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Versailles and Katsura Palace
Versailles Palace located in the city of Versailles, northern France, and is about 10 miles southwest of Paris. It was a former French royal residence and was built for Louis XIV by Louis Le Vau, architect; Charles Le Brun, painter; and Andre Le Notre, landscape architect. The gardens of Versailles represent the classic French Garden style. Katsura Palace located in the southwest suburbs of Kyoto, Japan. It was built for Prince Toshhihito by planner, Kobori Enshu in seventeenth century. The garden of Katsura is a masterpiece of the Japanese gardens, and the beauty of the garden lies in the harmonu of the simple, sophisticated appearance of the buildings and the fantastic scenery of the garden. There are many different
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Specially, Versailles showed off Louis XIV power, Sun King. The central axis which crosses the Sun King room in the palace is in line with the sun’s path. The room was the focal point and the sun round which the lesser stars of the court revolved. The main axis connects the Fountain of Latona and the Fountain of Apollo which is a rich with mythological symbol and also an allegorical representation of the Sun King by means of ancient mythology. Moreover, it communicated the message that Louis XIV was not only as glorious as the Sun God but also enjoyed a status equal to that of the greatest emperors of all time. The central axis gives the optical impression of becoming lost on the horizontal because it presents the powerful and world renowned illusion of extending for eternity along the west horizontal, where the sun sets. The main axis lost on the horizon, leaving one with the impression that everything is subordinated to the laws of geometrical order which rules of the world whose only direction is the Sun King. The geometric design of the garden shows the controlling nature of human. On the contrary, the Katsura garden contains the essentials of Zen Buddhism, and was intended for occasional occupancy as a place for reflection, relaxation, creative works, and contemplation of nature. The Katsura garden was designed asymmetrical without a main axis. The bamboo wall around the garden presented a distinct harmony between the natural and artificial. It is different with Europe style which the trees are created into artificial patters. Structure of the bamboo wall showed the subtle artistry of the designer who did not take a natural form and bend it to his will. The tea houses where people enjoy tea into a spiritual ritual symbolizing detached perfection in the Zen Buddhism were set in a Zen inspired landscape. The tea houses were designed with small irregular structures that
While England lost its power to the nobles, France was able to control them .Instead of having the live among the peasants and the middle class, Louis XIV built the Palace of Versailles in order to force the nobles to be near the king to make sure that they were unable to create conflict with the will of the monarch. This way, the nobles no longer were the people that the middle class would run to when they had a
In The Book of Ser Marco Polo, chapter X (Polo, 2) tells about Genghis Khan great Palace and how unique the building was structurally and by design. Polo stated how Genghis Khan palace was so vast, so rich, and so beautiful, that no man on earth could design anything superior to it. The walls were covered with gold and silver throughout the palace. Not only was his palace was so extraordinary and unique, ther...
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
-I chose this topic to write about because the roles of woman have changed from days of the past to today’s women roles. Being that I am a woman in today’s society I couldn’t imagine what it would have been like to be a woman of the past. The two women I have decided to compare are Marie Antoinette because she was born the same month and day I was born and Cathay Williams a.k.a. William Cathay who was the first African American woman to enlist in the U.S. Army; these two completely opposite woman I think would be an interesting topic. I will give you details about both women and compare their roles with each other, and how did their role affect other women during their time periods. I will also try to imagine, what both woman would think
The Monticello mansion lies atop a mountain which bears its namesake, the home is surrounded by an elaborate garden which grows an unrivaled variety of plants. The complex possesses forty-three rooms is 110 feet long, 90 feet wide, and over forty feet high in some areas. This combined with the thirteen feet thick walls, culminate to offer roughly eleven thousand square feet of living space. The home possesses an iconic octogonal dome over its central portion, numerous skylights, and an altogether unique design, reflecting the innovative mind of its owner. Monticello borrows heavily from Roman and Renaissance styles, with some influence from Enlightenment France as well, culminating in a masterpiece of engineering. The home is symmetrical
The palace of Versailles was built by King Louis XIV of France and the Escorial was built by King Philip II of Spain. The two kings each had their differences about their beliefs on how to rule, yet there are some similarities. Louis XIV believed in showing off his power and being open. Philip II was a simplistic guy devoted to Catholicism. They both had military to spread their beliefs and ideas. Despite the kings’ beliefs, their palaces reflected their ideals.
The actual building itself appears similar to a castle. The architecture had royal features due to the triangular points on the top of the building. There were three open doors; one big main entrance in front, two small side doors, and all the guests entered through the main entrance. Once I walked in, a big gold Buddha was centered in the back surrounding multiple iconic religious statues. There seemed to be about a hundred religious statues highly dazzled in silver or good.
For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.
The temple’s main chamber contains a massive statue of the Buddha. Along the walls of the chamber are numerous paintings related to the history of the Buddha’s ascension. Underneath each painting is a historical excerpt of the Buddha’s ascension, and each painting is numbered and ordered chronologically along the walls. The tone these paintings set makes it clear that the Ying family, and indeed all those involved with temple, greatly value the Mahayana traditions and philosophies.
One of the most important elements of Versailles that affected Louis XIV’s reign was the use of propaganda. The Palace contained “paintings, statues, tapestries” (Page) and a general grandness that significantly promoted Louis’ name. Louis himself was a “prominent subject in the artwork” (Montclos 330) and was portrayed as handsome and god-like. Even in the aspects of the Palace where Louis wasn’t literally being represented, the grand nature of Versailles sent out a message that the King was living lavishly, and was therefore very powerful. Louis XIV used the grandiosity of his Palace and the art inside to promote himself to his people.
The Palace of Versailles was the official home of the Kings of France from 1682 until 1790. Originally, a hunting lodge built in 1624 by Louis XIII, but then was expanded by Louis XIV in the beginning of 1669. With beautiful architecture and amazing landscape, it is one of the most well- known and beautiful palaces in France. Its garden is so unique and one of Europe's largest. It played a huge responsibility in French government and was used for some of the biggest meetings of Kings and Queens. It is a very reflective place for the French and showed a basis of culture for the people. The small structure became the base on which was constructed into one of the most extravagant buildings in the world. The Palace of Versailles is a famous French landmark due to its elaborate construction, its role as a center of government, and its influence on French culture.
...y this naturalistic area. The building is quite congruent in space, divided only by the only two entrances to the edifice. Circulation in this design is moderately simplistic due to the corresponding angles being completely identical. The symmetry is being used as an aesthetic element to express the calm environment it is supposed to be. This systematic expression can be found all throughout the structure. Whether it is the windows, the set of stairs and even the columns, the simplicity is being allocated.
Japanese aristocrats from at least mid-eighth century customarily had gardens near their homes. During the Heian period, a somewhat standard type of garden evolved in accordance with the Shinden type of courtier mansion (Bring and Wayembergh, p. 28-29).... ... middle of paper ... ...
The palace setting is important because it represents the essence of our society; rules made by man and kept in line with our society’s norms. Humans struggle to suppress their unrestrained and irrational tendencies, still today, discourages the "civilized' man from making rash and foolish actions. Therefore every action should have a sound and logical purpose, based on social norms.
The pavilion is significant figure in the history of modern architecture, regarded to be influential with its open plan and use of exotic material. There is a blurred spatial demarcation where the interior becomes an exterior and exterior becomes the interior. The structure constantly offers new perspectives and experiences, as visitors discover and rediscover in the progress of moving throughout the in’s and out’s, a non directional conforming circulating movement pattern. To facilitate this movement, even though it is a visually simplistic plan, its complexity is derived from the strategic layout of walls with its intimation of an infinite freedom of