Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of women in Antigone
Research on gender roles in literature
The role of women in Antigone
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the story of Antigone, which was a drama written by Sophocles, its major heroes were Antigone and her powerful uncle Creon the king of Thebes. Despite that they were relatives, there were some issues between them, which make them the tragic heroes of the story. The story ended by the death of Antigone, Haemon her Fiancé and his mother, while the king Creon ended up alone after he had lost his close relatives. Based on the story there were two main issues that caused Antigone and Creon to come into conflict as they did. First, was the issue of male gender. second, the main and most important disagreement is the debate of moral and divine law versus human law. In this most important dispute Creon strictly adhere to human laws and Antigone …show more content…
Ismene tells Antigone that women “were not born to contend with men,” (Sophocles p.75) showing women’s obedience and submission. Also, was stated in the same passage, Ismene says to Antigone: “we’re underlings, ruled by stronger hands,” (Sophocles p.76) a declaration of men’s offensive and “stronger hands” that control women freedom and discriminate from their fair share of respect and recognition. The only woman in Thebes who wishes to break free from these men domination is Antigone, who stands up against Ismene’s wrong obedience urging her to “submit to this,” (Sophocles p.77) and Challenge the powerful king Creon by burying her bother Polynices. By breaking Creon’s proclamation, Antigone defies the traditional gender roles women and men play, Knowing the penalty would be earthly …show more content…
(Sophocles p.72) "I myself will bury him," she conveyed to Ismene. As soon as Antigone buried her brother, she was brought to the King Creon to explain her guilt. (Sophocles p. 177) Sophocles’ play demonstrates the two sides of the moral conflict of each of the characters, which are moral law or city law; Antigone with the side of moral law and Creon with his side with the laws of the city. Antigone argue with her sister Ismene about the honoring of their brother by telling her it was her job as a sister that she should bury her dead brother. It is a responsibility that she owes to her family. She also says that the king will not "keep me from my own." In other words, loyalty to the family is above her loyalty to the city. Antigone also tells Ismene that she is ready to become a lawbreaker and die for what she thinks is right. She believes her death will not be meaningless, and it is honoring her family; and the god. Creon reply to Antigone by calling her a betrayer because of her disobedience to his law. As a king with a great power and responsibility, Antigone put Creon in a position that If he forgives her, he will become weak in the eyes of everyone. (Sophocles p. 186-187) Creon sees himself as a good ruler, which means that he cannot allow his close relatives to disobey his laws because others will do the same. Creon is irritated that
Antigone is the niece of a king and goes against her uncle’s command when he says that Polyneices isn’t allowed to have a soldier’s burial and his body must be left in the desert to rot. Antigone decides to bury him anyway because she values god’s law of burial over her uncle’s rule. Antigone tells her sister “Ismene, I am going to bury him. Will you come?... He is my brother. And he is your brother, too… Creon is not strong enough to stand in my way” (Sophocles 694). Antigone values her brother over her uncle & she believes in god’s law over Creon’s decision. King values equality and common law. He dictates “It is unfortunate that demonstrations are taking place in Birmingham, but it is even more unfortunate that the city’s white power structure left the
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
The conflict between Antigone and Creon arises when she decides she must honor her brother's death and gives him burial. (line 72) "I myself will bury him," she expressed to Ismene. Once Antigone has buried her brother, she is brought before King Creon to explain her actions. (p. 177) Sophocles presents the two sides of the conflict, moral law versus city law; Antigone expresses the side of moral law and Creon expresses his side with the laws of the city. Antigone begins by telling her sister Ismene it was her duty as a sister that she should bury her dead brother. It is a duty she owes to her family. She also expresses that the king will not "keep me from my own." In other words, duty to the family is above her duty to the city. Antigone also tells Ismene that she is willing to become a criminal and die for her beliefs. She believes her death will not be in vain, and it is honoring her family; and the gods, in turn, will recognize...
