The Saving Grace of Rubashov
Despite its brevity Darkness at Noon by Arthur Koestler packs an enormous amount of thought provoking dialog and insight into what may go through the mind of someone who is going through an extreme ordeal. One theme which ran throughout the book was Rubashov’s actions that were taken as matters of self-preservation and what he must do to atone for them.
	The first instance of this was on page 45 where he asked if it is necessary to pay for deeds that were necessary and right. This was brought on by Rubashov’s attempt and his witnessing of his neighbor’s attempt on his behalf. More is said about this during Rubashov’s first journal entry on page 80. Here he attempts to explain the logic behind the party’s eradication of thought that goes against party doctrine. That the party is in fact more interested in wiping out these ideas which can act as seeds taking root in future generations. Then it is in punishing people. During this entry Rubashov makes no attempt but rather feels that everything shall be sorted out by history. But for him the most painful of all of his sacrifices, was his surrendering of in his secretary and lover, Arlova. Rubashov suffered much as he antagonized over weather this was in fact the correct choice to be made. The pain felt by Rubashov over this decision was amplified by his witnessing his old friend being taken much the same way as Avolora.
	After finishing this book I was amazed at how I did not feel...
Tucker, Robert C. "The Mortal Danger". Course Reader for World Culture: Russia Since 1917. New York University, Spring 2001.
High Noon The movie High Noon is a western style movie about loyalty and betrayal. Throughout the whole movie, you can see how Kane is loyal to the town and how the town betrays Kane. The film tells a story about a man who was too proud to run— a tale of a lone, stoic marshal (Will Kane) who was left desolate and abandoned by the townspeople he has sworn to protect because of a four-man gang led by Frank Miller. This is where the loyalty part comes in.
Most historical events, whether beneficial or detrimental to society, bear witnesses. Regardless of how many total were affected by the event, each person owns a personal account of what they endured during the event. Elie Wiesel, author of Night, expresses the personal account of Elizer, a Jewish teenager, who fought to stay alive during the holocaust, and shows the importance of witness accounts, the will to survive, and the remembrance of past historical events. Night encompasses the idea of “Literature of Witness” by simultaneously showing how millions of people were affected by the holocaust and how each person, principally Elizer, has their own personal story to tell to understand and remember that horrendous time.
"Night" by Elie Wiesel is a terrifying account of the Holocaust during World War II. Throughout this book we see a young Jewish boy's life turned upside down from his peaceful ways. The author explores how dangerous times break all social ties, leaving everyone to fight for themselves. He also shows how one's survival may be linked to faith and family.
Authors sometimes refer to their past experiences to help cope with the exposure to these traumatic events. In his novel Night, Elie Wiesel recalls the devastating and horrendous events of the Holocaust, one of the world’s highest points for man’s inhumanity towards man, brutality, and cruel treatment, specifically towards the Jewish Religion. His account takes place from 1944-1945 in Germany while beginning at the height of the Holocaust and ending with the last years of World War II. The reader will discover through this novel that cruelty is exemplified all throughout Wiesel's, along with the other nine million Jews’, experiences in the inhumane concentration camps that are sometimes referred to as “death factories.”
One day in the Life of Ivan Denisovich is not a book about a superhuman. It is not a story about someone who is weaker and more desperate than everyone else. It is not a tale of greatness, nor is it about extraordinary faults. Instead, Aleksander Solzhenitsyn chose to center his story around Ivan denisovich Shukhov, an average, unnoticeable Russian prisoner.
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
Raskolnikov commits his initial crime out of arrogance. "The old hag is nothing.... I killed not a human being," he says. (245) Raskolnikov feels that he has justification for killing the pawn broker. He thinks that the woman has no reason to live. He believes that the woman is less than a human, and that he is a superior being. Raskolnikov thinks that he has a right to kill.
“Even in darkness, it is possible to create light”(Wiesel). In Night, a memoir by Elie Wiesel, the author, as a young boy who profoundly believed in his religion, experiences the life of a prisoner in the Holocaust. He struggles to stay with his father while trying to survive. Through his experience, he witnesses the changes in his people as they fight each other for themselves. He himself also notices the change within himself. In Night, it is discovered that atrocities and cruel treatment can make decent people into brutes. Elie himself also shows signs of becoming a brute for his survival, but escapes this fate, which is shown through his interactions with his father.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
The book Night by Elie Wiesel, tells the story of a boy and his father’s experiences in concentration camps during the Holocaust in its final year from 1944 to 1945. The author recounts his story while sharing his thoughts, regrets, and some events from before and after being put into the concentration camps. Through Elie Wiesel’s story, he shares his belief that everyone should be an upstander through his use of symbolism.
Arthur Koestler's Darkness at Noon depicts the fallacious logic of a totalitarian regime through the experiences of Nicolas Salmanovitch Rubashov. Rubashov had fought in the revolution and was once part of the Central Committee of the Party, but he is arrested on charges of instigating attempted assassinations of No. 1, and for taking part in oppositional, counter-revolutionary activities, and is sent to a Soviet prison. Rubashov, in his idle pacing throughout his cell, recollects his past with the Party. He begins to feel impulses of guilt, most especially in those moments he was required to expel devoted revolutionaries from the Party, sending them to their death. These subconscious feelings of guilt are oftentimes represented physically in the form of toothache or through day- or night-dreams. As his thought progresses with the novel, he begins to recognize his guilt, which emerges alongside his individuality. It remains in his subconscious, and it is not until Rubashov absolves himself through silent resignation at his public trial that he is fully conscious of guilt. By joining the Party, Rubashov allows himself to forget the questions of human nature and of his individuality. The nature of his guilt lies in this betrayal of his individuality.
When Raskolnikov helps Sonia, he begins to feel sympathy. Before committing the murder, Raskolnikov was malignant. At that point, he knew he must go through with the killing but he changes his mind when he meets Sonia and her family. At Marmeladov’s death, Raskolnikov gives them all of his money: “Allow me now…to do something […][h]ere are twenty roubles” (188). Raskolnikov recognizes how pitiful the family’s situation is. He is so concerned that he provides aid for them. Raskolnikov does so because beneath his present malicious thoughts, in his natural, true, mind he does not want these people to suffer. This event begins Raskolnikov’s reawakening of his sympathy. He as well aids Sonia when Pyotr accuses her of stealing money from him (396). Here Raskolnikov understands Pyotr’s true intentions
Kraeger, Linda, and Joe Barnhart. 1992. Dostoevsky on Evil and Atonement. Lampeter, Dyfed, Wales: The Edwin Mellen Press, Ltd.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.