Comparing Suffering In Sonny's Blues, Sonny And The Narrator

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Jazz in American Literature

Jazz music is a musical art genre that developed in the African-American communities in New Orleans. Although jazz was originally thought to be a lower class movement meant for the impoverished black communities, jazz music quickly developed to become a major form of musical expression in the 1920s. The musical elements of jazz permeated throughout American literature, as a means of exposing the struggles of African-Americans living in a racist society, while providing comfort and healing through the universalities of suffering. The musical techniques of jazz, including call and response, syncopation, and improvisation, provide a means of communication and an expression of hardships to provide comfort and healing …show more content…

Throughout Sonny’s Blues, Sonny and the Narrator struggle to achieve understanding of each other’s sufferings often resulting in conflict. Towards the end of the story, Baldwin utilizes the call and response technique to express the narrator’s eventual understanding of Sonny’s sufferings through listening to Sonny’s blues, “I heard what he had gone through, and would continue to go through until he came to rest in earth,” (Baldwin 454). The symbolism of the silent communication the brothers at the end of the story established that both the narrator and Sonny had a mutual understanding of each other’s sufferings and the mutual comfort of jazz. Through employing call and response, Baldwin emphasizes that jazz was a bridge of communication between two individuals and illuminates the truth about personal suffering. However, Ralph Ellison utilizes this musical technique in Invisible Man to expose the injustices that minorities endure as a result of a …show more content…

In Weary Blues by Langston Hughes, the speaker describes the "drowsy syncopated tune,"(Line 1) this emphasizes the lyrical “swaying” movement of the poem and represents the singer’s weary deposition and resignation to his fate. Hughes develops syncopation throughout Weary Blues, through the assonance of “droning” and “drowsy” that mimic the yawning, tired tone. In contrast, Hughes emphasizes the Ts and Cs of “syncopated tune” to mimic the syncopated rhythms of ragtime music. In Trumpet Player, Hughes reflects how music can alleviate the sufferings endured through hardships. The first stanza puts vocal emphasis on “slave ships”, suggesting that the trumpet player bears the burden of his own struggles. However, there is a lack of syncopation in the last stanza, suggesting that music provides relief of his burdens. Through syncopation, the rhythmic nature of the blues emphasizes struggles endured by minorities and the endurance and strength that the blues music gives to

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