Claudius in Hamlet

916 Words2 Pages

Claudius in Hamlet

“Every one sees what you appear to be, few really know what you are, and those few dare not oppose themselves to the opinion of the many, who have the majesty of the state to defend them.” - Nicolo Machiavelli, from The Prince Italian political theorist Nicolo Machiavelli speculated that the strongest leaders are ones who are able to carefully balance appearances to his benefit, strategically using them to strengthen his regime. If Machiavelli was indeed correct, then Claudius, from Shakespeare’s Hamlet, starts off as an ideal Machiavellian prince. However, as the play develops, Claudius’ loses his previously immovable command and composure, largely due to his concern over the potential threat posed by his stepson, Hamlet. At the beginning of the play, Claudius appears to have complete control over Elsinore, as evidenced by his imposing speech to the court: Therefore our sometime sister, now our queen, Th’ imperial jointress to this warlike state, Have we (as ‘twere with a defeated joy, With an auspicious and a dropping eye, With mirth in funeral and dirge in marriage, In equal scale weighing delight and dole) Taken to wife... [1.2: 8-14] In this scene, Claudius, who has only recently taken the throne after the death of his brother, addresses some pressing issues. Seeking to create a strong early impression, Claudius uses his words very carefully, taking great pains to both mourn his late brother and celebrate his marriage. Furthermore, with the words “imperial jointress to this warlike state” he justifies the potentially controversial union by making it appear like a benefit to the entire kingdom. Claudius is clearly a shrewd politician, for he deliberately emphasizes the contrast between his marriage and...

... middle of paper ...

...with the sharpness of an experienced leader and decisively acting on every issue of importance. Therefore, the actor must have an imposing and confident presence on stage, for Claudius dominates Elsinore and is in full control of Denmark. However, by the third act, the King must be depicted as a man who is growing increasingly fearful of Hamlet, and during the play, Claudius is so startled that he must appear as though he has seen the ghost of Old Hamlet. But in my opinion, Claudius’ defining moment comes during his lengthy soliloquy in which he acknowledges his guilt. As he mourns his condemned soul, he should seem so helpless that the audience views him with intense pity, for the character of Claudius, like Macbeth, is not intended to represent evil but instead to show the universal ability of power to corrupt and to destroy lives in the process.

Open Document