Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Music influence on pop culture
Music influence on pop culture
Music influence on pop culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Music influence on pop culture
Christo had once said “The work of art is a scream of freedom.” Christo is a sculptor who had worked with his wife until her death in 2009. Christo had financed all of his projects himself. He had raised money by selling small paintings he had created. But his main works of art were giant wrappings of different things. His favorite wrappings were buildings or places seen everday by people. By wrapping these places he was giving them a new identity. Christo has undertaken many projects. One of the most well known was of the wrapping of the Reichstag in Berlin. They used thick woven polypropylene fabric with an aluminum surface which was 1,076,390 sq feet.
Also used 9.7 miles of rope. They only used recyclable materials as is the same for most other projects. For a period of two weeks the silvery fabric shaped by the blue ropes created a splendid flow of vertical folds highlighting the features and proportions of the imposing structure. Which revealed the essence of the Reichstag. The wrapping of the Reichstag was created by 90 professional climbers and 120 installation workers. Even with all the workers on this project it took 24 years to complete. Another project created by Christo is the Matsaba Project which is currently still under renovations. The matsaba is being created in a place called Abu Dhabi and it had started being worked on in 1977. When completed it will be the largest sculpture in the World.
The Matsaba istself is an ancient familiar shape to the people of that region. Christo is using over 410,000 multi colored barrels to form a mosaic of bright sparkling colors, and it echoes Islamic culture. The sculpture will be 492 feet hight 738 feet deep at a 60 degree angle and 984 wide at the vertical walls. On the top o...
... middle of paper ...
...texture which is a thing that Christo like to use in his creations . Christo had made almost hundreds of these paintings before he had met his wife Jeanne Claude.
Which he had met when her mother had hired him to do a portrait of he. Jeanne had thought of his paintings as “different” but she had learned to love them and helped him create much bigger ones in the future such as wrapping of the Reichstag. The reason that Christo said he liked to wrap bigger things was because lets say every day you walk past a certain park. You know where it is and that is there you sometimes even notice different people. But if asked to draw sai park you would not have any idea how to draw it in detail. So Christo wraps things in order to give them a new identity and let people try to remember how it looks and gives them a reason to try and look at everyday things you see in Detail.
The ‘Green Tara 14th century’ is a metal sculpture which is about 10 inches tall and 6 inches wide. It is very precisely detailed with the clothes, head piece, earings, necklaces and other types of jewellery all intricately carved. The
...t would help bring into understandable light the mystery of the Church’s teachings. Finally, achievements in re-creating human emotion would ensure the painting’s, and therefore the Church’s teachings would leave an indelible mark on all of its viewers.
In the Wallach Gallery exhibition of Anna Hyatt Huntington’s sculpture (1876-1973), the viewer gets to discover different versions of the emblematic figure that is Joan of Arc, from small bronze medals, to much bigger works of art. A digital replication of the initial statue that was unveiled at Riverside Drive and 93rd Street in December 1915 is also available the public in the gallery. The success of the Joan of Arc – or The Maid of Orleans’s depictions results from the symbol that she fosters in European and American culture: a French medieval patriotic heroine who received visions directly from God and who was told to help France combat the English domination and who died burned at the stake, as a martyr.
Paul Cezanne was a French artist born January 19th 1839. Cezanne was considered a Post-Impressionist painter that also helped with the development of the Cubist style. He was born in Aix-en-Provence a small southern French town and was the son of a wealthy banker, Louis-Auguste Cezanne. His mother was Anne Elisabeth Honorine Aubert. He also had two little sisters, Marie and Rose. Paul started going to Saint Joseph school in Aix, when he was just ten. In 1857 Paul started studying drawing from a Spanish Monk named, Joseph Gibert, at the Free Municipal School of Drawing in Aix. His father wanted him to obtain a lucrative profession, so in 1858 he began attending the University of Aix, studying law; still taking art classes. After about a year studying law, Cezanne finally decided to tell his father he wanted to move to Paris to pursue a profession as an artist. His father was not pleased with his decision, but eventually agreed.
Jacques Louis David began his career as a patriot championing the start of a new Revolution and urging others to devote their lives unto death for their cause. His own friend gave his life for the Revolution and David memorialized him on canvas. However when the time came for David to commit his own life for the cause he desired peace. David when released from prison wished he never had left his studio. Because of David we have visualize and sympathize with the French Revolution from the viewpoint of patriots, martyrs, and conciliators.
