Uttering the final goodbye is never an easy thing to do. In many cases we never have the chance to say goodbye. Deep in our subconscious, we know our final moments in this world will eventually come. The question that leaves everyone in fear is when our final moments in this world will be, and whether we are able to say goodbye to the ones we love. Literary writers compose great pieces of writing that revolve around death. Sometimes it is not the death of a person, but rather, having something being ripped out of our hands; having no control. Take English poet Anne Bradstreet’s poem, “Upon the Burning of our House, July 10th, 1666,” Bradstreet allows us to feel what she feels; when losing her home, she is rattled with anger towards God, but …show more content…
Reading Bradstreet’s poem, I see her transformation from confusion to understanding, from anger to acceptance; by her being there and seeing her house burn down she knows that there is nothing she can do, but by being there she gives herself reassurance that this was God’s plan. I for one was four hundred miles away from where he was;, even if I had left to be there the same moment his mother told me Lorenzo passed away the deed was already done. There was nothing I could have done
To this day I still feel that I am the one at fault for Lorenzo’s death. If I had not ended our engagement, deep down inside I feel he would still be here alive and in my life. That’s not the case anymore. By reading Bradstreet’s final lines in her poem, “Farwell, my pelf, farewell my store. / The world no longer let me love, / My hope and treasure lies above” (52-54), I am given reassurance that I am not at fault. There is a reason why we are in this world: we are given things that make us happy. For Bradstreet it was her home and the memories it contained, while for me it was having the company of someone I called my
Anne Bradstreet’s inability to perfect her work before it was released frustrated her to the point where she internalizes the book’s imperfections as a reflection of herself. Bradstreet uses an extended metaphor of a mother and a child to compare the relationship between herself as the author and her book. Rather than investing her spirit in God, she repeatedly focuses on trying to improve the quality of her writing with no success, “I washed thy face, but more defects I saw” (Bradstreet 13). Like a mother protecting her child, Bradstreet’s attempts to prevent critics from negatively analyzing her work of art (20). Her continuous obsession about people’s opinions consumed in the Earthly world and essentially distracted her from developing a spiritual relationship with God. Bradstreet was enveloped by her dissatisfaction with her to the point of ridiculing herself, “Thou ill-formed offspring of my feeble mind” (1). It was obvious that her mind and spiritual
Bradstreet was a Puritan and was therefore raised with a simplistic view of the world. This, combined with the fact that she was a woman, carried over into her way of writing. Her writing style was not eloquent but plain, humble, and pleasant to read. Her poems dealt with topics such as faith, family, and adversity and were easy to understand. Bradstreet had great faith which she gained through the experiences she encountered in life.
The first part in this poem, "If ever two were one" (1) sets us with expectations to continue with the reading. These words show that Bradstreet and her husband were really in love, that this love could unite two persons and make them one. Bradstreet and her husband think, act, and feel much like they are part of each other. The tone of this poem tells us that she is a very religious, because she speaks of praying and the heavens. We get the impression that she is a very dedicated person, to her family and to God. She...
Bradstreet also made it appoint to compare the sudden death of her grandchild to nature stating, “But plants new set to be eradicate, / And buds new blown to have so short a date, / Is by His hands alone that guides nature and fate”( lines 12-14). Conversely, Edward describes his loss of his child as a honor from God. Taylor states, “ Lord take’t. I thank Thee, Thou tak’st ought of mine: / It is my pledge in glory, part of me / Is now in it, Lord glorified with Thee” revealing his honor to have his child sitting with the lord (Edward lines 28-30). Both authors took their faith into great consideration when speaking of the loss of a family
What do the following words or phrases have in common: “the last departure,”, “final curtain,” “the end,” “darkness,” “eternal sleep”, “sweet release,” “afterlife,” and “passing over”? All, whether grim or optimistic, are synonymous with death. Death is a shared human experience. Regardless of age, gender, race, religion, health, wealth, or nationality, it is both an idea and an experience that every individual eventually must confront in the loss of others and finally face the reality of our own. Whether you first encounter it in the loss of a pet, a friend, a family member, a neighbor, a pop culture icon, or a valued community member, it can leave you feeling numb, empty, and shattered inside. But, the world keeps turning and life continues. The late Steve Jobs, CEO of Apple Computers and of Pixar Animation Studios, in his 2005 speech to the graduating class at Stanford, acknowledged death’s great power by calling it “the single best invention of Life” and “Life’s great change agent.” How, in all its finality and accompanying sadness, can death be good? As a destination, what does it have to teach us about the journey?
Anne Bradstreet’s poetry resembles a quiet pond. Her quiet puritan thinking acts as the calm surface that bears a resemblance to her natural values and religious beliefs. Underneath the pond there is an abundance of activity comparable to her becoming the first notable poet in American Literature. Anne Bradstreet did not obtain the first notable poet’s title very easily; she endured sickness, lack of food, and primitive living conditions during her time in the New World. Despite these misfortunes she used her emotions and strong educational background to write extraordinarily well for a woman in that time.
