Critical Analysis Of The Line Of Beauty

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The Line of Beauty, Allan Hollinghurst's fourth novel, was published in 2004 and won the Man Booker Prize the same year, making the author widely popular in Britain and beyond. The Line of Beauty is Hollinghurst's biggest success so far, carrying both critical and financial success. It was also made into a mini – series by BBC in 2006.
The novel is set in 1980s London at the time of Margaret Thatcher's political rule. More precisely, the book follows Thatcher's second term in office from 1983 to 1987. The general idea of the 1980s is that it was a time of great change, both political and social. Young people were enjoying their excessive lifestyles, exploring their sexualities, indulging in casual sex, drugs and excessive parties thrown by …show more content…

Nick's biggest struggle is keeping these two worlds apart and protecting their borders. Nick was very accepting of his sexuality in his own mind so he did not hide it from his family and friends, but he was a character who lived by ''if you don't ask me, I won't tell you'' rules. The Feddens, Toby and his family, were all well aware that Nick was a part of homosexual minority, but Toby and his sister Catherine were the only ones who did not feel uncomfortable talking about it. He would occasionally tell them about his affairs to ''show himself to them as a functioning sexual being'' (Hollinghurst, 89). Toby and Catherine's parents, however, were not so open-minded and were ''easy about having a bender in the house as long as it's never mentioned'' (Hollinghurst, 176). Both of them, Rachel and Gerald Feddens, knew about his sexual orientation and had nothing against it, but would rather not discuss it, …show more content…

Since Hollinghurst set his novel in the past, he relies heavily on his 1980s London to tell the story. In The Line of Beauty London is both a physical and a metaphorical place. It is a blend of the classical and the repulsive, the majestic and the ugly. Much like Nick's life, London has a duality in everything. Therefore, the city is like a promised land for him, a place where he can freely express his sexuality, where he is free to live his gay life, something he could not do in his home town. Nick is fascinated by the range of possibilities London offers, including everything he has been given by the Feddens. The gardens at Notting Hill, where Nick was staying, symbolize this, offering something secret and safe at the same

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