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Shot techniques in film
Shot techniques in film
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As a director Buton has many advantages as compared to an author to show mood and tone. In his previous movies such as “Charlie and the Chocolate Factory” and “Edward Scissorhands” Burton used multiple techniques to emphasize the cheerful and sinister mood and tones of the movies. Although Burton uses multiple techniques he displays a pattern in his work, he likes to portray darker moods and tones because of his childhood experiences. He especially likes to use lighting, camera angles and sound to depict these cinematic techniques. First of all sound plays a big part in creating the mood and tone in darker movies. The dreary sounds help to capture the mood of each scene. During the opening of the movie “Edward Scissorhands” you hear creepy music in the background. This music causes the viewer …show more content…
Bright lighting can be used to display happiness, however Burton chooses to display the more sinister side of things by using low key lighting. In the movie “Edward Scissorhands” Burton uses a great contrast of different lighting. In the town that Peg lives in there is bright lighting to emphasize the existence of an almost utopia. On top of that the town looks perfect. But what you don’t see is that the women of the town gossip and are very rude. On the contrast Edward’s mansion is very dark and frightening and Edward himself is not pleasant to look at. In reality Edward is a very gentle and kind. His lawn is also surrounded by beautiful bush sculptures of animals. Burton also shows this unique technique in the movie “Charlie and the Chocolate factory”. Charlie's house is isolated and darks looking like Edwards mansion. Only greedy grouchy people could live there, but no Sweet Charlie lives there with his mom, dad, and grandparents. Each one of them are caring supportive people who have done their best working through hard times. The chocolate factory also looks this way but is colorful and amazing
The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an important feature to many gothic horror texts, and examining Edward and other various characters helps to bring about interesting ideas and concepts about this key role. Burton also draws on the relationship between the princess and the prince, commonly found in fairy tales. By using various features found in the gothic horror genre and the fairy tale genre, Edward Scissorhands is able to sway us to think about the consequences of judging people who are different, it influences us to question what true love is and changes the way we view who can be the prince and princess.
The director Tim Burton uses colors to create a happy mood during the scenes in the movie Edward Scissorhands. He portrays the neighborhood and all the people that live there in bright pastel colors which gives off a happy feeling. These bright colors give off the impression that everything is picture-perfect and everyone is content. The whole neighborhood is unchanging and routine. Throughout the movie Burton shows the men have left for work at the same time every day and everything is a lively color. When Edward arrives, he is dressed in all black and is
Vincent opens on a young boy, locked away in his room, imagining himself as an evil mastermind, and reading Edgar Allen Poe. This short film is one of Tim Burton’s first works, and perfectly encapsulates his style. Although Burton worked for Disney during his creation of the film, his style differs greatly from that of Disney. Disney takes stories geared traditionally toward children and removes all dark aspects creating a completely wholesome story. However, Burton takes children’s stories and embellishes the dark elements, creating eerie stories. Throughout Tim Burton’s work a clearly unique directing style is showcased, defined, in particular, by his use of colour, music, and camera angles to create characterization, foreshadowing, and mood respectively.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
Tim Burton used a lot of symbolism throughout the story to show theme and as a result, we can know a lot more about Edward’s personality and about what he wants most. One thing that exhibits Ed’s childish side was the bushes; for example, the dinosaurs and the dolphins he created. The bush shaped hand that was in the dark mansion’s yard encapsulates Ed’s want for hands. Through these examples we can see the theme, sometimes your wants in life can shape what you do in your life because Ed’s wants showed through his actions.
For example, in Charlie and the Chocolate Factory (2005) Burton implements dim lighting during meaningful moments and bright lighting during more vibrant moments. This effectively conveys the tone set for the scene and maintains a clear balance in the scene. This helps the audience clearly understand the scene’s characteristics and its meaning to the film. Similarly, in Edward Scissorhands (1990) Burton utilizes lighting to set contrast between the characters. The superficial town is set in a bright, sunny setting, however, the lives the characters lead are quite the opposite of bright. These individuals spend their free time judging others and have no individuality whatsoever. Furthermore, Edward, one of the only characters who is kindhearted, is portrayed in dull, dark lighting. The lighting contrasts with his sweet personality to emphasize who is accepted and who is not. This contrast helps the audience understand the contradicting worlds of Edward and the frivolous town. In addition, in Big Eyes (2014) Burton implements lighting to show the slow transition of Margaret Keane’s life. The lighting depicts the dulling of her life as she faces troubles in her life. The use of lighting here helps the audience see the clear transition in Margaret Keane's life and clearly understand the conflict in her life. Similarly, Burton utilizes lighting in his films
Not a single individual is able to watch a Burton film without noticing the lighting effects and how it significantly contributes to the tone and mood of the entire film. In the movie Edward Scissorhands, one might be overwhelmed with the burst of extravagant colors in the scenery. Indeed this cinematic technique, high key, wholly influences the viewers perception and impression of the town. One can conclude that even though flamboyancy pervades the town, iniquity lurks in all directions and hypocrisy governs the minds of its inhabitants. Irony is harnessed in this film. How can an effulgent town harbor wickedness and Edward with a chilling and gothic complexion radiate innocence and righteousness? Burton uses these opposing conceptions brought about by the contrast of lighting to convey the message that materialism has been ingrained in the mentality of society (at least in the neighborhood in which Burton lived in the past), thus yearning for th...
