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A Farewell to Arms by Hemingway essay
A Farewell to Arms by Hemingway essay
A Farewell to Arms by Hemingway essay
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Two authors, through several timeless pieces of work have shown that using proper rhetorical strategies and advanced styles of writing contributes to the popularity and success of these stories. Both Ernest Hemingway and William Faulkner use several types of rhetorical strategies to enhance their writing and write stories that have more depth to them. After analyzing the writing styles of Hemingway in A Farewell to Arms and Hills Like White Elephants and Faulkner’s writing style in Barn Burning and A Rose for Emily, it is evident that few similarities exist between the two authors. Though the authors share some similar techniques that lead to their world renowned published pieces, each author displays a common style of writing in each of their publications. The four pieces that were analyzed show that both …show more content…
Hemingway believed that if he laid a basic foundation for his story, the audience should be trusted to discover the true meaning behind his writing. Hemingway explained this theory by stating,
If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water(Ernest Hemingway’s Iceberg Theory).
Due to this theory, Hemingway tends to use short simplistic sentences in his writing while also evoking thought and feelings from the reader. An example of this is in the dialogue that occurs between Henry and his love interest Catherine Barkley in A Farewell to Arms. Though their conversations were always short and to the point, a thoughtful message could always be deducted from a few short sentences. In one instance Catherine stated very causally, “No I’m not. But life isn’t hard to manage when you’ve got nothing to lose(Hemingway
Imagine. You are sitting in complete silence, even the nearby crickets won't dare to let out even the slightest of croaks. You stare down at your cluttered, dimly lit desk. Your hand grasps your pen, and the other rubs back and forth across your temple in angst. Your eyes pass over each paper, containing each incomplete thought, and your mind floods with memories of your past. Trapped by writer’s block, you are all alone with only your experiences, surroundings, and philosophy aiding you in the fall that is the dark reality of alcoholism and depression. For renowned authors F. Scott Fitzgerald and Ernest Hemingway, these influences all played a crucial role in identifying their style techniques, as well as determining similarities and differences
Analysis of Hemingway’s Narrative Technique as a Short- Story Writer. For many years, the narrative technique of Hemingway has been under debate. Writers before him had already achieved works that bear the characteristics of the modern short story, and many of their works could stand today, with those of Hemingway and of writers like Faulkner, as representative short stories of modern times. What distinguishes Hemingway both from his predecessors and from his contemporaries, however, is the theory he produces to deal with the challenge of spatial limitation which every short story writer has to face: how can he say more than his space actually allows him to say?
David Foster Wallace, author of the essay “Authority and American Usage*,” praises and advocates for “good” writers who have a strong rhetorical ability, which he defines as “the persuasive use of language to influence the thoughts and actions of an audience” (Wallace 628). To have a strong rhetorical ability, an author needs to be aware of whom their audience is, in order to present their information in a way that will be influential on their audience. Wallace recognizes that an author who applies a strong rhetorical ability will be able to connect with the audience so that they respond “not just to [their] utterance but also to [them]” (Wallace 641). An author needs to take into consideration not just content, syntax and grammatical structure (their “utterance”) but also how their character will be perceived by their audience. A positive tone will make the author seem more pleasant and relatable, whereas a negative tone connotes arrogance and pretentiousness. That is why it is crucial for an author to recognize that an audience will respond to “them” and not just their “utterance,” as an author’s appearance to their readers can also shape how impactful their writing is.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
It was Ernest Hemingway’s belief that “for a true writer each book should be a new beginning where he tries again for something that is beyond attainment” (Nobel Prize Speech). This means that each time someone puts pen to paper, he should strive for such realness that it seems unreal. Rhetoric, or use of language, is the most critical aspect of writing. This is because a skilled use of rhetoric not only allows the writer to convey his ideas to an audience, but also manipulate the way the audience perceives them. Hemingway is extremely well-known for his use of rhetoric, which includes his figurative language, syntax, and other types of literary devices. Hemingway uses syntax, figurative language, and the placement of his stories and chapters
When a writer starts his work, most often than not, they think of ways they can catch their reader’s attention, but more importantly, how to awake emotions within them. They want to stand out from the rest and to do so, they must swim against the social trend that marks a specific society. That will make them significant; the way they write, how they make a reader feel, the specific way they write, and the devotion they have for their work. Washington Irving, Nathaniel Hawthorne, and Edgard Allan Poe influenced significantly the American literary canon with their styles, themes, and forms, making them three important writers in America.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Harris, Robert A. Writing with Clarity and Style: A Guide to Rhetorical Devices for Contemporary Writers. Los Angeles, CA: Pyrczak Pub., 2003. Print.
The Iceberg Principle that Hemingway is so fond of, has already given rise to many discussions over the years. Giving away only a tip of it, Hemingway leaves us behind with a great amount of mystery in his stories.
Earnest Hemingway’s work gives a glimpse of how people deal with their problems in society. He conveys his own characteristics through his simple and “iceberg” writing style, his male characters’ constant urge to prove their masculinity.
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
Hemingway has a very simple and straightforward writing style however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “...
In the short story “Hills Like White Elephants” by Ernest Hemingway, the author employs the use of the iceberg theory to convey a hidden message within the lines of the story for the reader. Through the use of strictly dialogue, Hemingway allows the reader to only see the part of the iceberg that is above water. The rest of the story is inferred by the reader. For example, Hemingway uses simple sentences rather than complex sentences to get straight to the point. All of Hemingway’s use of detail and explanations of scenery or background is made simple.
...s one may establish a better understanding for theme, writing styles, and technique. Though “The Adventures of Huckleberry Finn” is a full length novel and “The Lost Boy” is a short story the writings are comparable in the aspect of writing structure and key characters. One may also associate characteristics in Wolfe’s story with those in “Daisy Miller”. These stories are alike in the theme of life lost and different in many ways, as well. Harry, the leading character in Hemingway’s “The Snows of Kilimanjaro” led a very different life than that of young Robert but the writings held numerous resemblances. The four stories depict humanity through the life stories of their developing characters. In comparing and contrasting the literary works written by Wolfe, James, Hemingway and Twain the student develops as certain appreciation for the literary community.
... seemingly simplistic. Hemingway discovered a way to demonstrate the complexity of the human spirit and identity through simplistic diction, word choice, and sentence structure. The story is only a small part of the deeper inner complex of the narrative. The short story allows a fluidity of thoughts between the individual and the characters without ever actually describing their thoughts. With no ending the story is completely left to interpretation providing no satisfactory ending or message.