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Japanese culture and gender
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For many years and in many patriarchal cultures, women have been seen as less than men, limiting the women to housework, obedience to their fathers, then to their husbands and finally, to their own male children. The short story “Kneel Down and Lick My Feet” by Amy Yamada is situated in Japan, a patriarchal society a couple of decades ago. The story is about a group of woman working at an S&M club. Some might argue that this short story is about the immoral downside of the Japanese sex trade, from women, but I will refute this argument. What women do in this story is give a service to men who need and enjoy it. However, the queens in “Kneel Down” do not just offer the sexual pleasure some men get from their services, but also stabilize their …show more content…
They don’t do it to abuse men, although some of them appreciate the opportunity of being in charge of men. Shinobu noted: “Show me another place where women have slaves in this day and age! Show me another job where you can abuse men and have them thank you for it”(….189). The main incentive for queens to work here at the Queen’s Palace is not to help men getting better with some of their social problems, nor to satisfy them, but the money they were earning for working in this place. Shinobu mentions that to her a job is a job, no matter if done by men or women, she explains the reason why she thinks that selling your body, or using your body to make a living is not a way of degrading yourself as a person. She actually compares her line of work to others of which we consider normal under the standards given by society, like for example working for some else. She noted: “I might raise a frown or two when I say this, but I think that selling your body and working for a company are pretty much the same thing. Just ways to make money. People who need a lot of money have to pick the job that’ll get it for them.” …show more content…
Mama the most professional and experienced of all the queens is the woman in charge of club, even when in the story the narrator doesn’t describe the physical appearance of Mama, one can conclude that she was an old woman who was not as beautiful as the other queens because of her age, but she was still very attractive. “I thought Mama was fabulous. In this world, being young and cute doesn’t mean a thing. I still have a lot to learn” (…203) She was a woman capable of overcoming situations that other queens couldn’t handle. Shinobu at a moment in which she couldn’t do the work by herself because of the unusual request for the client said, “Mama began to speak in a loving voice, in that dim room oozing with insanity. It was enough to make me shiver, in spite of myself. Times like this, I really admire Mama. She’s a real pro.” (….200) Mama is a professional woman who knows how to satisfy her clients, and give them what they are looking for. Even is a situation with an unusual request she asked the customer, “You get an erection that way?”(….200). After she got the answer from the customer she did the job, like the real queen she was. At the end of Mama’s performance with this client, he said, “Mama, you were truly just like my mother”(…203) She pleased the customer the way they should, and the customer
Contemporary western women frequently limit their physical movement in everyday life compared to men. For instance, they sit with their legs together, take shorter steps, shield their body with their hands and arms and put less effort into definitive tasks (Young 139:2006). Young argues that women behave in this way because the patriarchal environment in which they live teaches girls that they are “physically handicapped in society” (152:2006). This, again, has striking parallels to Dworkin’s work on foot binding. The female body is constructed in such a way that means it is constantly objectified and “gazed upon” as if it were a “shape of flesh rather than a living manifestation of action and intent” (Young 154:2006). This results firstly in women being viewed as weaker, second-class citizens in comparison to men, resulting in inequalities that can be seen in many areas of life. However, most significantly it means that women constantly fail to achieve their full potential. They learn to “actively hamper their own movements” (Young 153:2006), a hugely significant and damaging inequality that results from a rigid and out-dated social
Throughout history, society has been predominately patriarchal. The male is seen as the primary authority figure. This system is often displayed in many family structures and there is nothing wrong with patriarchy; however when it leads to kyriarchy, it becomes an issue. Women, past and present, are often viewed as second rate citizens. Over half the work force around the world consists of women and yet they are paid 77 cents to a dollar of what a man earns (Shane). Women have a voice and deserve to be heard. When analyzing works such as “Hills Like White Elephants” by Ernest Hemmingway, the poem “Stations” by Audre Lorde, and “Sweat” by Zora Neale Hurston, one can observe the common theme of women finding their voice, discovering strength and standing up for what’s right.
They are more than just household workers, caretakers of children and materials of pleasure. Women are underestimated because they show off a gentle and very caring side making others think that they can be easily fooled and that they cannot progress. The greatest challenge of women empowerment is changing the stereotypes that have existed in many cultures. For example, female genital cutting shows the discrimination of women. This practice is offensive to human rights and should be eradicated. Although it is difficult to break out of tradition, it has to be broken because it shows a wrong use of religion and tradition. The society has tolerated it for so long; it takes a special person to say that it’s wrong, someone who has great power over the people such as the leaders or other people who see the bigger picture. The female who was an expert in doing female circumcision mentioned that cutting itself is a source of income for her and she would abandon the practice if given another kind of source of income. This shows a capitalist structure in their
One women even goes to mention that one time she was thirsty that she drank water from the bathroom faucet. Not only is the job of a maid seen as inferior but they are treated like paid slaves. Often times when one mentions a maid the first thought is a women of color who has broken english as mentioned within the chapter. Women who take up these underpaid jobs are often from other countries who do not speak english, are undocumented or have no education. The chapter compares the work done as that completed by sweatshops in undeveloped countries. I find this idea conflicting because we are taught that when you get to the point where someone does work for you such as clean your house, drive you to your destination you have made it in life. Reading this chapter I have learned that success often means putting others under you to support
Mama, as a member of an older generation, represents the suffering that has always been a part of this world. She spent her life coexisting with the struggle in some approximation to harmony. Mama knew the futility of trying to escape the pain inherent in living, she knew about "the darkness outside," but she challenged herself to survive proudly despite it all (419). Mama took on the pain in her family in order to strengthen herself as a support for those who could not cope with their own grief. Allowing her husband to cry for his dead brother gave her a strength and purpose that would have been hard to attain outside her family sphere. She was a poor black woman in Harlem, yet she was able to give her husband permission for weakness, a gift that he feared to ask for in others. She gave him the right to a secret, personal bitterness toward the white man that he could not show to anyone else. She allowed him to survive. She marveled at his strength, and acknowledged her part in it, "But if he hadn't had...
