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Crime and punishment by fyodor Dostoyevsky as a psychological novel
Crime and punishment by fyodor Dostoyevsky as a psychological novel
Crime and punishment from dostoevsky's
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19th century Russian literature contained many revolutionary ideas that criticized established features of society: Tsarist absolutism and the concept of serfdom. These ideas reach the people due to the necessary socio-economic conditions: the abolishment of serfs and the end of the Censorship Terror. Throughout 19th century Russian literature, many revolutionary ideas are brought to the people that are never enacted on; therefore, they do not reflect true revolutionary terrorism. However, in 1866, Fyodor Dostoyevsky’s Crime & Punishment is the first novel in Russian literature that successfully introduces a revolutionary terrorist into society.
Russian Tsarist regime followed The Ulozheine, a moral code of law dated back to 1649. This law code deemed “word, deed,
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For example, the Russian word kramola or kramol’nik (sedition or any form of revolt) has been interchangeably used with fanatik (fanatic), zlodei (evil-doer), and zloumyshlennik (evil-thinker) (9). Therefore, in Russian law, a terrorist is not only one who enacts a deed but also a person who thinks and spreads the idea of it. In its most basic form, terrorism is “a frontal assault on any moral, political, or social” order (11). Through the use of violence, terrorists “provoke consciousness” and “evoke certain feelings of sympathy”; and, it is the people’s consciousness of their own grievance that allows for the rise of terrorism. (11). An early example of a revolutionary work in Russia is Alexander Radishchev’s From St. Petersburg to Moscow, in which he depicts the grievances of the serfs. Throughout the novel, Radishchev provides a detailed account of the injustices faced by the serfs, including abuse, rape, and abduction. In writing this, Radishchev speaks to the Russian people to challenge a well-established function in Russian society: serfdom. After the protagonist observes the abuses faced by the serfs, he looks to his own slave and questions himself: “you denounce the proud
As Rodya analyzes Luzhin’s character, he realizes that intellect unrestrained by moral purpose is dangerous due to the fact that many shrewd people can look right through that false façade. Luzhin’s false façade of intellect does not fool Rodya or Razumikhin, and although they try to convince Dunya into not marrying Luzhin, she does not listen. Rodya believes that Luzhin’s “moral purpose” is to “marry an honest girl…who has experienced hardship” (36). The only way he is able to get Dunya to agree to marry him, is by acting as if he is a very intellectual person, who is actually not as educated as he says he is. This illustrates the fact that Rodya knows that it is really dangerous because he knows that people can ruin their lives by acting to be someone they are not. Rodya also knows that people will isolate themselves from others just so that no one will find out their true personality. This is illustrated in through the fact that Luzhin tries to avoid Dunya and her mother as much as possible. The way he writes his letter, exemplifies his isolation, for Luzhin does not know how to interact with society. He has no idea how to write letters to his fiancée and his future mother in law. This reflects on Rodya’s second dream because he is unable to get Dunya married off to a nice person. He feels isolated from everyone else because his intellect caused him to sense that Luzhin is not telling the truth about his personality. However, it was due to his lack of moral purpose that Rodya berates his sister’s fiancé. He is unable to control himself, and due to his immoral act of getting drunk, Rodya loses all judgment and therefore goes and belittles Luzhin. Although Rodya’s intellectual mind had taken over and showed him that Luzhin wa...
New York, Oxford University Press. Moorehead, Alan, Ed 1958. The Russian Revolution. New York, Carroll & Graf Publishers Inc. Pipes, Richard, Ed 1995.
Crime and Punishment by Fyodor Dostoevsky, originally published in 1866, tells the story of a young man who commits a crime to prove his superiority to the societal system around him, then suffers mental, emotional, and physical anguish until he admits to his crimes. Dostoevsky uses biblical allusions from The New Testament throughout the novel, which play a major role in character development. These allusions are made evident to the reader through characters and the situations they were involved in, especially in the main characters, Raskolnikov and Sonia, through the depictions created by Dostoevsky for characterization throughout the book. Consequently, Dostoevsky incorporated these allusions by developing two major archetypal characters,
Life is a wheel rolling inexorably forward through the temporal realm of existence. There are those that succumb to its motion and there are a certain few, like Christ and Napoleon, who temporarily grasp the wheel and shape all life around them. "Normal" people accept their positions in life and are bound by law and morality. Extraordinary people, on the other hand, supersede the law and forge the direction and progress of society. Crime and Punishment, by Fyodor Dostoevsky, is the story of a group of people caught beneath the wheel and their different reactions to their predicament. One individual, Raskolnikov, refuses to acknowledge the bare fact of his mediocrity. In order to prove that he is extraordinary, he kills two innocent people. This despicable action does not bring him glory or prove his superiority, but leads to both his physical, mental, and spiritual destruction. After much inner turmoil and suffering, he discovers that when a person transgresses the boundaries of morality and detaches himself from the rest of humanity, faith in God and faith in others is the only path to redemption.
