A Mother’s love cannot be defined by a dictionary. Their love stems from actions, struggles, experiences and risks they encounter throughout their life which; helps formulate the mother they will put into existence .these life changing ordeals not only affect the mother but the child as well. With this in mind, let’s narrow into the child being a daughter. The relationship of a mother and daughter will not only be affected by her mother’s past but ultimately be with the daughter until herself because a woman and mother. Is it a mother’s generational curse or a gift of genes? These are questions that arise in two works of literature written during the 20th century, Sula by Toni Morrison and Wide Sargasso Sea by Jean Rhys. The past experiences …show more content…
Sula felt abandoned by her mother growing up. Her mother mentions to a friend, “You love her like I love Sula. I just don’t like her. That’s the difference.” Sula hears this and becomes a bit confused and hurt. Even if she isn’t liked by her mother, the fact that Hannah told her friends this publically and didn’t see if Sula could hear made Sula upset .Not only did Sula feel abandoned by her mother not liking her but loving her because she has to, she felt betrayed. In the quote, “…where the mother, Hannah never scolded or gave directions; where all sorts of people dropped in,” it mentions Hannah’s nonchalant attitude about everything and the “no rule” environment she enforced. Sula abandons the rules also when he best friend Nel gets married and she moves away from their town. She leaves for a period of ten years without any visits or direct contact. While she is away she does as she please, have sex with all men, and gets bored when others go into the whole “normal” category. When Sula arrives back to the town, she is not only changed but the town does not accept her back and abandons her because of her new attitude and lifestyle. “When she had come back home, social conversation was impossible for her because she could not lie.” This quote shows the blunt attitude Sula possessed .no one wanted to talk to her because she would tell them the truth good or bad and the town was too conservative for …show more content…
The idea of madness is a result of the mothers raising the girls into womanhood. Their parenting helped contribute to their mind states. It’s not as much seen in Sula but necessary in the novel Wide Sargasso Sea. In Sula, Hannah wasn’t around as much as she could have been. First off, Sula was raised in a big house full of her grandmother and boarders. These boarders rented rooms and were total strangers. Her mother had guys in and out the house which can put inquires in the mind of a child. While viewing such things as a child her loss of innocence was in full affect. Sula’s home wasn’t stable and Hannah herself wasn’t stable. Hannah used sex as her getaway and wanted when she wanted by anyone. In doing this Sula transition into adulthood was abrupt and unstable. She grew up before her time and emotion state was not intact. Sula went to other avenues to find love and nurturing where her mother didn’t provide. The townspeople called her crazy and evil when she came back from her ten year
2) Hannah tells stories of her “other” life in which she attends school and looks forward to the weekends. As Chaya, her new friends are again shocked by the fact that she-a girl-attends school. Hannah explains that he...
Given the title of the novel, Sula Peace is a complex and thought provoking character in Toni Morrison’s, Sula. Her thoughts and actions often contradict, leaving the reader unable to decipher whether Sula should be praised or demonized. As a child, Sula grows up in a chaotic household that is run by strong-willed women. Because of this constant commotion, Sula loves quiet and neat settings, which is shown through her behavior at Nel’s home. In the novel it says, “She had no center, no speck around which to grow” (Morrison 119). This quote points out how much her home life as a child affects her behavior as an adult. Her mother, Hannah, has almost no sense of right and wrong. Her promiscuous behavior is observed by Sula and sets the foundation
Though she was seen as the town's outcasts, someone the community could measure themselves against to know their own goodness, Sula was the realest person. She wasn't someone who tried to be what she wasn't. She did not scorn others in the way they scorned her. In a way, she was more pious. There are other minor characters in which Morrison leaves the blame in the air. Eva killing her son, Ralph, to save him from himself, and his heroine addiction and Teapot's mother abusing and neglecting him until he was hurt because of Sula.
