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Chaucer in the medieval era
The age of chaucer important short notes ma english
Chaucer in the medieval era
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The Knight’s Tale and The Miller’s Tale are both told by pilgrims on their way to Canterbury. Although the two stories are set in the same time period and have a similar theme, they each have a distinctive tone. The Knight tells a romantic story that reflects his higher social class during the era in which he lives. The Miller tells a story in which lust, not love, is the guiding motive for the characters. The Miller is in fact drunk when he tells his story, so the Miller’s Tale contains lots of dirty jokes and complicated tricks. The Miller’s tale mirrors the Knight’s tale in a lot of ways. Both of the stories contain a love triangle.
In The Knight’s Tale, Arcite and Palamon are two knights who are badly wounded but still alive. They are found and imprisoned for life. One morning, Palamon looks out the window and spots Emelye walking around the garden and falls in love with her. Arcite is also quite in love. The two knights swore never to let the love a lady come between them, but this is exactly what happens. In The Knights Tale, woman are treated like goddesses. If the Knight’s tale was a movie it would be rated PG. This tale contains no physical contact.
In The Miller’s Tale, one of the characters named
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“I have a noble story in my store, with which I will requite the good knight’s tale” ( pg. 83 Selected Canterbury Tales). Since the knight told a story in a more gentlemanly fashion, the drunk miller answered with an unchivalrous story. I also think Chaucer placed them together because of social class. The first story is told by a Knight who is a nobleman in the upperclass. The Knight is a respectable man who has fought in many places and won. Following, is the Miller who is in the lower working class. Millers were considered to be cheaters and liars. I believe Chaucer placed them in this order because they are complete
In the following paragraphs I am going to show how Hollywood portrays the Salem Witch Trails and the 1690’s compared with what actual happened in history and that in the film "The Crucible".
...night, the Miller's characters are not moral or honorable; they simply want to gratify themselves. While the Knight's story ends with an honorable death and a union between lovers, the Miller's tale ends with humiliation: the cuckholded husband is branded insane, Absolom suffered and prank, and Nicolas a painful burn. Consequently the Miller mocks the Knight's prayer. He wishes the company well, but the content of his tale expresses his laughter. In a way he "paid back" the Knight's tale.
The narrator is the first element of humor Chaucer uses in his story. The Miller is rude and drunk but generally a jolly fellow. This sets the tone of story as being fun and even a bit coarse, just like the Miller himself. He tells a few jokes before he tells his story: "One shouldn't be two inquisitive in life? / Either about God's secrets or one's wife. / You'll find God's plenty all you could desire"(53). As well, the Miller wants to punish the Reeve, a ...
The Miller Parodies of the Knight's Tale. Miller parodies the Knight’s Tale in several different ways. He cleverly achieves this through his description of the characters. style in which the story is told and the way in which the characters conduct themselves in the tale.
Forbes, Shannon. "'To Alisoun Now Wol I Tellen Al My Love-Longing': Chaucer's Treatment of the Courtly Love Discourse in the Miller's Tale." Women's Studies 36.1 (2007): 1-14. Academic Search Premier. Web. 16 May 2013
A relationship is usually seen between the teller of a tale and the tale that he or she decides to share. Chaucer’s pilgrim, the Merchant, uses his feelings on marriage to teach a lesson in his tale. The Wife of Bathe also relies on her life experience to tell her tale. The two relationships in the tales can then be compared.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
Alison in the Miller's Tale and May of the Merchant's Tale are similar in several ways. Both are young women who have married men much older than themselves. They both become involved with young, manipulative men. They also conspire to and do cuckold their husbands. This is not what marriage is about and it is demonstrated in both tales. What makes the Miller's Tale bawdy comedy and the Merchant's tale bitter satire is in the characterization. In the Miller's tale we are giving stereotyped characters. The principals are cardboard cut-outs sent into farcical motion. The Merchant's Tale gives us much more background and detail of the character's lives. The reader is more involved and can feel their situations. Here we will focus on the two women of each tale and how they demonstrate this difference.
The miller’s anger is illustrated to the audience when he is illustrated as a man of large stature, and intimidating. Chaucer continues to vividly describe the miller to the reader by writing that, he wins all the wrestling shows, carries weapons, and uses words to fuel his anger, and takes his anger out on others. All of these traits that the miller has illustrate to the audience that he is an intimidating character that is full of anger and demonstrates it well in the way that Chaucer describes him. The Canterbury Tales are important to study now days, because the audience can learn from the bad traits that that each character has and portrays.
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
“The Knight’s Tale”, for example, uses the concept of a knight not only to parody the concept of the hero, but also to question the well-established courtly love convention. This last concept refers to a set of ideas about love that was enormously influential on the literature and culture of the medieval times for it gave men the chance to feel freely. Also, it gave women the opportunity to be an important element in the story – not only decorative. However, when scrutinizing the tale, the readers can realise that all the aspects of a knight’s love are exaggerated and conveyed throu...
Moving towards the second tale “The Wife of Bath” love and death play a very large toll on the outcome of the story. We begin with a knight who rapes a woman and is given the death penalty. His “love” for her granted him a golden ticket to a death, but miraculously is spared to find the answer to question his life depended on. When introduced to the old woman, he is forced to pledge himself to her in order for help. She helps him and he lives but is now burdened with a woman he does not love. He has no love for her yet is forced to marry and remain miserable.
Throughout literature, relationships can often be found between the author of a story and the story that he writes. In Geoffrey Chaucer's frame story, Canterbury Tales, many of the characters make this idea evident with the tales that they tell. A distinct relationship can be made between the character of the Pardoner and the tale that he tells.
...ad the Knight tell this long, drawn out, overly chivalric tale as a contrast to the Knight's personality. The Knight is an subtly un-chivalrous person who tells a story so full of chivalry that it basically parodies itself. I think that the Knight is making up for his own un-chivalrous behavior by telling a very chivalrous story, as if to show the other pilgrims that he knew how to be honorable.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.