Contradictory Impulses in Chopin’s The Awakening

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Contradictory Impulses in Chopin’s The Awakening “Edna Pontellier could not have told why, wishing to go to the beach with Robert, she should in the first place have declined, and in the second place have followed in obedience to one of the two contradictory impulses that impelled her. A certain light was beginning to dawn dimly within her,--the light which, showing the way, forbids it,” (Chopin 34). The possibility of a life beyond the scope of motherhood, social custom, standards of femininity, and wifedom characterize Kate Chopin’s vision of her heroine’s awakening, but Edna’s personal growth remains stifled by her inability to reconcile the contradictory impulses pulling her in different directions. Edna clearly envisions herself somewhere between mother-goddess figure Adele Ratignolle and the artist-spinster Mademoiselle Reisz, yet can not seem to negotiate a space that affords the luxury of love unspoiled by self-sacrifice and obligation. Edna’s “soul” surfaces when she allows herself to act on impulse over duty, but as Chopin’s words reveal, Mrs. Pontellier blindly fol...

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