Sula by Toni Morrison is a compelling novel about a unique, self-confident woman. As in many other books, each secondary character in the story serves as a vehicle to explain the main character. Hannah, Sula's mother, is dominated by the element of air; she is free spirited, frivolous and child-like. On the other hand, the element of fire is prevalent in Sula, who is impulsive, hot-tempered and passionate. Despite the differences between the two, Hannah's lifestyle intrigues and influences her daughter. The effect Hannah has on Sula is reflected in many of her daughter's perspectives and actions. As a result of the ubiquitous presence of fire within her, in contrast to her mother's blithe spirit, Sula carries all of Hannah's immorality and actions to a more extreme level. Both women have promiscuous tendencies, do not have close friendships with women, and become easily irritated by Eva. The difference is that Sula's fiery character leads her to act more cruelly than her mother.
The lack of support and affection protagonists, Sula Peace and Nel Wright, causes them to construct their lives on their own without a motherly figure. Toni Morrison’s novel, Sula, displays the development of Sula and Nel through childhood into adulthood. Before Sula and Nel enter the story, Morrison describes the history of the Peace and Wright family. The Peace family live abnormally to their town of Medallion, Ohio. Whereas the Wrights have a conventional life style, living up to society’s expectations.The importance of a healthy mother-daughter relationship is shown through the interactions of Eva and Hannah Peace, Hannah and Sula, and between Helene Wright and Nel. When Sula and Nel become friends they realize the improper parenting they
As she discussed in her TED Talk “The Danger of Hiding Who You Are,” she hid for a while so she did not have to face discrimination based on her sexual orientation. As Kayla said “Sula was comfortable with being different. Morgana was first afraid to be different because society is homogeneous.” What makes Bailey different from Sula is that Sula was content with her nonconformity, ever since she was young. When being harassed by a few boys Sula showed them her courageousness by cutting her own finger (54). Especially in the early 1900s, women are expected to be submissive and polite. Sula is more worried about her and Nel’s safety than these
Through the negative experiences that she has had with motherhood, Sula does not want to become a mother. She sees Hannah’s sadness and frustration with Eva and recognizes her poor relationship with Hannah and does not want to repeat it. Sula’s insufficient relationship with her mother is exposed when Sula watched her mother burn and die. Sula does not attempt to help her mother, she only stands silently and watches her mother die. Eva notices this but, “remained convinced that Sula had watched Hannah burn not because she was paralyzed, but because she was interested” (78). This shows her lack of care for motherhood. She does not have kids and dies without having any. But during her life, she ends up in a similar situation as her mother She focuses only on men and people begin to hate her for this. She begins to take friends’ and neighbors’ husbands the same way Hannah did. Sula even turned on her only friend, Nel, and took her husband too. She is the reason that Nel’s husband left her. Sula adopted the same principles as her mother, and Hannah was shaped by Eva.
The relationship between Nel and Sula begins during their adolescent years. Though they are complete opposites, they seem to work well with each other, depending on one another for comfort and support. The two spend almost all of their time together, learning from one another and growing as a result. They take solace in the presence of one another, finding comfort in what the other finds bothersome and using the lifestyle of the one another to compensate for their shortcomings. When Sula first visits Nel's home, "Nel, who regarded the oppressive neatness of her home with dread, felt comf...
Where many novels focus on the men and how they are the dominant figure in the society, Sula has the entire focus on the women, with men coming in only as sexual objects. Throughout the novel, the two main girls did not have male figures in their lives. Nel had a father but he was often away on trips, leaving her mother to raise her. Sula did not even have a father. The men she saw in the house were often there to have sex with her mother, Hannah, or exchange in flirtatious conversation with her grandmother, Eva. The man in this story is not the type to stay with his wife or to be faithful. Sula’s grandfather left, her father died, Nel’s father is never around. Hannah often slept with recently married men, and Sula sleeps with Nel’s husband, Jude, causing him to leave
Sula by Toni Morrison is a very complex novel with many underlying themes. Some of the themes that exist are good and evil, friendship and love, survival and community, and death. In Marie Nigro's article, "In Search of Self: Frustration and Denial in Toni Morrison's Sula" Nigro deals with the themes of survival and community. According to Nigro, "Sula celebrates many lives: It is the story of the friendship of two African-American women; it is the story of growing up black and female; but most of all, it is the story of a community" (1). Sula contains so many important themes that it is hard to say which one is the most important. I agree with Marie Nigro when she says that Sula is a story about community. I believe that community and how the community of Bottom survives is an important theme of the story. But I do not believe that it is a central theme of the story. When I think back on the novel Sula in twenty years, I will remember the relationship and friendship between Nel and Sula. I will not remember the dynamics of the community.
