Elizabeth Kubler Ross, in Death and Dying, discusses the stages one goes through when he or she comes to terms with his or her own fate. These stages include Denial, Anger, Bargaining, Depression, and Acceptance. In Sophocles’ Oedipus Rex, and the medieval morality play, Everyman, by and anonymous author, both the title characters travel through these stages throughout the plot when they come to meet their fates or misfortunes.
Oedipus, when Jocasta re-tells the details of how Laios was murdered, begins his approach to denial. At first, he searches for more and more information that might prove he didn’t really kill his father. This shows the reader that Oedipus seems to know subconsciously that he is the slayer of his father. Everyman, in the first scene, quarrels with Death about going on the long journey. He pleads for even a few more days before making him take this voyage. Both characters argue “Not me…it can’t be!…'; Both also look for a person or reason to displace their burden in order to avoid facing their strife.
The second stage according to Kubler Ross is Anger. Oedipus becomes fierce and defiant upon Jocasta’s telling him that he should stop searching for the truth and he doesn’t need to know the answers. This is a stage that appears to mix a bit of denial with anger for Oedipus, but the distinctions, do exist. Everyman becomes angry when Death tells him he must travel a long distance. In this scene, Everyman snaps at Death because he cannot be troubled with trite matters when he has more important things to do.
Bargaining is the third step toward achieving Acceptance. It is very evident in Everyman because Everyman bluntly offers Death riches and fortunes just so he may have a few more days. He will pay Death just to allow him to postpone the trip or hopefully even cancel it. This shows a very clear example of man trying to bargain his way out of fate and tries to exchange a “token,'; as stated by Ross, in order to prevent the inevitable, or at least to stall it. This step however, is not as evident in Oedipus Rex and the reader does not really see an attempt to bargain for anything. If one tries hard to stretch things however, we could say that Oedipus’ attempt to find evidence proving that he did not kill his father could be seen as bargaining.
"Selfishness is the greatest curse of the human race,” as quoted by William E. Gladstone, supports my thought that selfishness is what causes most of our problems in the modern world. Currently, we are living in an era that is filled with much gluttony and selfishness. However, selfishness is a trait that all of us possess, but the amount of selfishness that we have can determine the type of person we are. For instance, parents should always put their children’s needs before their own. Selfish parents would rather buy materialistic items for themselves than anything useful for their children. In Sophocles’s “Oedipus Rex,” the protagonist is literally blinded by his own arrogance. This attitude begins before he even travels to Thebes, and that is apparent due to the circumstances of his father’s death. Oedipus seals his own fate with his egotistical attitude and he cannot change his destiny after everything is set into motion. During his journey on the road to enlightenment, Oedipus’s selfishness causes him to transcend from being completely ignorant of his fate to holding on to the last shreds of denial to having an overwhelming sense of realization.
Oedipus enters the separation part of the second stage, the initiation, when the blind "seer" Tiresias charges that Oedipus himself is the cause of the pestilence. Oedipus goes through denial and then separates from himself through self-examination. Although warned to refrain from the search by his wife/mother, Jocasta, Oedipus continues to seek out the truth. This truth seeking leads to the transformation where Oedipus realizes that he is responsible. He had killed his father (although at the time he did not know Laius was his father) and married his mother (he did not know this either),thereby causing the plague. This realization was too much for Jocasta to bear and so she committed suicide. At the sight of this event, Oedipus feels immediate and unbearable guilt and blinds himself to the evils he has caused. At this point Oedipus enters the return phase of the initiation and realizes that he must live up to his own decree and banish himself from the city in order to save his people.
Self-control can be defined as the ability to control oneself, in particular one’s emotions or desires, especially in difficult situations. Comparatively, self-image is the idea one has of one’s abilities, appearance or personality. Often self-image and self-control are thought of as separate entities, but in the case of the tragic play “Oedipus Rex,” Sophocles demonstrates the connection between the two through the tragic events that occur. Integrated in the plot is the growth of the character of Oedipus, for it is he whom indices the investigation to stop the current plague in his kingdom of Thebes, his personal rashness and ignorance of the past come back to haunt him. Oedipus’ incautiousness when discovering the true state of Thebes is
Oedipus at first finds the implications of killing his father and sleeping with his mother difficult to tolerate as a factual manifestation of his past. He disputes the fact that he had caused suc...
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation. With Willy Lowman, the audience goes for a bumpy ride until the eventual, but expected, crash. ** (NEEDS WORK)
Throughout my lifetime, I have been told to “be yourself” or that “you are the master of your own fate”. Each one of us is told that we are important because we are unique. However, it certainly hasn’t always been that way. The perceived value of individuals has evolved as we have advanced as a society. The progression of global religions over time is evidence of this. During the period from soon after the advent of religion many thousands of years ago until around 1900, humans saw themselves as relatively unimportant compared to the omnipotent gods. However, since 1900, humans, collectively and individually, have been seen as the utmost authority in the universe. The play Oedipus The King, written by Sophocles
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Sophocles' trilogy of Oedipus the King, Oedipus at Colonus, and Antigone is a powerful, tragic tale that examines the nature of human guilt, fate and punishment. Creon, Oedipus' uncle and brother-in-law, is the story's most dynamic character. His character experiences a drastic metamorphosis through the span of the three dramas. Creon's vision of a monarch's proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy's tragic conclusion.
The play "Oedipus Rex" is a very full and lively one to say the least. Everything a reader could ask for is included in this play. There is excitement, suspense, happiness, sorrow, and much more. Truth is the main theme of the play. Oedipus cannot accept the truth as it comes to him or even where it comes from. He is blinded in his own life, trying to ignore the truth of his life. Oedipus will find out that truth is rock solid. The story is mainly about a young man named Oedipus who is trying to find out more knowledge than he can handle. The story starts off by telling us that Oedipus has seen his moira, his fate, and finds out that in the future he will end up killing his father and marrying his mother. Thinking that his mother and father were Polybos and Merope, the only parents he knew, he ran away from home and went far away so he could change his fate and not end up harming his family. Oedipus will later find out that he cannot change fate because he has no control over it, only the God's can control what happens. Oedipus is a very healthy person with a strong willed mind who will never give up until he gets what he wants. Unfortunately, in this story these will not be good trait to have.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
Oedipus was willing to die to uncover the truth. Closure was needed for Oedipus the individual and Oedipus the king. Despite this need for closure, Oedipus remained blind to the clues in his path, plainly dismissing the ideas of other characters. Oedipus’ passion for knowledge was at least as strong as his blindness to the clues in his path. This blindness can be attributed to his pride. This pride gradually developed from h...