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ORIGINAL ROLES of women IN LITERARY TEXTS
Women representation as characters in the 17th century
Women representation as characters in the 17th century
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'My Fair Lady' (1964) and 'Pretty Woman' (1990), both based on the 1938 film adaptation of the original 1913 stage play Pygmalion by George Bernard Shaw, are both widely immensed blockbuster movies who have made it to the 'classics' list of movies that never get old, gaining infinite fame and success. The female audience swoon over the movies, wishing for a Prince Charming, a Henry Higgins, or a Edward Lewis to magically appear before them, for who wouldn't want to live the life of a woman who goes from rags to riches in a few days and falls madly in love with her savior? What woman wouldn't want to be swept away, rescued, and redeemed into heterosexual heaven? To be completely transformed into societies perfect image of what a woman
During the course of the spring semester, as a class, we read and watched movies about fallen women and femme fatale in American Literature. Throughout each piece that we studied, I have chosen a book and a movie that I believe will compare and contrast effectively. We watched a movie in class written by J.F. Lawton called Pretty Woman, a movie that made a tragedy into a love story. This story exposed the life of a prostitute in Los Angeles, California. The prostitute, Vivian, happened to give directions to a rich man because he was lost, which led to her staying the night in his hotel room. The man needed Vivian to be his date on a social outing, which later led to more. On the other hand, during the semester we read a book by James M. Cain titled The Postman Always Rings Twice, a book that verbalized a forceful story. The story was about a girl named Cora, a prostitute who lives in a hash house. Then along the way she meets a man named Nick, whom she eventually marries. However Cora has a discomfort of being around her husband that provided her with a pretty virtuous lifestyle. Her solution to her discomfort creates problems that lead to more threatening problems. The movie and the book were both about women being saved from a place they felt undesirable. One fell in love after prostitution while the other never felt love. Now, with that in mind, The Postman Always Rings Twice is more realistic because Cora’s life explains the outcome of a prostitute that readers can relate to unlike Vivian from the movie Pretty Woman whose life is not a realistic outcome that readers can relate to.
Pretty Woman, 1990s Hollywood movie, embodies many new as well as old values and ideologies. I was surprised when I saw that, the old themes and sexual stereotypes are not completely abandoned, but the old portrayals of gender stereotypes are transmuted.
My paper will cover the 3 theoretical perspectives in the film My Fair Lady. I will explain each perspective and after give a few examples from the movie itself accordingly to the perspective they belong in. When I did these analyses the major thing that I noticed was how much inequality there is in this world. I think the symbolic interactionism fits best for this movie because through this movie most of the people relied on personal interactions with each other and not institutions.
Pleasantville, directed by Gary Ross (1998), is a movie about a small town named Pleasantville. In this town everything, from the behaviors of citizens to the way the houses appeared, was perfect. Throughout the film, the town slowly began to change from black and white to colored showing how the citizens began to realize it was okay to be different. In the end, nothing and no one was the same. This was a great example of how times have slowly been changing for the better especially for women. In the film Mona Lisa Smile, directed by Mike Newell (2003), women were shown as up and coming. They were doing male dominant jobs like being a professor and studying new classes. Ms. Watson, their professor, pushed these women do follow their dreams
Marla Maybrey, first introduced as a small-town, devotedly religious beauty queen on the rise to achieve stardom, is a girl who’s strict, unwavering standards contradicts those of the laissez-faire society of Hollywood in the 1960’s. The opportunity to enter a world with different rules of engagement then what she previously knows, exposes her to the prospect of questioning the ideals she once held as absolutes, presenting the idea that morality is relative and shaped by
Millar, Jeff. "The Rise and Fall of Everyman: `American Beauty' Proves Potent Family Portrayal." Houston Chronicle 24 Sept. 1999, Star ed.: 1. Academic Universe. LEXISNEXIS. Madden Lib., Fresno, CA. 13 Apr. 2000 <http://web.lexis-nexis.com/universe/>.
Jane Campion's film version of Henry James's novel, The Portrait of a Lady, offers the viewer a sexually charged narrative of a young naive American girl in Victorian era Europe.
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
Have you ever seen immoral films? I have. According to the dictionary of American English (4th Ed. Longman), Immoral is defined as morally wrong, and not acceptable by society. Pretty Woman and Breakfast at Tiffany’s are two very immoral movie pictures. Although, they have a lot of differences; however, they are similar in three specific ways: their attraction, their poverty, and their transformation
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
over his wife as he refers to her as a belonging; it also shows that
and many more. These films have shaped the behaviors and characters of both the feminine and masculine species in the society.
This story, know known to all, shifts the standards of gender roles in modern movies. “Hidden Figures” empowers audiences, specifically young women, everywhere. Their message of overcoming the impossible inspires society to break traditions. Audiences are left with a message in their hearts that “once you [take] the first step, anything [is] possible” (Hidden Figures