This painting, measuring about six-by-seven feet, is a massive work that draws viewers directly to it once they enter the room in which its displayed. It is not covered by any glass and is in a very well-lit area, thus it allows viewers to stand as close as possible to see the details of how Peter Paul Rubens handled his medium. Looking at the painting from a photograph is much different than viewing it up close and in person, because when looking at a photograph, one cannot see the texture of the paint that gives the painting its very delicate, unique, and realistic quality. The work appears to be in very good condition because most of the colors are still very rich and vibrant, such as Adonis’ red garment (Rubens). Although one cannot tell when directly viewing the piece, it has been said that previous use of radiographs for further analysis on the painting uncovered that initially, “Rubens gave A...
Commissioned by the Justinian Emperor and constructed by around 10,000 workers, the building was magnificent. Its construction was first defied by building four columns each and then topped them with four arches. Then spaces left between the arches were filled with masonry and aided in creating the curved triangular shapes known as the pendentives, which along with the arches formed a strong base for the dome. The dome was made-up of 40 equally spaced ribs. The Engineers of the Hagia Sophia Anthemius of Tralles and Isidorus the Elder designed the structure and saw it built in a record time of 5 years, 10 months and 4 days. The massive diameter of 102 feet made of thick concrete dome made it arise the similarities to that of the Roman Pantheon (Matthews, Roy and Platt pg.
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
For example, Masaccio used the medium fresco. It dries quickly and requires the artist to work fast with color broadly applied. This medium enables Masaccio to create generalized forms over the precise details of oil and tempura painting. However, Campin used the oil medium. This gave him the ability to create jewel-like illusions of reality. Campin and others of this era were motivated to paint the external world and all the different facets that create it. On the other hand, Masaccio wanted to create a painting that is more realistic and wanted the people to be able to relate to the art. Also, both artists use light and shadow to highlight and emphasize different parts of the paintings. For instance, Campin lit the room with sunlight and put a focus on Mary’s dress. This lighting causes the dress to turn into a shape of a star. This can symbolize the presence of the star of Bethlehem. Many other religious symbols are found in the painting. The eyes are not drawn to a particular object. This is not the case in Masaccio’s painting. He does not particularly shine light on one object. Even though the eyes are drawn to Jesus, we get a sense of balance between all the objects. This portrays faith and it’s mysteries as well as the perfection symbolism that comes with God. Masaccio creates a three dimensional like form even though it is on a two-dimensional surface. The painting shows
... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.
The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the
From studying multiple artifacts from the 15th century in Italy, there have been significant acronyms within Northern Europe, and Italy bases off different altarpieces that have a gland into solving the puzzle pieces from various paintings that are linked with spiritual attributes in Christianity. In northern Europe, we come to see the paintings within the altarpiece are more eccentric than Italy, and have high quality in the 3D dimensional aspect so the viewer can visualize themselves as part of the painting itself.
The turmoil began early for this young woman. At age six, she was stricken with polio, which left her walking with a limp. From the beginning Kahlo did not intend to become an artist. She was attending school at The Preparatoria (Preparatory) to become a famous doctor (Frida Kahlo n.d.). It was on September 17, 1925 that the most pivotal moment in her life occurred. Kahlo was on her way home from school when she became involved in a tragic bus accident. She was discovered by her boyfriend at the time, Alejandro Gomez Avais. Her slender body had been pierced by a hand rail (Lucie-Smith 1999). Many, including doctors, thought she wouldn’t make it. She proved wrong after surviving various surgeries. For a year she was put in bed to recuperate. The accident left her with a broken back, broken pelvis, and a crushed leg. During her recuperation she taught herself she taught herself to paint by studying Italian Renaissance (Frida Kahlo n.d.). She began painting portraits of family members and still life from her bed.
The travel website, Taj Mahal, illustrates the origins of this monument. It was constructed to serve as a memorial and tomb for Mumtaz Mahal, the deceased wife of the emperor Shah Jahan (Taj Mahal, 2008). Before her death, while birthing Shah Jahan’s fourteenth child, she requested Jahan build a monument to honor her as stated by the Taj Mahal website (Taj Mahal, 2008). In 1631, construction began, and was finally completed twenty-two years later (Taj Mahal, 2008). Twenty-two thousand workers labored in constructing the monument bringing materials by elephant from many parts of Asia (Taj Mahal, 2008). The web site Islamic Architecture lists the Iranian architect Ustad Ahmed Lahwari as the key designer of the structure; however other architects played prominent roles in the monument’s design (Organization, 1995-2003).Over time, the esti...
It is estimated that over 1000pieces of Art was imported from the middles east and was used in building the Burj Khalifa. Most of the pieces of Art was custom-made by Emaar acted as a tribute to the spirit known by the global harmony (Terri Meyer,