They began to lose touch with each other. Nel got married and Sula left because she claimed there was nothing left for her in the Bottom, since Nel is a devoted mother and wife. Sula felt as if Nel was putting her on the sidetrack instead of the main road, which hurt her a little. According to society every woman’s main desire should be toward creating life and building a family. This is a true statement in many cases; however, when it comes to Sula it is far from it. Nel is the definition of the ideal woman while Sula is not. Sula doesn’t desire to have children or get married, her main concern is her and Nel’s friendship. When Sula loses her relationship with Nel because Nel builds a symbiotic relationship with someone else Sula is now willing to leave and find a new life somewhere else. Ten years later she returns to the Bottom because she didn’t find what she was looking for. Sula comes back a little upset to find out that her best friend is just as boring as all the other women in town. She is now doing the same exact thing as everyone, she “had given herself over to them” (Morrison, 118). Nel’s promise she made when she was child was broken the day she married Jude Green. She promised that she was going to become herself. He is the exact same as Wiley Wright, Nel’s father, both of them are more concerned with economic success rather than family
In Toni Morrison’s novel Sula, the theme of the story is good versus evil. It’s embodied into the story in various forms to question what defines right and wrong. Good versus evil is presented in forms that are understood on the surface and beneath the surface which gives it multiple meanings. The relationship between Sula and Nel is the main expression of this theme, however, there are also many other contributors such as color schemes, gender and race differences, and life and death. This theme sheds light on the significance and interpretation of issues of everyday reality which includes controversies related to identity struggles, super natural forces, the impact and relevance of upbringing on development, family structure, and racism. Morrison demonstrates the importance of good versus evil with her writing in the way that she overlaps them and interprets them as products of one another. The friendship of Sula and Nel creates a presence of good and evil within their relationship to each other and their community.
Sula has a feminist spirit and refuses to melt into the typical mold of a woman. She "discovered years before that [she was] neither white nor male, and that all freedom and triumph was forbidden to [her]" (52). Because of this she decides to lead her life on her own terms. Sula encounters both racism and sexism and is placed in a situation in which she has no release for her wild spirit. She cannot live out in the world with the freedoms of a man, but doesn't want to live as a stereotypically sheltered woman either. In attempting to break these boundaries she is hated by the town and viewed as an "evil" person by the community in which she lives.
There are many aspects of story that come together to create a complete narrative. A lot of the tools used by writers are intentional and serve the purpose of driving home certain aspects of the story or creating and engaging, and entertaining narrative. Toni Morrison—the author of Sula—is no different. Morrison employs many writing techniques and tools in her narrative Sula. It is important for the reader to be aware of and understand some of these narrative tools that the author uses because it allows the reader to gain a better understanding and appreciation for the narrative. In Sula a few narrative techniques that allow for the argument of women experiences to shine through are the use of a third person narrator, and gaps; throughout the story these tools allow the reader to become interested in and focus in on women experiences.
First there is the presence of the old stereotypical woman character, a woman split between the conventional and nontraditional roles of women. No differences are apparent initially between Morrison's Sula and any other women's literature in the past. Women are depicted either as docile servants to men, like Nel, or ball-busting feminist monsters like Sula. The hidden aspect of the novel lies underneath these stereotypical surface roles, in the incomprehensible and almost inappropriate bond of the two women. In the final scene of Sula, Nel comes to the realization that the emptiness inside her is due to the loss of Sula, not Jude (Morrison 174). Her friendship with Sula is all that matters.