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
We come to know of Antigone's plan to bury her brother in the prologue. She confides to Ismene that she knows of Creon's edict, but that she intends to defy it. At Ismene's protests of not defying the king's orders, Antigone states that there are higher obligations to the dead and the gods. She points out (lines 85 - 91): "I will bury him myself, and even if I die in the act the death will be a glory. I will lie with the one I love and loved by him - an outrage sacred to the gods! I have longer to please the dead than please the living here: in the kingdom down below I will lie forever. Do as you like, dishonor the laws the gods hold in honor." Antigone feels it is her duty to bury her brother and is in her view fulfilling a higher law. She believes that she is acting according to her religious duty and that she cannot dishonor the laws the gods have established. Here Antigone appears to be a selfless and compassionate individual, willin...
In Sophocles’ Antigone, the idea that women are lesser than men is not only challenged, but also demonstrated. Antigone breaks the conformities for a typical woman in ancient Greek times, which makes Creon, a man who does not believe in women with power or intelligence, livid. After trying to persuade Ismene to join her, Antigone continues her already rebellious and abnormal behavior by breaking Creon’s edict to not bury Polynices. When Antigone is caught by guards, she is brought before Creon where she is sentenced to her inevitable death. However, Ismene rushes to her sisters side trying to take credit for the burial of Polynices—another atypical move of the general
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
In Sophocles’ drama Antigone, he develops his characters to convey that who they are influences what they do. Sophocles slowly reveals Creon’s misogynistic attitude. Creon disagrees with Antigone’s decision to bury her traitorous brother and has difficulty accepting her willingness to defy the state as well as his authority. In his mind, her actions are disgrace and he believes she is challenging his sovereignty and trying to challenge the gods’ wishes by refusing to submit to male authority. At the heart of Sophocles’ play is an argument about questioning authority and Creon would rather die than be bested by a woman. Creon’s sexist attitude towards women leads to his downfall and the end of his reign as king.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Sophocles opens the play up after Eteocles defeated Polyneices to be the new ruler of Thebes, and leaves Polyneices body outside to rot for challenging him for power. These were two brothers that were torn apart because of their need for more power. Antigone does not want her brother’s body to rot on the street and plans to bury it properly with the help of her sister, Ismene. This is directly against an edict Creon has proclaimed saying to leave the body alone. The significance in their defiance is greater than just a power struggle because it is the first time in this anthology we see a woman defy a man’s order. Previously men have not had to worry about women when it comes to power, because they did not question what they were told to do. Antigone’s defiance of Creon causes Haemon, her fiancé, to defy his father trying to free Antigone from a certain death sentence. This action of defiance leads to Creon freeing the women which upsets the gods. The gods are upset in the way Creon has handled the opposition shown by Antigone, Ismene, and Haemon. Woman fighting for power has caused Creon to act against the gods and ultimately the death of his wife and children as
Antigone was not about to simply obey Creon’s absurd decree. She felt that her personal responsibility was to the gods and her family rather than the king. She then asked Ismene, her sister, to assist her with the burial, but was denied any help. Ismene justified her decision by telling Antigone that they were already punished and that there was no need to make matters worse for the two of them by defying Creon’s law.
You shall leave him without burial...” (222). Opposing the king, she neglects the decree and is now to die at the orders of the law for being disobedient; yet Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states: “No; though she were my sister’s child or closer in blood than all that my hearth god acknowledges as mine, neither she nor her sister should escape the utmost sentence-death” (530-33). Bobrick, explains that Creon values the love for his land more than he values family and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man and the laws of the god’s. The second struggle Antigone faces comes when she realizes she is alone. Antigone confides in her sister Ismene with her plans to disobey Creon; but Ismene, a clear example of how a lady was obliged to be in this time, urges Antigone not to commit the act. Antigone rejects her advice and declares that Ismene is an enemy to her now (41): “If you talk like this I will loathe you, and you will be adjudged an enemy…” (109-10). Antigone must fight on her own. Thirdly, per Bobrick, Antigone