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Discus the use of dramatic irony in Oedipus Rex
Oedipus Rex as a classical drama
Reflection paper about the plays oedipus rex
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Recommended: Discus the use of dramatic irony in Oedipus Rex
• The person speaking here is Oedipus. Oedipus is the main character, whose story will unravel within the play. He is the king of Thebes, after having killed his father, whom he did not know was his father and freed the land from the Sphinx. As the prophecy stated, he would come to kill his father and marry his mother.
• Oedipus addresses the entire city of Thebes in hopes that his words spread and reach the murderer, which he must either kill or exile in order to save the city from the plague.
• He curses the murderer of the previous king, Laius, whom Oedipus killed not knowing he has both the king and his father. This is a good example of dramatic irony in the play, as he starts by curing the murderer, who is himself, then continues to curse himself in case that the murderer is someone within the walls of his palace. In the end, he places a curse on himself, which said curse will take effect towards the end of this play.
• The speaker
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Creon is Jocasta’s brother, Oedipus’s brother-in-law, and is shown to serve Oedipus when needed.
• Creon is addressing Oedipus after Oedipus accuses him of planning the murder of Laius to become king. Oedipus suspects that Creon planned everything to become king, and Creon speaks out in his defense.
• Creon wants to make it clear to Oedipus that he has no intention of being the king, and has never had the desire to. He says that he would rather sleep in peace without the many responsibilities of a king than to live as a ruler filled with anxieties about his kingdom, like Oedipus is. In a way, he’s trying to make Oedipus realize that that same anxiety has caused him to thing unreasonably, as when he starts to dispute with Tiresias and accuses them of having planned the murder of Laius.
• The speaker here is Jocasta. Jocasta is Oedipus wife, which he will discover later that she’s also his mother.
• Jocasta is addressing Oedipus. Oedipus had asked her about a servant who served for
When Creon comes back and Oedipus finally hears what the oracle has to say he is outraged. Creon says "By banishing a man, or by bloodshed in quittance, since it is the blood which belong which brings the tempest on our city." (Prologue) At which Oedipus exclaims "For whoever was the slayer of Laius might wish to take vengeance on me also with a hand as
As the truth is getting revealed: "… You, Oedipus, are the desecrator, the polluter of this land." Oedipus does not believe (his choice). He (Oedipus) start to accuse Creon of truing to take his powers away (king). And still want to reveal whole truth. After talking to Jocasta Oedipus faces that he in fact might killed the king Laius. " There was s herald leading a carriage drawn by horses and the man riding in the carriage … The driver pushed.
Creon wants to be respected and feared as a king because this will prove him to be the
Later on in the play Oedipus accuses Creon of conspiring with Tiresias against Oedipus' kingship. It is at this point in the play where Creon serves as the voice of reason and logic. Dodging Oedipus' insane accusations, Creon derives at many logical, unarguable explanations in his defense. Creon argues,
My disappointment in the lack of mystery in the plot of the play was evoked by the continual clues appearing throughout the play. For example, in Oedipus's first speech to the people of Thebes, he condemns the murderer of the previous king, stating that "he will suffer no unbearable punishment, nothing worse than exile" (261-62). This is the first of a multitude of clues about the outcome of the play.
both of these men made a great number of power moves during their individual reign as king. Oedipus and Creon had to not only concern themselves with what their actions would do to them, but also their families and the people within the land of Thebes; these men had tremendous amount of responsibility they had to concern themselves with. Oedipus believed he was doing the best he could for his people by investigating his true identity in order to find out who killed King Laius, which he initially thought was which he initially thought was Creon. “So you dare to come back. Why? How brazen of you...to come to my house, you murderer! Do you think I do not know that you plotted to kill me?...” (2, 1269, 20-24). Creon's biggest move was going against Teiresias’ advice to give Polyneices a proper burial. “...no, Teiresias: if your birds – if the great eagles of God himself should carry him stinking bit by bit to heaven, I would not yield. I am not afraid of pollution: no man can defile the gods.” ( 5, 1513, 44-48). Both of these actions would prove to be detrimental to Oedipus and Creon's futures and their lives. While Creon and Oedipus may both be similarly hard headed, they are extremely different in their drives or ambitions. Oedipus is quite driven, he is not too concerned with how people see him; he just desires to get things done. While talking to his wife about his identity and ignoring her advice, he gives Choragos
Oedipus Rex, also known as Oedipus the King, is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times. The Play is about Oedipus, the king of Thebes, who unwittingly killed his father and married his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would slay him. Accordingly, when his wife, Jocasta, bore a son, he exposed the baby on Mt. Cithaeron, first pinning his ankles together (hence the name Oedipus, meaning Swell-Foot). A shepherd took pity on the infant, who was adopted by King Polybus of Corinth and his wife and was brought up as their son. In early manhood Oedipus visited Delphi and upon learning that he was fated to kill his father and marry his mother, he resolved never to return to Corinth. Travelling toward Thebes, he encountered Laius, who provoked a quarrel in which Oedipus killed him.
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
The throne of the king of Thebes was passed from King Laius to Oedipus to Creon, making Creon a noble and royal figure. Being a part of the nobility is the first part of the requirement of being a tragic hero involving being a noble and having noble character. Along with having a noble title, Creon possesses the attribute of being noble and honorable. Putting aside Creon’s pride and selfishness for now, he still has the wellbeing and safety of his country, Thebes, at heart. Creon explain...
Creon however does not become king. The power of kingship falls into the hands of Oedipus’s two sons, Eteocles and Polynices. In a fight over power Eteocles and Polynices die at each other’...
When Creon, brother in law of Oedipus accuses him of being a murder, Oedipus was really mad. He accuses Creon of betrayal and hypocrisy. In another speech, Oedipus accuses Creon for pointing him as guilty for the murder of Laius. We can see that when Oedipus says:
Oedipus starts by asking “Throw me out of this land quickly so that no other Theban eyes will see me.”(30) This shows he wants to be responsible for his fate. Creon responds to this by saying “I would have done so, but I find it necessary to seek godly advice on the matter.”(30) This shows that he would like the gods to decide Oedipus’ punishment so he doesn’t decide anything ethically wrong.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
In Oedipus at Colonus (OC), one sees the beginning of Creon's decline. Creon has now come to occupy the throne that once belonged to Oedipus. It soon becomes apparent that his vision of the proper role of a king has changed to accommodate his new-found position. The emphasis shifts from that of a king who must rule wisely to one who must rule unyieldingly. The kingship becomes a selfserving instrument for Creon in his attempt to secure the return of Oedipus and the good fortune prophesied to accompany him. Creon's notion of justice is severely distorted in OC. He becomes monomaniacal - conducting his affairs with tyranny and belligerence. For example, he threatens to harm Oedipus' daughters if the blind beggar does not return to Thebes. His view of rightness and fairness is no longer in line with that of his subjects.
Creon convinces Oedipus to call upon the prophet Lord Tiresias. He knows everything there is to know and Creon knew that he would be able to help figure out who murdered Laius. Oedipus hears what Lord Tiresias has to say about the matter and he does not like it at all. Oedipus thinks that Creon “put the prophet up to spreading lies” (188). This puts Creon in a very sticky situation with Oedipus.