Dahl and Lawrence, A Comparison

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Roald Dahl and DH Lawrence are remarkable and splendid writers. They have their own ways of portraying the characters in their stories. This is most evident in "Tickets, please" by DH Lawrence and "Lamb to the Slaughter" by Roald Dahl, in which the female characters have differences as well as similarities.

Firstly, the difference is obvious in the lifestyles of the characters. In "Tickets, please", the women conduct the tram system entirely ("This, the most dangerous tram-service in England... is entirely conducted by girls..." - "Tickets, please" pg 131). This is common during the war because all the men are out fighting. Because of the war, the women have more opportunities to work in places where men used to dominate before, and they are more independent as they earn their own living. The women are also described as `fearless young hussies'. On the other hand, the female character in "Lamb to the Slaughter", Mary Maloney, is portrayed as a perfect and devoted house wife who waits each night for the arrival of her husband, Patrick, from work at the police station. Unlike the women in "Tickets, please", Mary Maloney does not have an opportunity to work. She is confined to staying at home and caring for her husband's needs. ("She laid aside her sewing, stood up, and went forward to kiss him as he came in... She took his coat and hung it in the closet." - "Lamb to the Slaughter" pg 137) She adores her husband and love only him, whereas the women in "Tickets, please" are less committed in their relationships and they are involved in short-term relationships. ("She loved to luxuriate in the presence of this man... she loved him for the way he sat loosely in a chair... she loved the intent, far look in his eyes..." - "Lamb to the...

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...sn't prepared to take a chance." - "Lamb to the Slaughter" pg 142). This immediately puts her on `par' with Annie in "Tickets, please", who is equally independent, if not more. Mary Maloney is no longer the loving and faithful wife as described at the beginning of the story.

In conclusion, both writers portray their female characters well. The way they portray the characters is consistent to the story and the period of time the story is set against. Roald Dahl develops Mary Maloney's character both through direct and indirect characterization, revealing her character as being dynamic through her words and personality. DH Lawrence, on the other hand, portrays the women in "Tickets, please" the way he saw women during war-time England. This sense of reality or "real-ness" is what brings the characters in both stories to life, making the stories enjoyable to read.

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