To begin, Tim Burton’s use of variant lighting creates a contrasting mood of peacefulness within darkness. Burton uses low key lighting, and side lighting throughout Charlie and the
Lighting is one of the most essential techniques to indicate the mood of a movie. In Edward Scissor Hands, Burton blends up the lighting with high and low key lighting to add more emotions to his characters and brighten their personalities. Burton uses the high key lighting technique in the town that Peg lives in. Revealing it as bright and cheerful presenting I to be flawless, but that is only an illusion. In reality the town is hateful and does not accept others, the women create packs t...
On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
Tim Burton’s Effects Using Cinematic Techniques Tim Burton uses Cinematic Techniques to his advantage as he takes you on several amazing adventures throughout his lovely, exciting films. The three different Cinematic Techniques that I chose to write about in Tim Burton’s films are Wide Angles, Music, and Close-Up Shots/Angles. Let’s talk about how Burton uses these techniques to lure you into his different worlds/dimensions of his wonderful and exhilarating, films. Burton uses Wide Set Angles to his advantage by showing his intricate working detail. Such as when there was a huge wide shot showing The lady walking up into the yard of the inventor of the human Edward Scissorhands, and showing all of his bush sculptures, and then she reaches his castle and steps inside, and it shows all of the inventors works that were left behind when he passed away.
It hints of danger when Peg sees a man standing in a dark corner of the room looking like it was a bad guy, so Peg got scared when she first saw him standing there. It also made the audience have a scary feeling. Tim also uses low-key lighting in the movie Bettlejuice, there was a moment when Adam and Barbra made this secret door inside their attic and it had a low-key lighting effect, so it made it look like it was dangerous because it was a mysterious door. Now I have listed some examples when Tim Burton uses low-key lighting in his
However, they have also put him in an artistic cage according to his viewers. They hear his name and they immediately associate his work with only the Gothic, only the creepy and dark. They see his twisted figures, his gloomy color schemes, his emphasis on death and then label him as an artist only able of applying the Gothic. In a way they are correct; he does employ dark and creepy details, however, he is a multifaceted artist capable of much more than the macabre. As he stresses the Gothic characteristics, he likewise applies modernistic techniques and an array of vivid colors. All of which contrasts sharply with features of the Gothic genre. Burton’s iconic dark palettes and color schemes allow him to give color meaning. In the Nightmare before Christmas he does this by creating a juxtaposition between the kaleidoscope colors of Christmas land and the Grayscale Halloween land. Both holiday realms, containing a leader and their own niche, embrace their own color palette. These contrasting hues coincide with the beliefs and tone of the holiday. Bright reds and greens highlight the joy of gift giving and being around those you love. In contrast murky blacks, cold dark colors, and the occasional orange emphasize the rapturous glee of fear and
In the film, Charlie and the Chocolate Factory, every time there was a close up of Augustus Gloop in the candy room, sinister music would play. This foreshadowed that something bad was going to happen to him in that room. It puts the viewer on edge and creates a mood of suspense because they don’t know what is going to happen. He also uses music to foreshadow events in the movie Edward Scissorhands. Every time Edward saw Kim happy, angelic music would play which foreshadowed that something would happen between them and also gave you a hint about his feelings towards her. Burton used music to show foreshadowing in the movie Dark Shadows as well. When Josette was walking toward the edge of the cliff suspenseful music played create a mood of suspense and fear that Barnabas wouldn’t make it in time and she would fall to her death. One of the many other cinematic techniques Burton often uses in his films is using lighting and color to show
According to Burt, an author who explains in his book that each type of music impacts films differently and it helps the film to create the atmosphere that is felt in the music. He mentions some of the main music types used in films, such as "Fearful /Tense", "Miserable/Unhappy", "Upbeat/Jolly", "Enchanted/Magical", "Energized/Action" and "Startling/Tense". The most common music type that is used frequently to create an atmosphere is the Terrifying or Scary, because it is suitable a lot for horror films. Horror films try to scare us by using a frightening sound of music that will help intensify the fear in us while watching. For example, as they speed the scary music, it will create a feeling if somebody is running after us or is getting close to harm us. Burt explains that the directors of films make sure to use the appropriate type of music that matches the film genre. Another example is the use of happy upbeat music a lot in films for kids, and soft beat love songs are used in romantic films. Without music the audience wouldn’t be able to experience the story and the atmosphere that is presented in the