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Essay on Crime and violence against women
Essay on Crime and violence against women
Essay on Crime and violence against women
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“Nothing in this world is harder than speaking the truth, nothing easier than flattery.” (Dostoevsky, Kindle Used) The novel Crime and Punishment expresses the superiority of men and the superman theory. The character Rodion Romanovich Raskolnikov (“Rodya,” “Rodka”) believes he is superior to all. His murder plot evolves throughout the story and highlights his motives and belief that the women he kills are worthless and dehumanizes their very essence of life.. The women are submissive to the males in their lives and take many risks in order to save their families. Women such as Sofya Semyonovna Marmeladov(Sonya), Katerina Ivanovna Marmeladov, and Avdotya Romanovna Raskolnikov(Dunya) explicate the true meaning of sacrifices and suffering …show more content…
The suffering and submission occurs prominently in the character Avdotya Romanovna Raskolnikov, the sister of Raskolnikov. (“Dunya,” “Dunechka”) “No, it’s my fault most of all! I was tempted by his money, but I swear, brother—I never imagined he could be such an untrustworthy man!”(Dostoevsky) Raskolnikov and Dunya’s relationship has a deep connection. They rely and respect each other greatly. This relationship is not, however, the most influential of her existence in this novel. Dunya is bound by a arranged marriage to Pyotr Petrovitch Luzhin, to escape poverty. “[Raskolnikov] For one she [Dunya] loves, for one she adores, she will sell herself”(Dostoevsky) Luzhin is obsessed with Dunya and will do anything to make her subservient to him. “[Dunya] I intend to be loyal in rendering all that he expects of me”(Dostoevsky) Once breaking the marriage vows to Luzhin, Arkady Ivanovich Svidrigailov attempts to make Dunya love him. Although the death of his wife, Marfa Petrovna, made Svidrigailov more generous, his threatening presence offends both Dunya and Raskolnikov. Svidrigailov attempts to rape Dunya and to tell her about her brother's murders. She accuses him of murdering his own wife. Dunya attempts to shoot him for protection from his sexual assault. Overcoming forced relationships, Dunya eventually took control of her life and met a man she could equally love and trust. That man is Dmitri Prokofych Razumikhin, his name originates from the Russian word razum which means “reason” or “intelligence” . Dunya and Razumikhin’s love, and Razumikhin love and respect for Raskolnikov, creates a stable relationship between Razumikhin and Dunya. She overcomes her submissive behaviors for true happiness and
Crime and Punishment by Fyodor Dostoevsky, originally published in 1866, tells the story of a young man who commits a crime to prove his superiority to the societal system around him, then suffers mental, emotional, and physical anguish until he admits to his crimes. Dostoevsky uses biblical allusions from The New Testament throughout the novel, which play a major role in character development. These allusions are made evident to the reader through characters and the situations they were involved in, especially in the main characters, Raskolnikov and Sonia, through the depictions created by Dostoevsky for characterization throughout the book. Consequently, Dostoevsky incorporated these allusions by developing two major archetypal characters,
A Study of the literary techniques used by Fyodor Dostoyevsky in Crime and Punishment to convey the downfall and subsequent rise of the main character. "Crime and Punishment" by Fyodor Dostoyevsky is the story of a young student Raskolnikov and his need to murder an old woman to prove one of his many philosophies. The book begins with the murder, but the primary focus is on his reasoning and reactions before and after the act. It is set in St Petersburg where the main character, Raskolnikov, appears to be an ex-student living, in poverty, a life of lethargy.
In Dostoyevsky's Crime and Punishment, Raskolnikov's initial crime, failure, and acceptance of mistakes are his road to overcoming his ego, as well as self discovery.
