of us. A guy that'll really listen to you, listen and care about what you're saying, is something rare” (Hinton 151). Johnny’s death was heartbreaking, but necessary. Dally’s death, on the other hand, was excessive. Overcome by grief, he puts himself purposefully in harms way. S.E Hinton did not have to kill Dally off, because Johnny’s death already accomplished her original intentions of personal growth for the Greasers. Adding Dally’s death did not add to the narrative, nor did it achieve anything new for the novel or the characters. Johnny’s death completed the narrative, while Dally’s was simply added for shock value. The deaths of prominent charac... ... middle of paper ... ...nd purposelessly. And the reactions to her death are mostly negative. One review states: When the main character dies, it should be integral to the plot. Either it was the unavoidable result of preceding actions, or the required catalyst for later actions. But her death didn't do anything. It didn't move the plot. It didn't motivate the other characters into actions that moved the plot, nor did it change them in any way. Her death didn't save the city. The plan with the memory serum would have worked the same way even if she hadn’t been shot while she was setting it off. Her death was meaningless from a plot perspective and served no purpose beyond the thematic point of sacrifice. And while the relevance of this theme to her character is clear, the failure to incorporate the necessity of her death into the narrative makes it seem merely arbitrary. (Authur)

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