Creativity and Mood Disorders

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For generations creative people have dealt with the stigma of mental disorder often attributed to them. The "mad" scientist, frenzied artist and profoundly intense writer; all have been common judgments of these professions for years. Despite the prevalence of these beliefs, psychological studies in this field have been sparse and often inadequate. To fill this investigative void, Ruth Richards and Dennis Kinney, Nancy Andreasen, and Kay Jamison developed studies to examine the link between creativity and mood disorders more completely and accurately.

Early studies of this social stereotyping phenomenon were largely anecdotal, relying on the unconfirmed psychological diagnosis of creative individuals post-mortem. Examples of this include William Blake, Lord Byron, and Alfred, Lord Tennyson who were suspected to have had radical mood swings. Painters like Vincent van Gogh, Georgia O'Keeffe, Charles Mingus, and Robert Schumann were similarly afflicted. Modern writers' mental states have also been studied with the aid of verifiable evidence. John Berryman, Randal Jarrell, Robert Lowell, Sylvia Plath, Theodore Roethke, and Anne Sexton were all hospitalized for mania or depression (Jamison, 1995). Jamison notes that "a high number of established artists- far more than can be expected by chance- meet the diagnostic criteria for manic depression or major depression...In fact, it seems that these diseases sometimes enhance or otherwise contribute to creativity in some people" (Jamison, 1995). It is not enough, however, to rely on frequency alone to support the link between creativity and mood disorders.

Recent studies have attempted to demonstrate this in a more concrete way with studies of mo...

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... Unquiet Mind, p.72). Such unique ideas and associations provide significant evidence for aid in all types of creativity.

The link between creativity and mood disorders has developed from a social stigma to a well supported reality. The recent studies by Richards and Kinney, Andreasen and Jamison provide verifiable data to support the association and Jamison's novel provides an insider's look at how manic depression can facilitate creativity. What does this connection mean for the future of mood disorders and for artists? Jamison is particularly concerned about asserting the link, weary that patients will cease taking their medication in order to stay creative and productive (Jamison, 1995). Despite these fears and despite the studies' individual weaknesses, the evidence of a link between moderate mental illness and creativity is clear and well supported.

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