Comparison Of The Passionate Shepherd To His Love

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Writing down on paper has been an emotional coping mechanism for humans throughout history. For instance, pastoral poems can show the writer’s use of a shepherd to express their beliefs on love or other thoughts. Similarly, songs can express emotions toward a subject in a lyrical approach. In Christopher Marlowe’s pastoral poem “The Passionate Shepherd to His Love” and Tim Rice’s song “A Whole New World,” although distinct platforms, they both utilize rhyme, repetition, and imagery. Renaissance poets, such as Marlowe, use metrical patterns and rhyme schemes to create a musical quality. In “The Passionate Shepherd to His Love,” there is iambic tetrameter with a rhyme scheme of aabb ccdd etc, “Come live with me and be my love, / And we will all the pleasures prove / That valleys, groves, hills, and fields, / Woods, or steepy mountain yields” (Marlowe 1-4). The ending of every last word such as ‘love’ and ‘prove’ or ‘fields’ and ‘yields’ creates a natural beat for the reader to follow. In contrast, Rice’s song “A Whole New World” is accompanied with a soundtrack due to its lack of a uniform rhyme scheme. The song’s first two stanzas show a rhyme scheme of abbc deef, but the stanzas that follow show do not “A whole new world / A new fantastic point of view / No one to tell us no or where to go / Or say we're only dreaming” (Rice 9-12). …show more content…

In “The Passionate Shepherd to His Love,” the line “live with me and be my love” (Marlowe 1, 24) is the first and last line to create a “entering” and “leaving” effect of the same message. Likewise, “A Whole New World” repeats the line “a whole new world” (Rice 9) countlessly throughout the song, especially during the chorus. The word “world” is nearly in every stanza to build emphasis on the newly found point of view. Despite the varying stress on repetition, both “The Passionate Shepherd to His Love” and “A Whole New World” stress a message to the

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