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Discuss the father/son relationships in hamlet
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Throughout the entire story of Hamlet there was a main theme. Sons trying to get revenge for their father’s murders. Both Laertes and Hamlet thought that they must avenge their father’s murder, however, their murders could not have been more different. Hamlet’s father was murdered out of cold blood by his brother Claudius who wanted to be king. Polonius, however, was murdered by Hamlet thinking that he was Claudius. Polonius put himself into that predicament though by spying on Hamlet. Thereby Laertes was not so much justified in trying to kill his father’s murderer as misinformed about what really had happened. King Hamlet was a great man according to Hamlet and never did anything even remotely deserving of death. So Hamlet was better justified in his quest to get revenge for his father’s murder.
Let’s start with King Hamlet’s murder. In the beginning of the play we learn about King Hamlet’s death. Now everyone thought he was killed by a snake while he was sleeping in his garden. So
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For instance, they both love their fathers to the point of seeking revenge on the ones who killed them. Laertes went ahead and raised an army to go against Claudius who he thought was the one who had killed his father. That shows that he cared greatly and wanted to avenge him. Hamlet likewise went to great extents for his father. He faked insanity so that no one would be suspicious of him trying to kill Claudius. He rigged the play to try and get Claudius to admit his crime. Another similarity between the two is that they are both very well skilled in fencing. Now this ties into Laertes getting revenge for his father’s in that Claudius set up a fencing match against Hamlet and Laertes as an extra precaution says “I’ll touch my point with this contagion, that if I gall him slightly, it may be death.” (4.7.160-162) So he plans to dip the end of his sword in poison so that if Hamlet receives even a scratch he will be
As presented in the movie, Laertes is a sore loser. The text version of the play has Laertes simply say "No" after Hamlet scores his first hit. In the movie, Laertes shows much more emotion. His anger at Hamlet is obvious, and his frustration at being hit is evident, as he screams in protest to the mediator's call. Then, to show what a poor sport he is, he lunges at Hamlet when Hamlet turns his back to Laertes. Laertes didn't have enough courage or faith in his own fighting ability to take a fair shot at Hamlet and succeed. After the second hit, Laertes demonstrates much the same emotions, screaming in frustration and anger. In the text of the play, Laertes agrees with Claudius to fight Hamlet and use poison on his blade to kill him. As presented in the text, Laertes killing Hamlet will be enough for his revenge. However, in the movie, it is obvious through his actions and mannerisms that it is not enough for Laertes to merely kill Hamlet, but he has to make Hamlet look like a fool while he is doing it. That is why Laertes becomes so upset in the movie when Hamlet gains a hit; Laertes wanted to discredit Hamlet before he killed him.
Hamlet questions what may or may not happen however Laertes just wants the revenge fast and effective. Although these characters have different standards when it comes to revenge, they both immediately blamed and directed their anger towards Claudius when they found out their father’s were dead. Hamlet’s reason to blame Claudius is simply because he is his father’s murderer. In 1.5 while Hamlet is talking to the ghost of his father he says, “Haste me to know ’t, that I, with wings as swift/As meditation or the thoughts of love/May sweep to my revenge” (Shakespeare 1.5.31-33). At first is seems as if Hamlet would seek revenge right away because he seems eager to find out who the killer is and when he does find out he says he knew it was Claudius all along. He is furious and after this part in the play, Hamlet’s anger is mainly focused on Claudius. On the other hand when Laertes found out Polonius is dead he went straight to Claudius assuming it was him. By doing this he shows that he is controlled by his impulses unlike Hamlet who waited until he got proof to act on his fury. Laertes also blamed Claudius for not giving his father a proper burial, which can relate to Hamlet’s anger too because Hamlet felt as if there was not enough mourning for his father death. Not only did they both lose their fathers, but they both lost Ophelia, a female figure in their lives that they both loved.