The sexualization of women in the 21st century has led many to wonder whether or not the feminist movement actually resulted in more harm than good. Although the progress and reform that came out of the feminist movement is indisputable, things such as equal rights under the law, equal status and equal pay, the reality is that the subjugation of female roles in society still exist, and the most surprising part about this is that now women are just as much as at fault for this as men are. Ariel Levy defines female chauvinist pigs as “women who make sex objects of other women and of ourselves” (Levy 11). This raunch culture is mistakenly assumed to be empowering and even liberating to women when it is in fact degrading and corrupting to the modern feminist movement and makes it more difficult for women to be taken seriously in society. The shift in the nature of the feminist movement is in Levy’s opinion attributed to by the massive industry now profiting off of the sexualization of women, the reverse mindset now adopted by post-feminists and women in power roles in our society, and ultimately the women who further their own objectification as sex objects and thus, so by association, deem themselves lesser than man.
...is morally degrading and perpetuates the idea that women are mere sexual objects,” (BBC News.) This shows the awful things they go through in order to get what they truly
Mama is a powerful, strong witted person. She has a lot of control in this play and dominates as a woman character. This is unusual because this is usually a male’s position in life. She is a woman, “who has adjusted to many things in life and overcome many more, her face is full of strength”. In this play she is illustrated as taking over for the head of the family and controls the lives of everyone in her house. Rules are followed to Mama’s extent. She controls what is said and done in her house. After Walter yells, “WILL SOMEBODY PLEASE LISTEN TO ME TODAY!” (70). Mama responds in a strong tone of voice saying, “I don’t ‘low no yellin’ in this house, Walter Lee, a...
The discourse of Luce Irigaray contributes to the core essentials of Femnist Theories in myriad respects. We can see that patriarchy plays an important role here. Men have always used women as objects when it comes to their sexual wants. A woman is supposed to be submissive while man is practicing the role of dominance over the woman. These are socially constructed ideas passed down through generations. Men have been told from the get go that they are the dominant one. Women are always told to act like a lady. A woman is also told to make her husband happy but a man is never told the same thing. Even in pornography, we can see that females are just trying to pleasure men. There are very few male strippers while there are dozens of female strippers. Men need touch and also objects to overcome their sexual desires while women don’t need those things. Women who are seen enjoying themselves are often called sluts by our
“. . . Women internalize the feminine wound or feminine inferiority so deeply, there's little or no female authority and esteem to fall back on. So they seek it by adopting and pleasing patriarchal standards.” (Sue Monk Kidd, the Dance of the Dissident Daughter)
In a society where women are considered less than men, masochism reigns. Masculinity assumes that men are the valuable gender in the world: more intelligent, better problem solvers, and harder workers. It also assumes that women are best led by men: should women should be followers and obey their husbands. In “Beautiful Señoritas,” masochism remains strong. Even today, in certain parts of the Latin world, there are men invested in masculine views, those extremes of superiority are seen in characters such as Don José. The United States has been a worldwide leader in women’s rights and equality, and many cultures and nationalities have lagged far behind in recognizing equality for women. Notably Latin, Middle Eastern and Asian cultures have women in subservient roles, with harsh punishment and outcast from society often the result for women that try to esta...
Men expected a good supper, a clean house, and the kids taken care of when they got home after work. This makes women feel as if they were being confined in jail, since they were stuck in the house, hidden away from society. This is nicely portrayed in the “Poor Singing Dame”, the poor woman got thrown in jail where she had her live taken away for just expressing her joyful feelings by singing. Women finally got fed up with being treated like men’s property and they needed change. “Yes, injured Woman! rise, assert thy right! Woman! too long degraded, scorned, opprest; O born to rule in partial Law 's despite” (Barbauld, Lines 1-3) and “He sent his bold yeomen with threats to prevent her, And still would she carol her sweet roundelay; At last, an old steward relentless he sent her-Who bore her, all trembling, to prison away!”(Robinson, Lines 36-40). The timing was perfect for women to assert themselves into society and have some sort of dominance. Females around the world started to feel like they needed to tell men to step aside from their role as the rulers of society, and instead accept that women can rule just as good as any man. But Robinson could also be implying that the urge to rule over the opposite gender is a scenario that only men want and, women should desire something else. She concludes that even if women manage to gain dominance over men they would not be able to hold
Society’s gender infrastructure has changed since the 1920’s and the nineteen amendment that allowed women the right to vote. Or so we thought, many of the gender expectations that were engraved into our early society still remain intact today. Women for many people still mean an immaterial, negligible, and frivolous part of our society. However, whatever the meaning of the word women one has, the same picture is always painted; that of a housewife, mother, and daughter. Women are expected to fallow the structural identity of living under her husband 's submissions. Threatening the social norm of what is accepted to be a woman in society can put in jeopardy the personal reputation of a woman, such treating her as a whore. But, what happens
America, being largely Christian, has its deepest roots in the patriarchal truth of male sovereignty. Women still get paid a percentage to the dollar of their male counterparts. Not to make this specifically a Christian point, all three of the major world religions are influenced by archaic definitions of sexuality and sexism. According to an American ideal of opportunity, it is not customary for a collective group of people to decline the “divine” nature of privilege that comes with being a typi...
Women are looked at as less than males, and males are to be far superior because society thought male to be the better gender. “A Doll's House,” by Henrik Isben describes the sacrificial role of nineteenth century women , men in society and in the household.