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More handpicked essays just for you.
Females in 20th century literature
The feminist movement
Gender and roles of women in literature
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“The Yellow Wallpaper” by Charlotte Perkins Gilman, “Woman Hollering Creek” by Sandra Cisneros, and “Girl” by Jamaica Kincaid are riveting short stories that focus on the roles of females in a world dominated by unmitigated male dominance. The Yellow Wallpaper is about a subservient woman who is sick and prescribed the rest cure by the will of her husband. She disregards her own physical and emotional wellness, allowing her husband full control of her actions and health until she eventually loses her sanity. Woman Hollering Creek focuses on a woman named Cleófilas who marries a man that later begins to inflict physical and mental harm upon her. However, She does not leave her relationship because she is stricken with love for him. Moreover,
So as we look at the lives of women back in the 19th century, they have the stereotypical trend of being a house wife, staying at home, taking care of kids, the house, and aiding the husband in his work. Being in charge of the household makes women have many responsibilities to take care of, but still women are often looked down upon and men who often think a women’s say is unimportant. The two short stories are about two women who have husbands that are successful and the women who feel suffocated by their lack of ability to live their own lives or make their own decisions. The two stories present similar plots about two wives who have grown to feel imprisoned in their own marriages. In the yellow wallpaper, she is virtually imprisoned in her bedroom, and does not even have a say in the location or decor of the room.
“Sweat” by Zora Neale Hurston and “Woman Hollering Creek” by Sandra Cisneros have common themes of spousal abuse and gender power struggles. The female characters roles within their household are very different. Cleofilas is forced to stay home alone with no car while her husband works. Delia on the other hand makes the living for her household while her husband Sykes lives off of her wages and does as he pleases, including cheating on her. The female characters in both stories find freedom from their abuse and struggles with their husbands, but they find freedom in very different ways. Another woman aids Cleofilas in her escape, and she has somewhere to go, back to her family. Delia has to put up with her abuse for 15 years of marriage, far
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Charlotte Perkins Gilman's The Yellow Wallpaper is partly autobiographical and it illustrates the fight for selfhood by a women in an oppressed and oppressive environment. In the story, the narrator is not allowed to write or think, basically becoming more dysfunctional as she is entrapped in a former nursery room where bars adorn the windows and the bed is nailed to the floor. In this story there is an obstinacy on behalf of the narrator as she tries to go around her husband's and physician's restrictions, however, there is no resisting the oppressive nature of her environment and she finally surrenders to madness even though it represents some kind of selfhood and resistance because it allows her to escape her oppression, "She obsesses about the yellow wallpaper, in which she sees frightful patterns and an imprisoned female figure trying to emerge. The narrator finally escapes from her controlling husband and the intolerable confines of her existence by a final descent into insanity as she peels the wallpaper off and bars her husband from the room" (Gilman, 1999, 1).
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
The same holds true for the women in “The Story of an Hour” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Perkins Gilman. These stories delve into the life of two different, but similar nineteenth century women. Through the women 's differing relationships with their husbands and the suppression presented by their husbands, internal conflicts emerge. The two leading females experience repression from their husbands in their daily routines. Throughout her life, Mrs. Louise Mallard, from “The Story of an Hour,” had continually bent her will to that of her husband’s. In the past, she had no choice in what she did, so she found her husband’s death liberating. However, her joy did not last
“Too Terribly Good to Be Printed”: Charlotte Gilman’s The Yellow Wallpaper” by Conrad Shumaker was written in 1985. When the original “Yellow Wallpaper” was created it was during the Victorian Era also the beginning of the Feminist Movement. Shumaker’s “Too Terribly Good to Be Printed” proves that the audiences’ intake of the story is merely based off of society’s standards at the time. This story emphasizes that the pedestal women are held on will always be over powered by society because of how dominate male roles are. In “The Yellow Wallpaper” Shumaker explains that gender roles are heavily influenced by how the way humans think. Males tend to focus more on facts and reality where as women like to use imagination and creativity. The author is able to prove this theory correct because the narrator of “The Yellow Wallpaper” expresses herself with her imagination of a non-living item (the wallpaper) and John her husband takes her thoughts for insanity. Shumaker gets the readers to realize that John himself isn’t cruel to his wife but it is the influence of the society. If having an imagination wasn’t such a feminine thing to do, then the wives of that century wouldn’t have gone through so much. This story brings to light that there is more to “The Yellow Wallpaper” than a husband controlling
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
In "Miss Brill" and "The Yellow Wallpaper", the plot for both short stories consist of a female who is suffering from isolation. The short story "Miss Brill", the main character, who is an English tutor, wears her fur stole to the park. Every Sunday she attends the park to watch the live performances from her special seat. She believes that she is a part of the performances to a point where, "Even she had a part and came every Sunday"(Mansfield 268). Yet, one day she attends a performance and she is subjected to ridicule by a young couple sitting next to her. After, she returns home dejected and lonely. In "The Yellow Wallpaper", the narrator develops depression after the birth of her baby. Her husband, John who is a physician, misdiagnosed
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a self-told story about a woman who approaches insanity. The story examines the change in the protagonist's character over three months of her seclusion in a room with yellow wallpaper and examines how she deals with her "disease." Since the story is written from a feminist perspective, it becomes evident that the story focuses on the effect of the society's structure on women and how society's values destruct women's individuality. In "Yellow Wallpaper," heroine's attempt to free her own individuality leads to mental breakdown.
William Faulkner’s “A Rose for Emily,” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” are two short stories that incorporate multiple similarities and differences. Both stories’ main characters are females who are isolated from the world by male figures and are eventually driven to insanity. In “The Yellow Wallpaper,” the unidentified narrator moves to a secluded area with her husband and sister-in-law in hopes to overcome her illness. In “A Rose for Emily,” Emily’s father keeps Emily sheltered from the world and when he dies, she is left with nothing. Both stories have many similarities and differences pertaining to the setting, characterization, symbolism, and their isolation from the world by dominant male figures, which leads them to insanity.
There are notable similarities between Charlotte Perkins Gilman's The Yellow Wallpaper and Charlotte Bronte's Jane Eyre. These similarities include the treatment of space, the use of a gothic tone with elements of realism, a sense of male superiority, and the mental instability of women.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
Being able to have an equal partner and feel heard is not only an important thing to have in a marriage but is an important thing for one’s health. Charlotte Perkins Gilman uses her story “The Yellow Wallpaper” to discuss and emphasize the harmful effects this can have on women. With a captivating plot Gilman keeps the reader interested, and with powerful symbolism and themes teaches the reader the importance of a woman’s status in her