Chivalry in Chaucers Canterbury Tales
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as curteisye through satire. In the fourteenth century curteisye embodied sophistication and an education in French international culture. The legends of chilvalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, and he reveled in his cultural status, but he also retained an anecdotal humor about curteisye. One must only peruse his Tales to discern these sentiments. In the General Prologue, he meticulously describes the Prioress, satirically examining her impeccable table manners. In the Miller's Tale Chaucer juxtaposes courtly love with animalistic lust, and in various other instances he mentions curteisye, or at least alludes to it, with characteristic Chaucerian irony. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
"Wel coude she carye a morsel, and wel keepe / That no drope ne fille upon hir brest. / In curteisye was set ful muchel hir lest."(General Prologue, 130-2) Here, in the description of the Prioress, Chaucer mocks her etiquette by so specifically describing it, and in doing so he also mocks her conception of sophistication. For Chaucer, sophistication represented more than table manners and "Frenssh… of Stratford at the Bowe."(General Prologue, 124,5) Curteisye required an intimate, first hand knowledge and experience with French culture. This Prioress had learned her French in an English convent school, hardly the equivalent to Chaucer's travels in France. Chaucer creates the feeling that the narr...
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...tion of courtly flirtation. Usually when a character speaks in courtly language, the author biases his word choice to French, since French was the formal language of the Court and people associated with the Court spoke French-derived English on a daily basis. Chaucer avoids that practice here and selects words based in Germanic-derived English, or Anglo-Saxon. Words like "ich," "wille," and "spille" and others persisted from Old English, and Chaucer's use of them through Nicholas gives the passage a decidedly rough tone, corresponding to Nicholas' sensual actions. Nicholas' language might have been courtly, but his intentions were definitely not as delicate as French.
Chaucer utilized satire throughout the Canterbury Tales, and he illustrated as much about his culture, and especially curteisye, with his satire as he did with the stories and characters themselves.
Not many authors will express their honest opinion. However in The Canterbury Tales, Chaucer will use sarcasm for the characters he dislikes, but will express his appreciation for the ones he admires. He will introduce each character on the journey to Canterbury. In The Canterbury Tales, Chaucer values the qualities of leadership brought about by the Knight, moral brought about by the Parson, and cheerfulness brought by the Franklin.
Characters from Chaucer’s Prologue are very well developed and full fledged characters, he goes very far into the depth of the character which only enhances his story, making it one of the highest regarded in the English language. Whether it be the characters, of the Pardoner, the Nun, or the rich Monk, it all expresses things of people that need to be changed in society, which I agree wholeheartedly with.
Chaucer's Parody To Courtly Love After the Knight tells his story, the Miller insists very rudely to tell his tale. Chaucer uses the aspect of courtly love which is found in the Knights tale and makes a parody of it; He uses the Miller?s character to mock the Knights idea of courtly love. Miller describes the heroine of his story Alison, as a wife of an older man and also an infidel. She?s compared to a ? wezele?
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
The use of euphemism and crudeness in “The Wife of Bath’s Prologue” is simultaneously unnerving and amusing, and begs the question of how a “wicked” woman like The Wife could ever actually progress in medieval society. Chaucer incorporates subtle allusions to female sexual organs and it is this bluntness (that would raise eyebrows even today) which establishes the Wife as such a powerfully outspoken character. Because courtship in Chaucer’s time was considered worthy of complete submission, the fact that the Wife places such emphasis on domination and even psychological power hints at her being an object of irony (and not a feminist figure “before her time”). It is for this reason that Chaucer’s delicate use of “queynte”- a term from which
Chaucer is a medieval author best known for his witty Canterbury Tales. He “was born between 1340 and 1345, probably in London. His father was a prosperous wine merchant” (BBC). Drawing inspiration from what he had experienced in his lifetime, Chaucer wrote his problems about his society with a series of short stories, names the Canterbury Tales. These tales are abnormal, due to being written in English, instead of Latin, like most stories of that period. Also, there is lots of examples of satire within the text. Within the General Prologue, Pardoner’s Prologue, and Wife of Bath’s Prologue, Chaucer uses both types of satire to reach his intended audience, which is the common public.