Dostoevsky was made aware of the problems with Nihilistic ideas while he was exiled in Siberia. Crime and Punishment was Dostoevsky’s first attempt at a psychological analysis of a person’s inner struggles to rationalize this radicalism. Raskolnikov represents that intelligentsia and is being used by Dostoevsky to portray and warn against succumbing to these ideals. Dostoevsky uses Raskolnikov’s life to illustrate the implications and applications of this Nihilist to the public and then expands upon it in Demons.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Due to his murder, he had no concern or care for anyone. By killing two women and taking their lives away how could Raskolnikov possess sincere feelings for anyone? Raskolnikov’s lack of care influences how he views his family: “I hate them, I feel a physical hatred for them” (276). Raskolnikov has entirely lost love. If he has deep hatred towards those people most dear to him, then he must greatly lack love. But by Sonia’s actions, Raskolnikov is able to once again feel love. Sonia genuinely loves him. When confessing about the murder, Raskolnikov learns “how great [is] her love for him” (417). He begins to understand how Sonia feels and this realization strikes remorse in him. He becomes upset with himself because “he had made her more miserable” (420). Here Raskolnikov is concerned about Sonia. Earlier Raskolnikov had no feelings for anyone, but now he begins to regret his actions and feels bad about making her cry. Sonia’s deep love for him radiates off of herself and affects Raskolnikov which makes him feel compassion towards her. He begins to understand Sonia’s feelings and intentions even more when he returns for her cross: “ Raskolnikov at that moment felt and knew once for all that Sonia was with him forever and would follow him to the ends of the earth” (521). Raskolnikov recognizes how true and perpetual Sonia’s love and concern for him is and will be. Her love gives him hope for a bright future and thus he starts
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion. The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzschean superman, and illustrates that all humans have a desire for morality.
In Fyodor Dostoevsky's book Crime and Punishment, women at this time in Russia were not the equals of men in terms of education and power. In Crime and Punishment the women in the story were self-sacrificing in their actions, which in return paid off for the women. Majority of women, in Crime and Punishment, such as Sonya, were selfless in their actions. The women in this story play a motherly role towards the men. Women in this story may have lived in a male dominated society, but it seemed that the words the women spoke in this story were very strong in influencing the men.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
In Crime and Punishment by Fyodor Dostoevsky, Raskolnikov kills two innocent people, and the crime leads him to a mental illness and a death of his soul. Sonya plays a major role in Raskolnikov’s spiritual awakening. Raskolnikov sins and repents and Sonya contributes significantly to the outcome of Raskolnikov’s future.
The social status of women has changed drastically over the course of history. The different viewpoints that male characters in Fyodor Dostoyevsky’s Crime and Punishment have about women parallel the changing status of women through history. The succession of opinions given by Raskolnikov, Svidrigailov, Luzhin, and Lebeziatnikov concerning women are aligned with the improvement in women’s social status over time. Dostoyevsky’s use of women as a motif in Crime and Punishment serves to signify Raskolnikov’s progression from a self-absorbed
In Crime and Punishment, women play the sacrificial role by denying their lives out of love to rescue others from turmoil. The most prominent woman who expresses this role is Sonia. Sonia lived a depraved life with an alcoholic father, a consumptive mother, and three younger siblings. At the age of eighteen, she was forced to surrender to a life of prostitution in order to support her family. Sonia’s stepmother describes her as a girl who “…would strip off her last garment, and sell it, and go barefoot, and give you everything, if you were in need” (Dostoevsky 335). During the death of her father, Sonia meets a man named Raskolnikov, who is obsessed with the idea of murder. Raskolnikov’s obsessive-compulsive demeanor consumes his daily lifestyle to the point that it causes physical and mental illness. However, Raskolnikov’s behavior changes when Sonia reassures him that they will “suffer together” and “bear the cross together” (Dostoevsky 356). Sonia’s act of self-abnegation leads Raskolnikov back to humanity and convinces him to confess his sins. Sonia believes that one must “accept suffering and achieve atonement” (Dostoevsky 355) to claim the road of redemption. This devotion towards others allows her to embody a Christ figure and people “relied on Sonya” (Dostoevsky 455). For example, Sonia helps carry the burdens for her family and Raskolnikov like Chr...
Throughout the novel of Crime and Punishment, and any work of fiction at that, the characters exhibit specific personality traits that dictate their make-ups, social interactions and behaviors. These characterizations control the overall development of the story. Characters’ personalities play a vital role in analyzing and understanding character development as well as underlying themes, especially in the novel at hand. Specifically, the central character Rodion Romanovich Raskolnikov illustrates the conflict between good and evil in one’s personality. Raskolnikov’s personality conflict is so extreme in duality that he can be identified as both the protagonist and antagonist of this story. From this point comes the question of to what extent does the personality conflict of Raskolnikov dictate his beliefs, actions and therefore contribute to overall plot development?
In Fyodor Dostoevsky’s psychological novel, Crime and Punishment, the suffering and isolation of the late nineteenth century Russia becomes reality. As a young man who has left his studies in the university, Raskolnikov finds himself wallowing in poverty and self-pity.