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Both Fences and Death of a Salesman occur in the late 1940’s to 1950’s. At this time after World War II, American women developed a role of homemakers. Many women acted as subordinate housewives within this time, and Linda and Rose are no exception. While the women do portray characters that are typical homemakers, they challenge this idea with each of their positions at the end of the plays. Each woman evolves from the stereotypical housewife to an independent, self relying woman throughout the story. In Death of a Salesman, Linda spends the entirety of the play covering up for Willy and justifying his action to their sons. The play opens with a tired Willy confused and dazed after a long business trip. Linda wakes up and immediately starts assisting him because he is too dazed to …show more content…
Linda blames everyone but Willy for his insanity, including their son Biff. Linda is so loyal to Willy at the beginning of the play that she is willing to throw her own son under the bus if it means defending Willy. Linda states that Willy only becomes distraught when Biff is around because Happy has disappointed his father so much. Biff views his mother as very fragile but still respects her as the lady of the house. He comments on how grey her hair has gotten, adding to her frail image. Linda is a pacifist who is unable to defend herself. Linda is never seen anywhere other than the house in the play, adding to the “homemaker” idea of this time period. She is always waiting for Willy when he gets home and dutifully keeps the house in order. She is constantly folding laundry or cooking, stereotypical woman ideals. When she buys a new type of cheese, Willy gets honestly angry with her because he does not like change and this
Willy Loman is not the only victim of his tragic flaw. The rest of the Loman family is also affected by Willy's problem. Willy's wife, Linda, is the only one who supports and understands Willy's tragic flaw completely. Linda supports every far-fetched claim her husband makes. She is even described as having “infinite patience” whenever she is conversing with Willy (Miller 99). Willy's two sons, Biff and Happy, are also affected by his flaw. Happy, when in the company of two ladies, claims that Willy is not even his father, and “just a guy” (Miller 91). Later in the play, Biff decides that he does not want to be in his father's life anymore. Biff's problems are simply too much for Willy to handle with his current state of being, even though Willy needs Biff in his life. After both internal and external conflict, Biff reveals to Willy that Willy had been lied to for a number of years, and that the life he lives is essentially a lie (Miller 104).
In the play Fences, written by August Wilson we are introduced to an African-American family struggling in an urban city neighborhood in 1957. Troy Maxson is the male protagonist; however his wife Rose is a woman to be reckoned with. August uses Rose (the female protagonist) as an instrument, through her we see how African American women of this era gave up on their dreams as individual in order to provide the best life possible for her family. Rose Lee Maxson has been married to Troy eighteen years of her forty-three-year-old life. She is a loving woman that gives her all to help her family and friends.
Death of a Salesman by Arthur Miller and Fences by August Wilson have similar themes of conflicts between fathers and sons, conflicts between husbands and wives, and the need to focus on a small unit of space in order to achieve success. In the process of developing these themes throughout the two plays, three similar symbolic elements are used including the insecure father figure, the "other woman," and the garden.
Fences written by August Wilson and Death of a Salesman written by Arthur Miller are two plays that could be considered very different in terms of their plot. The plots of both plays contain two very different cultural backgrounds which affects each protagonist differently. If the reader or audience looks past the plot into the theme and symbolisms used they can see that the plays are more similar than they are different. In spite of the different cultural backgrounds of each protagonist they both are tragic heroes that are trying to achieve the American dream as it relates to each character; both of which fail in drastic yet similar ways. The American dream has always been an important factor in many American’s lives as it is to Troy Maxson the protagonists of Fences and to Willy Loman the protagonist of Death of a Salesman. Willy Loman and Troy Maxson are both hardworking men of different cultural backgrounds, with striking similarities in the way they try to achieve and fail to achieve the American dream of their era and die in the end without earning the respect they both feel they should have.
This also show that Linda loved her husband more than anything, she would do anything to protect his pride including not telling Willy that she knows he had been trying to commit suicide. Everything Linda di is to protect Willy pride and face, and not letting any of her son
Both sons live with the same concern for Willy as Linda, especially after she explains to them that Willy’s crashes were not accidents. Biff is particularly affected by Willy’s actions as Biff discovered Willy’s affair with one of his coworkers, an action which enraged Biff and caused Biff to refuse to fix his math grade and finish high school. Additionally, Willy’s affair also caused Biff to grow distant from his father, setting the two up for many future arguments such as one in which Willy tells Biff, “stops him with: May you rot in hell if you leave this house!” (129). Not to forget that Willy’s suicide was originally meant to spite Biff as Willy believed his funeral would be grand, claiming “He’ll see what I am, Ben! He’s in for a shock, that boy!” (126)--this being a tragic twist of dramatic irony. This trauma and strife brought upon Biff leads him into a great deal of hardship, never having had a job or settled down. Willy causes Biff to believe himself a failure, and Biff is dragged into Willy’s world of suffering where Biff cannot attain success in the face of his father’s high
This aspect of the time period greatly influences the main characters in each of the plays. The fathers and sons both treat women as objects for sex, tending to house chores, and taking care of kids. These characteristics of toxic masculinity create both similar and conflicting tendencies throughout Death of a Salesman and Fences.