A Study of the literary techniques used by Fyodor Dostoyevsky in Crime and Punishment to convey the downfall and subsequent rise of the main character. "Crime and Punishment" by Fyodor Dostoyevsky is the story of a young student Raskolnikov and his need to murder an old woman to prove one of his many philosophies. The book begins with the murder, but the primary focus is on his reasoning and reactions before and after the act. It is set in St Petersburg where the main character, Raskolnikov, appears to be an ex-student living, in poverty, a life of lethargy.
In Crime and Punishment, Dostoevsky gives the reader an inside look to the value system that he holds for himself, as well as the type of characteristics that he abhors in people as well as the characteristics that he admires in people. He uses characters in the novel to express his beliefs of what a person should be like in life to be a “good'; person. Specifically he uses Raskolnokv to show both good and bad characteristics that he likes in people. Also he uses Svidriglaiov and Luzin to demonstrate the characteristics that people should shun and his personal dislikes in people.
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
By February 1917, discontent within the Tsarist society had risen to such a level that a revolution occurred. Originally, the revolution began as several protests about poverty, crime and the conditions in which Russians were forced to work and live in. These protests soon vilified Tsar Nicholas and turned into brutal and violent riots, although it can be argued that the Tsar acted villainous towards his people and thus deserved his status as an enemy of the people. There were many contributing factors that led to the Spring revolution, chiefly the growing vexation of the public that began many years before the war and the catalysis of the war in fuelling the fire of discontent. This essay will discuss the effects of these factors on the breakdown of the Tsarist society by February 1917 and form a supported conclusion on which factor had the largest impact and was, ultimately, the main reason for the breakdown of society and the subsequent revolutions.
One of the aspects of Crime and Punishment that stands out is that it is much more than a simple crime story. It is in fact a great study of the mind of a murder. Raskolnikov is a terrifying but sympathetic main character precisely because he is just twisted enough, just ill enough, for the reader to believe anyone is capable of such atrocities. The jumping off point for Raskolnikov is his idea of extraordinary and ordinary people. Looking at his theory and applying it as a tool for analysis of Raskolnikov himself leads not only to a deeper understanding of this idea but also of Raskolnikov. It also explains to some degree how seemingly benign ideas can lead a believer to do unspeakable things.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion.
Platt, Kevin M. F. and David Brandenberger, eds. Epic Revisionism: Russian History and Literature as Stalinist Propaganda. Madison: U of Wisconsin P, 2006.
How did Russia often express itself during times of censorship and control? Literature. Despite being written during the times of Tsars and Imperialists, works like Nik...
In Fyodor Dostoevsky's Crime and Punishment, the theme of duality and the conflict between personal desires and morals is present throughout much of the novel. There are dual conflicts: one external between a disillusioned individual and his world, and the other internal between an isolated soul and his inner thoughts. It is the internal conflict in the main character, Raskolnikov, that is the focused on for much of the novel. The first of Rodya’s two sides is his intellectual side. This side of rodya is inhumane, and exhibiting extreme self-will and power. This is the side of him that comes up with his theory. The crime was a result of his theory that some people possess extraordinary abilities while others have no ability. It's this intellectual side of him that caused him to conceive and execute his murder. Through the authors use of setting tone, diction, and allusion, the readers get a better understand if what type of character, rodya is.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
The word terror dates back to the French Revolution. “A terrorist was, in its original meaning, a Jacobin who ruled France during la Terruer” (Moeller 20). Terrorism has clearly become much broader in the years since its origination. Since the concept was first birthed in France it has been used for separatist, nationalistic, political and religious ends, etc. In the book “Packaging Terrorism”, author Susan Moeller states that, “the goal of terrorism is to send a message, not to defeat the enemy”.