Like Hamlet, Laertes in this play was fighting to achieve a similar goal. Following his father’s death by Hamlet, Laertes took it upon himself to duel Hamlet in order to seek revenge. Humans often have a similar motive which is to achieve their goals regardless of the consequences they would have to deal with for the sake of bettering their futures. For Laertes to continue on with his life being shadowed by the guilt of his father’s murder while he was away meaning to enjoy life would be more than what he could live with. His need to duel Hamlet not only for the sake of being a good son, but also proving himself to others around him shows that his ego and pride also played a role in his goals and we understand that motive when he says “Let come what comes; only I 'll be revenged most thoroughly for my father”. His battle with Hamlet not only resulted in Hamlet’s death but also his, which for most readers would seem an honorable death. Although Laertes’ character was not a major example of “reconciliation” in the play, it portrayed a vivid idea behind a human’s need to revisit the past to rid themselves of any guilt that may come back to haunt
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
Laertes ' hatred for Hamlet initially perplexes him. Claudius easily persuades Laertes into seeking revenge for Polonius ' death on Hamlet. Hardison notes how effortlessly his Claudius manages to influence Laertes character, as "once in the power of Claudius," Laertes "engages himself to perform acts of unmitigated treachery-- acts which are in direct violation of his own code of honor" (Hardison 157). Before Laertes dies, however, his views shift to the views he will die with, proclaiming:
Laertes, on the other hand, was quite the opposite. He was all action and no talk. A very headstrong character, he was rash and let his emotions make his decisions for him. an example of this is when he finds out about his father's death, he immediately assumes it was Claudius and enters the castle by force, fully intending on killing him. This is what Hamlet needs to be like, but only in moderation. Sometimes, when the time calls for it, you must act on instinct, without having to think it through for a couple of days. Hamlet didn't want to be brash and end up getting killed like Laertes did, but then again, Laertes did avenge his father's death a lot faster than Hamlet did. And in spite of all the thinking and planning, Hamlet still ended up the same way that Laertes did.
Laertes is looking to seek revenge on Hamlet for killing his father and eventually his sister later in the play. "I dare damnation. To this point I stand, that both the worlds I give to negligence, let come what comes, only I 'll be reveng 'd Most throughly for my father." (4.5.132-135). Laertes is very different in the way he is going about seeking revenge, he is willing to kill any and everybody with no hesitation to revenge his father’s death unlike Hamlet, who is contemplating throughout the play on if he should or shouldn’t kill the necessary people in order to seek revenge.
Association with their families makes Hamlet and Laertes even more similar. The love and respect that they have for their fathers bring them to life threatening situations. Hamlet compares his father to a sun god “Hyperion” and similarly Laertes highly respects and loves his father Polonius.
William Shakespeare’s play Hamlet strikes many literary chords and themes. It primarily chronicles a quest for revenge, political intrigue and a slow descent into madness. Throughout the play, two men of different rank and intellect; Hamlet and Laertes are portrayed in this play as each other’s foils. Hamlet who has lost his father in the hands of his uncle and Laertes who has lost his father in the hands of Hamlet, seek out similar goals but in very distinct ways. Hamlet and Laertes both go through stages of their carving vengeance to finally fulfill their goals of killing their fathers’ murderers. The readers detect that Hamlet goes in the path of plotting and deceiving to kill Claudius whereas Laertes goes in a more haste and reckless path
It is the idea of revenge that sends a cool shiver down the spines of justly men when they begin to question as to why someone would stoop to such a level. But yet it is still more than an idea for revenge has been carried out in various forms along all the eras of history side-by-side of that of novels and tragedies. Even so, revenge is still a dark scheme; an evil plague of the mind per se. It is such a plague that will turn even the greatest persons of the brightest, optimistically capable of minds into lowly, as well as lonely, individuals. Thus, revenge will, and can, only end in despair and agony of the mind. Therefore, provided that all that has been said is true, revenge would appear quite unseemly to the observant onlooker. However, taking an in-depth insight into revenge you can uncover quite a compelling feature, which is best summed up into one word. Pride. Pride is the one clear motivational proprietor needed to push a protagonist into the downward spiral of personal vendetta. Without pride, revenge is no more than a mindless massacre of flesh and bone ending in the obliteration of any hope for reconciliation.
Hamlet's response to the grief of his father is very different from Laertes. Laertes responded immediately to the death. He showed his anger to others, he didn't hide it inside. He is also suspicious, it's evident in his speech to Claudius, he asked, "How came he dead? I'll not be juggled with. / To hell, allegiance" (Act 4, 5: 130)! Hamlet however is very private with his grief. He mourned long and hard for the death of Old King Hamlet, even two months after his father's death, after his mother's wedding to Claudius. He is still observed by Claudius and Gertrude to be wearing " . . . Suits of solemn black"
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
He has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most throughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability to
On top of that, I was shocked to see that Laertes was hesitant in killing Hamlet. He said, “And yet it is almost against my conscience” (V, ii, 324). Laertes’s reluctance to kill Hamlet makes him seem like a more moral character than Hamlet. Laertes hasn’t done anything wrong in the play that we know of. All we know is that his dad was worried about his and he sent someone to spy on him. This is quite a contrast to Hamlet who directly killed three people. By having Laertes say this line, it made me like his character more. However, in the end, he still ends up killing Hamlet, which makes me