Option 2: Dangdut
Dangdut is a genre of Indonesian popular music played with lower class and developed in Indonesian capital city of Jakarta in the early 1970s. It represents the desire and aspirations of the people among the lower class of the political and economic structure. They are often described as common people, underclass group or little people who have been out of attention. In the late 1980s, dangdut became a powerful social tool as it extended its extent into social geography through mass media and middle classes. Dangdut became the representation of Indonesia’s national music as it is regarded as an easy music that everyone could sing and dance as well as nearly everyone could have the feelings of connection with the music. Also, it represented the ‘soul of Indonesian people’ with its massive popularity in Indonesia, government and military officials. However, dangdut in the 20th century began with its formation period of adopting new characteristics and aesthetics of other styles of popular music like other forms of popular music. This essay will provide an understanding of the hybrid, blended musical elements of dangdut in relation to its relationship at local and national levels within changing social, religious, historical events of modern Indonesia.
Dangdut is rooted in “Malay band music” which influenced by Indian music from 1950s and 1960s. Rhoma Irama became an iconic figure of dangdut through the 1970s. In the early 1970s, the most famous dangdut musician called Rhoma Irama also known as “king of dangdut” carried the western style sound and performance into dangdut (Wallach and Clinton 2013, p4). He is one of the most significant artists of dangdut and made the music popular through live concerts and re...
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Irama, Rhoma (2011) Music as a Medium for Communication, Unity, Education, and Dakwha. In Islam and Popular culture in Indonesia and Malaysia, ed. Weinstraub, A., pp.185-192. New York: Routlege.
Wallach, J. & Clinton, E. (2013) Asian Music: History, Modernity, and Music Genre in Indonesia: Popular MusicGenres in the Dutch East Indies and Following Independence, vol.44, No.2, Summer/Fall 2013, pp. 3-23,University of Texas Press.
Weintraub, A., N. (2006) Dangdut Soul: Who Are the ‘People’ in Indonesian Popular Music? Asian Journal of Communication vol.16, No.4, pp.411-431.
Weintraub A., N (2010) Dangdut Sotires, A Social and Musical History of Indonesia’s Most Popular Music, Oxford University Press.
Widodo, A. (1995) The stages of the state: The arts of the people and Rites of hegemonisation. Review of Indonesian and Malaysian Affairs, 29, pp.1-35.
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
Over the course of history, music has developed from a personal, academic pursuit to an extension of a global marketplace and an attribute of this global community. In order to better address this conversation and the surrounding idea, Feld utilizes the platform he has developed to pose the argument that music has long been cultivated as a means of communication and interaction. This relationship is developed and analyzed as a case study in this article, which happens to be in discussing a traditional lullaby first developed in the Solomon Islands, which was in turn recorded by a European pop group that sold millions of copies of a rendition of the song. Furthermore, the article goes to show the trend of music to be redistributed and developed in the sense that it is later reused by a popular jazz musician in Europe. Feld then begs the question about the nature of the redistribution of music and whether this facilitates a hybridization of music or an alienation and artistic degradation of the original work for the indigenous artists.
... Popular Music Studies 23, no. 1 (2011): 19-39. Accessed April 28, 2014. Academic Search Complete.
Reggae The Story Of Jamaican Music BBC Documentary. vols., 2012. Online. Internet. 22 Mar. 2014. . Available: http://www.youtube.com/watch?v=wv1Iy26qlLk&feature=youtube_gdata_player.
World music may sound as simple as its name suggests, however the world music phenomenon expresses a deeper story that many people seem to miss. There is so much that makes up a world music genre, but what we hear about it is not always the easiest to decipher and generally comes from powerful and large organisations, where not all of it is explained thoroughly. A lot of their understanding comes from what they are only interested in and most important stories and factors are either ignored or incomplete (Stokes 2003, p. 297). Not receiving the full picture, gives us a limited understanding of world music and its sub genres. Different genres of music over the globe have been shaped in many ways by influences such as the; historical and traditional root, people and their culture, migration, globalisation, politics and commodification. Nueva Canción is one example of a world music genre that has been influenced in such ways, and of which has a strong historical and political story worthy to be recognised. This essay will focus on the way the genre, Nueva Canción has become a significant genre of world music, by exploring the influences stated previously.
There is one universal language: the language of music. Music has a special quality and ability to bridge both social and cultural divides. A proposed theory by Dr. Gray, Founder and Director of National Musical Arts’ BioMusic Program; describes music has been around longer than human-beings have. Music is the one thing human beings from various backgrounds can relate to. Every living creature would agree. Music is heard everywhere not just among humans, but in nature as well, through the twitting of birds, winds blowing, the soft sound of raindrops against a windowpane, the ocean waves moving back and forth and the hum of the ocean rushing in a sea shell. There is no escaping it; music lives in and surrounds us steadily. While there are countless songs which confer social or cultural consciousness, this paper will analyze and address the dynamics of M.I.A.’s “Paper Planes”, video. Stylistically, the paper will examine the artist point of view, the unique use of lyrical analysis and sound description in relation to its historical, social, political and/or cultural context. This essay will also trace the lyrical analysis and sound description of song and discuss how the elements (visually, sonically, and lyrically) interplay with the theme of immigration and/or violence.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Tagg, P. (1982). Analysing popular music; theory, method and practise. Popular Music (2), pp. 71-101.
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
Music plays a huge role in the structure of a society. It can have both negative and positive influence on cultures and communities. First, musical sounds and instruments can be a dividing factor between the people within the same culture. These opposing social and economic identities within these cultures can lead unnecessary animosity between the members. However, music can also be one of the forces that unite members of a culture and provide a sense pride for everyone. This makes it easier for people to display their identification to that culture.
During the course of this semester, the several musical styles that have been discussed and analyzed have displayed various similarities and differences. These differences in certain musical elements have accounted for the distinctiveness and uniqueness of each style of music. The culture behind these countries’ music adds even more to their individualism. Cultural aspects such as religion play a huge role in the music of each country as well. Styles of music in Africa might be more upbeat than certain styles in India, for example. Some cultures use music in religion, while others may not. Aspects such as dance are important factors in all three types of music. Despite the differences and similarities, however, without music, these cultures would perhaps not be as fascinating and unique as they are now.
Burkholder, Peter J., Donald Jay Grout, Claude V. Palisca. A History of Western Music. New York: W.W. Norton & Company Inc., 2010. Print.
Japan is a country that has a great impact on the world from many perspectives. Not only because of their strong economy and great technology, their culture also gives people extraordinary impressions. Japanese music as an indispensable part of Japanese culture, it is also being popular in different continents. However, “Japanese Music” is a broad topic and there are far more things we need to study and observe to completely understand beside to listen the music itself. Although Japanese music is a big topic, it can specify to different Japanese Music style or genre. In my opinion, Japanese music between religion worship and entertainment are highly linked together. Comparing the Japanese court music “Gagaku” and the Japanese folk music of religion “Shinto” Can show many similarities between these two as well as some differences.
The influence that music has throughout the world is immeasurable. Music evokes many feelings, surfaces old memories, and creates new ones all while satisfying a sense of human emotion. With the ability to help identify a culture, as well as educate countries about other cultures, music also provides for a sense of knowledge. Music can be a tool for many things: relaxation, stimulation and communication. But at the same time it can also be a tool for resistance: against parents, against police against power. Within the reign of imported culture, cross cultivation and the creation of the so-called global village lies the need to expand horizons to engulf more than just what you see everyday. It is important to note that the role of music in today’s world is a key tool in the process of globalization. However, this does not necessarily provide us with any reasons that would make us believe that music has a homogenizing affect on the world.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.