She narrates "It was His own, it was not mine” (Bradstreet 122, 17). After seeing her house burn, and taking away all the things that she possessed, she knows there is nothing she can do. Bradstreet, therefore, aligns her thoughts and says, “I blest His name that gave and took” (Bradstreet 14). Bradstreet as a Puritan had the belief that for one to be righteous, they had to dissolve their ties with the earthly things. Bradstreet thus tells herself that she had done something bad by forgetting the fact that it was God that owned everything. As a result, she leaves everything to God as she has reminded herself that God can at any time take anything He wants from His children (Bradstreet 15-17). The Puritans believed that man was not supposed to sin at any cost and they also believed in life after death. The poet criticizes herself for having sinned and cries out to God, “Far be it that I should repine/ He might of all justly bereft/ But yet sufficient for us left” (Bradstreet 18-19). She believes that she was supposed to leave it all to God because they belonged to Him. She knows even with all her possessions being burned to the ground, God still left her with all she needed The Puritans believed that they were not to become worldly by living in the world. Bradstreet bids farewell to her home and reminds herself that she has a permanent home in Heaven which is built by God and cannot be destroyed by fire. She writes, “Thou hast an house on high erect/ Framed by the mighty Architect/ With glory richly furnished/ Stands permanent though this be fled” (Bradstreet 43-46). The Puritans believed in life after death, and that one must not become too attached to things of the
Bradstreet’s last learned lesson is her wealth does not come from the things she gains on earth but her true wealth lies in heaven. She begins Stanzas 37-42 rebuking her thoughts of what will no longer take place in her ash filled home. Furthermore, Bradstreet gives her depiction of the “heavenly” place in Stanzas 43-48; which is built on permanent grounds and consist of expensive furniture all financed by God. In the last Stanzas of the poem Bradstreet begins focusing on the place where wealth is defined:
It dictated most of her way of living. She writes about her many struggles between her “flesh” and “the Spirit”. She is honest about sometimes feeling inadequate and wanting to digress away from God’sS way. She includes a constant tension between her selfish thoughts and what she know is the best path. It is not so much a battle between personal beliefs and what one is expected to do. Rather it is a battle between what one is doing and what one already knows is the best route in thinking and living. Bradstreet’s family moved from England to the New England in order to follow this movement of Puritans creating a new life in accordance to the church (White, p.103). So she was well aware of Christian principles and very familiar with the Bible. In Some Verses upon the Burning of Our House she talks mostly about the many vanities of this world and that one should focus on things that are eternal. She
Bradstreet’s poetry is fully religious. Being a pious woman, as everyone was at that time period, she wrote poems claiming high morals and religious motifs. Her writings were very popular among puritans who started colonizing America. His Puritan belief was the reason of her special attitude to her life, soul and sufferings. “She thought that God was so hard on her because her soul was too in love with the world. She also wrote some poems where she asked God to watch over her children and husband” (Gonzalez, 2000).
In Bradstreet’s poem ‘In Memory of My Dear Grandchild Elizabeth Bradstreet, Who Deceased August, 1665, Being a Year and a Half Old’ religion plays a key part on managing the grief of death. Being ‘with the Lord forever’ was a promise in ‘My Dear and Loving Husband’ whereas in ‘Memory of My Dear Grandchild it is used to bring comfort. The promise that Elizabeth Bradstreet is ‘then ta’en away unto eternity’ where the Puritan belief suggests she will endure for ‘forever’ and thus they shall meet again. The Puritan belief that ‘we are parted for a little while, but we shall see them again’ helps Bradstreet deal with the grief of the death of her grandchild. Puritanism has clearly permeated every aspect of Bradstreet’s life as her first act in desperate times is to look to her faith but also seeks her religion in every relationship she has whether it be romantic, with her husband, or familial. Bradstreet seeks to celebrate her faith in God through her poetry, using it as a form of worship making it a clear tool for voicing her Puritan
Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings
By reading Bradstreet’s work, a fair sense of what Mrs. Bradstreet was like can be grasped. She clearly stated her opinion of those who objected to her writing: “I am obnoxious to each carping tongue, / Who says my hand a needle better fits.” (Bradstreet,“ The Prologue”155). Bradstreet refused to give up her passion for writing even if it meant going against the opinions of anyone in her colony, including religious leaders. Although Bradstreet referred to herself as being obnoxious, her written works portray an entirely different Bradstreet. She seeks no reward or fame for her writing: “Give thyme or parsley wreath, I ask no bays” (155). Bradstreet seeks no reward for her writing because she doesn’t think her work is very good: “My foolish, broken, blemished Muse so sings” (154). She refers to her writing as her: “ill-formed offspring” (“The Author To Her Book”165). Even after her work is published she is ...
She caught severe disease after only two years of arriving in America. Her sickness and expectation of death strengthened her faith and made her consider each day as being her last day. After she recovered from her sickness, she believed that to be blessing. Her sickness became a turning point and self realization for Bradstreet. She built a strong foundation for her faith as a Puritan woman and overcame all her doubts about the existence of God and started to seek salvation from God. When her husband was a way for business, she missed him because of her true and deep love for him. Yet his absent and severe physical and emotional feeling created inner conflict between worldly desire and spirituality. Her love for her husband competed with her love for God. But by using her writing, she sustained her faith and overcame her physical
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.