Comparison of Boccacios Lisabetta and Keats' Isabella
In Keats's version of 'Decameron' he uses the original as a base to
reflect his own style and writing techniques. He basically makes it
his own and he does this in a number of ways. The most obvious of
these adaptations is the fact that Keats has turned a novel style
piece of writing into poetic verse.
'Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in loves eye!'
This is the first two lines of Keats's Isabella, from the start Keats
uses imaginative description, this again is another difference of the
two. Boccaccio's writing is far more factual, this creates a good
affect but Keats chooses the other option and lets his imagination and
also the reader's imagination to tell the story.
'Know then that there were at Messina three young men, that were
brothers and merchants, who were left very rich on the death of their
father'
As you can see by comparing the two beginnings of each piece, it is
easy to see their differences already. In the beginning of Keats's
version he immediately refers to the lovers, he bases his whole poem
around the love of these two people, however Boccaccio's original is
quite different, he starts off by talking of the brothers, and he
instead of love his story revolves around murder and treachery. This
major difference could be put down to the fact that the two pieces
were written 4 centuries apart, Boccaccio's being written in the 14th
and Keats's in the 18th. This I feel plays a huge part in the
differences between them, writing styles had changed dramatically
since Boccaccio wrote the original 'Decameron'. This is clearly
visible in the languages they both use, Boccaccio uses old
contemporary grammar and Keats's uses a far more modern style and
language.
'With every morn their love grew tenderer
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill'
no voice of his own, but all accounts affirm to the reader that he is
it was a sin of the bible. It was always a lot easier for women in
The critic had suggested that a poetic translation of the 14th century works by the Italian writer Boccaccio ‘could not fail in the present day’. Keats’s poem is based upon the Italians story called the ‘Decameron’ in which Isabella’s love strengthens due to her loss of her true love, Lorenzo, who her brothers were unable to accept into the family and so disposed of him. The fact that the poem is based upon someone else’s story may have got the poem ridiculed by critics because it was not original; also Keats was not yet a well established poet (as he was from a humble background) and so he might have been ridiculed for using other authors hard work just for profit and due to the fact that someone else thought it would make money Keats may have been scorned as he couldn’t come up with his own inventions. ‘Stealing’ ideas from another may also have caused mocking at Keats’s ability to produce his own works.
The developments of citizens were influenced by the achievements of the leaders in their society. In most cases leaders were men as the ancient world was a male dominant society but every now and then due to the circumstances forced upon them some women would rise to be leaders. This was very true in the case of Boudicca due to the circumstances and ill-treatment of her family she rallied her people to take on the might of the roman empire but Zenobia was in a unique position in a society that tolerated the influence of power and women even so she had to improve herself. These women forged a place in themselves in history by their action and achievements providing rule models for future generations.
Michelangelo hovered around the couch where April lay, perched like a crouching lemur over the back as anxiety tightened his brow. Restlessness bit at his heels, and it kept him fidgeting on his feet. April's tossing did not help. If only he could read minds! Then, perhaps, he could do more for her . . .
The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the
The Mona Lisa is one of the most famous art works of all time by the Italian artist Leonardo Da Vinci. This portrait was done in oil and it is a piece that looks very real. On the other hand, “Wynwood’s Finest” is a well-known mural by Abstrk, who is an artist from Miami. This piece is graffiti on a wall and it looks more animated, fiction like, than the Mona Lisa.
A Comparison of ‘To His Coy Mistress’ by Andrew Marvell and ‘Cousin Kate’ by Christina Rossetti
Imagery is a primary literary technique a poet uses to capture the readers or listeners senses. We gain comprehension of the world through the use of our sense. Therefore, how the reader perceives a poem is always the most important aspect every poet considers whilst writhing. The images of a poem have the ability to appeal of each of our senses, taste, smell, touch, hearing and sight can all be heightened by certain aspects of poetry. The imagery of a poem has the ability to transport us into a different place or time, allowing the reader to experience new observations. When used correctly, imagery has the ability to form an understanding of different emotions the poet tries to address through their poetry. The sounds and diction incorporated into a piece also plays a role of major importance. The use of similes, metaphors, alliteration, personification and countless other forms of literary techniques, all add a sensual feeling and experience to poetry in an assortment of ways. In the Odes of John Keats we are witness to an extensive use of literary techniques. Keats uses a variety of approaches in order to evoke the world of senses throughout his poetry. His Odes ‘on Indolence’ and ‘to Psyche’, ’a Nightingale’, ‘To Autumn’ and ‘Ode on Melancholy’ all demonstrate Keats amazing ability to arouse the senses of his readers with his diverse and vast use of literary and poetic techniques.
John Keats’ belief in the beauty of potentiality is a main theme of him great “Ode on a Grecian Urn.” This idea appears in many of his other poems that precede this ode, such as “The Eve of St. Agnes,” but perhaps none of Keats’ other works devote such great effort to showcase this idea. The beauty of the Grecian Urn (likely multiple urns), and its strength as a symbol, is a masterful mechanism. Just about all facets of this poem focus on an unfulfilled outcome: but one that seems inevitably completed. Thus, while the result seems a foregone conclusion, Keats’ static world creates a litany of possible outcomes more beautiful than if any final resolution.
The mysterious smile of the painting Mona Lisa and her tenderness directly carry my imagination to the Renaissance era. Before the Renaissance liberated the thought of the public, most artworks focused to eulogize the holiness of God. The Renaissance successfully freed people from the shackles of theology and affirmed the value of human beings. Mona Lisa represented the highest art level of the Renaissance and became an important legacy for later generations to feel the spirit of the Renaissance. In this paper, I argue that Mona Lisa was a representative artwork of the humanism spirit of the Renaissance. The artist Da Vinci who created Mona Lisa managed to express the charm of human beings with delicate brushwork, exquisite expressions and
John Keats was one of the greatest poets of the Romantic Era. He wrote poetry of great sensual beauty and had a unique passion for details. In his lifetime he was not recognized with the senior poets. He didn’t receive the respect he deserved. He didn’t fit into the respected group because of his age, nor in the younger group because he was neither a lord nor in the upper class. He was in the middle class and at that time people were treated differently because of their social status.
his own. To him, this is a fate worse than death, and he would rather
Author of poetry, William Butler Yeats, wrote during the twentieth century which was a time of change. It was marked by world wars, revolutions, technological innovations, and also a mass media explosion. Throughout Yeats poems he indirectly sends a message to his readers through the symbolism of certain objects. In the poems The Lake Isle of Innisfree, The wild Swans at Cole, and Sailing to Byzantium, all by William Yeats expresses his emotional impact of his word choices and symbolic images.
There is no life without death, and no death without life. Life and death mutually define each other and without one, the other would have no meaning. Keats was an English poet very concerned with death and human mortality. His poems usually deal with his struggle to accept his own mortality and his attempt to flee from reality into a world of immortality. This poem, “To Autumn”, which Keats wrote after observing an autumn evening, is seemingly simplistic and purely descriptive. However, underneath the surface, Keats has finally begun to accept the difficult truth that death is inevitable. Through the poem “To Autumn”, Keats urges humankind to accept death as a natural part of human life and to recognize the beauty in death.