In the onset of the play, Willy told Linda that you “work a lifetime to pay of a house. You finally own it, and there is nobody to live in it” (Cohn 56). This quote shows how Willy strives his whole life to make a home for his family and by the time he sees the realization of that one dream, his family has drifted apart and he is alone with his haunting thoughts and his ghosts. Willy has such high expectations for himself and his sons, and when they all failed to accomplish their dreams, they were unable to accept each other for what they truly were. Willy raised Biff with the idea that success depends on whether or not a person can sell himself and not how smart a person is. Biff’s tragic flaw is his acceptance of Willy’s values and not creating any of his own. When Biff realizes his father is a fake, he becomes a lost individual and he does not speak to his father for 14 years. In Willy’s family it is always Biff who receives recognition, however, Happy strives for attention too...
Willy, Linda, Biff and Happy are all characters that use self- deception as a way to mentally escape the terrible reality of their lives. As the play progresses, and ends Biff is truly the one and only character that becomes self- aware. At the end of the play Biff accepts the lies his family and him have been living in for years. Biff makes huge changes mentally at the end of the play, which cannot be said for the rest of the Loman family.
She takes care of the men, and when she tries to do something good, like saving money by mending socks, she is yelled at, ”I won’t have you mending stockings in this house! Now throw them out” (Miller 39). Linda is only there to listen to the men and do their bidding, offering comfort to them, “You’re my foundation and my support, Linda” (Miller 18), but never to herself until the end of the play, “Biff lifts her to her feet and moves out up right with her in his arms. Linda sobs quietly” (Miller 139). The general idea of this time for women is that they are after their husbands, that their needs should be met last. Linda is the ideal mother and wife, putting her family before her, but in this she lacked the ability to take care of herself and her mental health, which was most likely very damaged by Willy trying and eventually succeeding to kill himself, “Forgive me dear. I can't cry. I don't know what it is, but I can’t cry” (Miller
Linda, Willy’s wife, seems to have a fairly small role in the play. She believes that the American dream is achievable by anybody, and supposedly is even the reason that Willy is un...
Roles of Women in A Raisin In the Sun, The House On Mango Street, and A Yellow Raft In Blue Water
To start with, in the play Linda makes many excuses for Willy. For example, Willy says, “I suddenly couldn’t drive anymore. The car kept going off onto the shoulder ya know?” Linda replied, “Maybe it’s your glasses” (Miller 22). By making these kinds of excuses, it’s almost like Linda is ignoring the problems Willy has with his head. Also, Willy says, “I suddenly couldn’t drive anymore.” Linda replied, “Oh, maybe it was the steering again” (Miller 27). Willy doesn’t make excuses for himself, its Linda who acts like nothing is wrong. Willy is living half in the past and half in the present. In the play, Willy says, “It took me nearly four hours from Yonkers.” Linda replied, “Well, you’ll just have to take a rest” (Miller 27). By making all of these excuses, it shows that Linda refuses to believe that Willy has problems, and she tries brushing it off like it’s no big deal. She knows there are problems, but she is unwilling to face them.
He seems to believe that the best way to be the “man” in the relationship is to be the dominant one and to put her down all the time. “I won’t have you mending stockings in the house! Now throw them out!” Willy feels guilty about Linda mending stockings when he bought the woman he’s having an affair with a new pair. He transfers this guilt into being horrible to her, which isn’t very fair. He seems to believe that this is a way to assert his masculinity, and it could possibly resonate from the way that his father treated women before he left. This is similar to Othello; when Othello believes that Desdemona is having an affair he slaps her in front of everyone, thinking that it is a way to assert his masculinity to the public. Willy also refers to Linda as “kid” a lot, which could be a playful nickname but it also could be a way of him putting her down and making her seem immature. It is an excuse to dismiss her. It also suggests that he thinks he is more mature than Linda, whereas the audience know this not to be the case as Willy is losing it a little and can act incredibly childishly. In treating Linda like this, it also drives Willy and Biff further apart than ever. He doesn’t approve of the way Linda is treated, especially since he knows how much she puts up with from her husband. In being so uncertain of his masculinity Willy can be horrible, which makes him unlikeable and drives him apart from
Willy constantly battles with living in the past. Throughout the entire play, he seems to wander off into his confused mind. After Willy returns home early from a business trip, Linda, his wife, and he converse about their son Biff as follows: