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The road taken by robert frost contrast
Metaphors used in poem the road not taken
The road taken by robert frost contrast
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In “The Road Not Taken” and “Stopping by Woods on a Snowy Evening,” written by Robert Frost, there are two poems that can be compared together to gain new insight into their deeper meaning. In these two poems Robert Frost illustrates the journey of two contrasting travelers, who are given choices along the way to explore their decisions and thought processes. These carpe diem, seize the day, poems presents options for the travelers that are negative, but in the end implies to persevere. In “The Road Not Taken” the setting takes place in the woods, where the speaker has two roads and contemplates one at a time (“Road”). While in “Stopping by Woods on a Snowy Evening” the setting travels from a village to the woods, where the speaker stops between …show more content…
This is important because without these key words in either poem then the travelers in the poems would not have a choice to overcome. “The Road Not Taken” uses the word yellow in “Two roads diverged in a yellow wood,” which means yellow trees, a time in which tree’s leaves are yellow is during the fall, autumn (“Road” 1). Interpreting this further, one can infer that the fall time, can relate to the travelers life, its a fall, a down point in his lifetime, which may offer reason as to why he is in the woods seeking choices, because he feels alone at this time. If Frost were to use a different word, or color to describe the wood then it can not be suggested that the poem does not take place in autumn. Likewise, in “Stopping by Woods on a Snowy Evening” Frost writes, “The woods are lovely, dark and deep,” meaning that the speaker has grown comfortable in the eerie and wide woods (“Stopping” 13). By using the word lovely, Frost implies that the speaker is seduced by the woods, there is something charming that the speaker likes about the woods. The words dark and deep, implies his loneliness. By saying the woods is dark, could imply that it is evil and secretive, while the word deep implies something that is vast that extends downward like a water well. A type of woods that is, “lovely, dark and deep,” would be no place for many
on: April 10th 1864. He was born in 1809 and died at the age of 83 in
A famous quote from Max De Pree states: "We cannot become what we want by remaining who we are." Whatever it be, people need to grow, make decisions, and persevere; going against the odds and obstacles that get in their way, in order to reach their potential, find their calling, and ultimately find themselves. The road is often difficult, but certainly worthwhile. Struggles, setbacks, failure and regret are often encountered. However, it is the drive for "more", or the "making of a name", whatever that may look like, that pushes people to reach for things they thought not possible. This theme is portrayed throughout Tennyson's famous "Ulysses" and Eminem's Oscar winning song, "Lose Yourself." When comparing the written work of Tennyson to the lyrics by Eminem, it becomes apparent that age, race, class, or profession mean nothing when it comes to "making a name." "Ulysses" and "Lose Yourself" exhibit characters looking for significant growth and change; something bigger and better than what their current life has offered them.
As Edgar Allan Poe once stated, “I would define, in brief the poetry of words as the rhythmical creation of beauty.” The two poems, “Birthday,” and “The Secret Life of Books” use different diction, theme, and perspective to give them a unique identity. Each author uses different literary devices to portray a different meaning.
All the poems you have read are preoccupied with violence and/or death. Compare the ways in which the poets explore this preoccupation. What motivations or emotions do the poets suggest lie behind the preoccupation?
Have you ever been faced with two important decisions? Life is full of options and when when you encounter two decisions you have to choose what path you are going to take. Robert Frost’s poem “The Road Not Taken,” represents two tough decisions and having to choose one and not the other. Robert Frost uses a few poetic devices, such as, metaphor, symbolism and vivid imagery to express and show the decisions we make in life. These poetic devices also help Robert Frost get his point across about the roads.
In his preface of the Kokinshū poet Ki no Tsurayaki wrote that poetry conveyed the “true heart” of people. And because poetry declares the true heart of people, poetry in the minds of the poets of the past believed that it also moved the hearts of the gods. It can be seen that in the ancient past that poetry had a great importance to the people of the time or at least to the poets of the past. In this paper I will describe two of some of the most important works in Japanese poetry the anthologies of the Man’yōshū and the Kokinshū. Both equally important as said by some scholars of Japanese literature, and both works contributing greatly to the culture of those who live in the land of the rising sun.
In “The Road Not Taken” Frost emphasizes that every person is a traveler choosing the roads to follow on the map of their continuous journey-life. There is never a straight path that leads a person one sole direction in which to head. Regardless of the original message that Robert Frost had intended to convey, “The Road Not Taken” has left me with many different interpretations. Throughout this poem, it is obvious that decisions are not easy to make and each decision will lead you down a different path.
It is used for setting the scene of decision-making. For example, Frost creates the image of a yellow wood, so the reader can imagine that it is fall, which can be linked to the speaker growing old and being in the mood of reviewing the choices made earlier in life. Two roads diverging in a wood are also a metaphor for roads people take in their lives, or choices they make. Furthermore, the first road the speaker was looking down for a long time can be a metaphor for his future. Just as the road could be seen only to the point “where it bent in the undergrowth” (Frost 5), so people can see the effects of their choices only for a short time into the future. Nothing can be seen on the metaphorical road behind the undergrowth, which can also be interpreted as a metaphor for uncertainty. Therefore, the future is metaphorically described as uncertain, regardless of the choice being
In his celebrated poem "The Road Not Taken," Robert Frost describes the decision one makes when reaching a fork in the road. Some interpret Frost as suggesting regret on the part of the traveler as to not choosing the path he forgoes, for in doing so he has lost something significant. Others believe he is grateful for the selection, as it has made him the man he is. The diverging roads are symbolic of the choices society is faced with every day of life. Choosing one course will lead the traveler in one direction, while the other will likely move away, toward a completely different journey. How does one know which is the right path; is there a right path? The answer lies within each individual upon reflection of personal choices during the course of life's unfolding, as well as the attitude in which one looks to the future.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
In Robert Frost’s “The Road Not Taken”, Frost shows the everyday human struggle to make a choice that could change the course of one’s life. In his poem, a person has the choice to take one road or the other. One road is worn out from many people taking it, and the other is barely touched, for fewer have taken that road. Throughout the poem, the speaker learns that just because so many other people have done one thing, or walked one way, does not mean everyone has to. Sometimes you just have to go your own way.
In the poem “The Road Not Taken”, author Robert Frost uses the simple image of a road to represent a person’s journey through life. A well-established poet, Frost does a proficient job of transforming a seemingly common road to one of great importance, which along the way helps one identify who they really are. This poem is one of self-discovery. Frost incorporates strong elements of poetry such as theme, symbolism, rhyme scheme, diction, imagery, and tone to help create one of his most well known pieces about the human experience.
One of Robert Frost’s most well known poems is The Road Not Taken. Frost had mentioned numerous times that it was a “tricky- very tricky” poem (Grimes). This can be examined in the structure of the poem, the symbolism, and the diction. The simple language he uses in the poem reveals the common relevance of the poem to the people. People have to go about making choices each and every day of their lives. However, sometimes we come to a cross-road in our lives that can be life changing that is what the sentence structure reveals to us (Mcintyre). He uses common words but in a way that is unclear to the reader. For example the opening line of the poem is “two roads diverged in a yellow wood” (Frost, Robert. “1.”). The reader is not sure what is meant by yellow woods. It may mean the onset of fall or even the coming of spring. The season could relate to the speakers stage in life. It may mean this is their youth and they have to make a decision that will plan out the rest of their life, such as I am about what college to attend. Or is it indicating he has reached his mid-life, the fall, and is now presented with opportunity to change his...
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” show the readers similar struggles of life. “The Road Not Taken” is about taking control of one’s life and living it aside from how others live theirs. While “Stopping by Woods on Snowy Evening” shows the desire for rest. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road that they
Frost uses several literary devices in this brief account, such as imagery, personification, metaphor, and alliteration. Descriptions of “yellow wood,” depicting an autumn forest, and “no step [in the leaves being] trodden black,” indicating a fresh and natural recently untrodden environment, are included to create a picture in the reader’s mind and make the situation ore real and easily related to. It is possible that Frost may have purposely used the word “yellow” to imply the splitting paths. ("Cummings Study Guides") When describing the two paths, the narrator mentions that one “was grassy and wanted wear,” using personification to make it seem as if that path is calling to him to travel upon it. In the same phrase, Frost also makes use of alliteration to draw attention to the calling of the first path. ("Use of Literary Devices in Robert Frost's The Road Not Taken")