The Virtue of Men and Women in The Canterbury Tales People never change. In every town you will always be able to find the "rich guy," the "smart guy," the "thief," and the "chief." It has been that way since the first man was swindled out of his lunch. Throughout his life, Geoffrey Chaucer encountered every kind of person and brought them to life for us in "The Canterbury Tales," a collection of short stories written in the 1300's. There are tales of saints, tales of promiscuity, tales of fraud, and tales of love.
The Canterbury Tales by Geoffrey Chaucer, (written c. 1387), is a richly varied compilation of fictional stories as told by a group of twenty-nine persons involved in a religious pilgrimage to Canterbury, England during the fourteenth century. This journey is to take those travelers who desire religious catharsis to the shrine of the holy martyr St. Thomas a Becket of Canterbury. The device of a springtime pilgrimage provided Chaucer with a diverse range of characters and experiences, with him being both a narrator and an observer. Written in Middle English, each tale depicts parables from each traveler.
Chaucer’s Canterbury Tales is so poignant that it almost single-handedly defines a whole epoch in history. It is the people living in the time period who define the era, and it was Chaucer who described the people living in the Middle Ages. Just describing a few people in an offhand way would not have had a profound impact. Chaucer’s writings did have impact because he characterized every social class using very vivid characters. Describing his characters with much vividness is key for that is what defines the way the reader feels about the character and the degree of power of association the reader makes with the character. Hence, the vividness of the character is directly proportional to how pointed his work is which creates the tone. Themes and proportions are tools Chaucer uses to create his tone. The more vivid the character is, the more pointed the message. For example, his writing is very vivid as to how ugly the Summoner is. Thus indicating Chaucer’s extreme dislike for what the Summoner represents. Through the use of literary tone, the characters of the Wife of Bath and the Summoner are described very vividly.
The monk receives some scathing sarcasm in Chaucer’s judgment of his new world ways and the garments he wears “With fur of grey, the finest in the land; Also, to fasten hood beneath his chin, He had of good wrought gold a curious pin: A love-knot in the larger end there was.” (194-197, Chaucer). The Friar is described as being full of gossip and willing to accept money to absolve sins, quite the opposite of what a servant of God should be like. Chaucer further describes the friar as being a frequenter of bars and intimate in his knowledge of bar maids and nobles alike. The friar seems to be the character that Chaucer dislikes the most, he describes him as everything he should not be based on his profession. The Pardoner as well seems to draw special attention from Chaucer who describes him as a man selling falsities in the hopes of turning a profit “But with these relics, when he came upon Some simple parson, then this paragon In that one day more money stood to gain Than the poor dupe in two months could attain.” (703-706, Chaucer). Chaucer’s description of the pardoner paints the image of a somewhat “sleazy” individual “This pardoner had hair as yellow as wax, But lank it hung as does a strike of flax; In wisps hung down such locks as he 'd on head, And with them he his shoulders overspread; But thin they dropped, and stringy, one by one.” (677-681,
In Chaucer’s "The Prologue" of The Canterbury Tales, Chaucer is not afraid to give an honest, vivid judgement of the characters in the tales. Chaucer makes fun of some of the characters indirectly using sly remarks.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
The Prologue to The Canterbury Tales is a masterpiece of satire due to the frequent use of verbal irony and insults towards the characters and their roles in society. A major source of Irony is Chaucer’s representation of the Church. He uses the Prioress, the Monk and the Friar, who are all supposed to be holy virtuous people to represent the Church. In his writing he suggests that they are actually corrupt, break their vows and in no way model the “holiness” of Christianity.
Geoffrey Chaucer 's, The Canterbury Tales, is one of the most admired and well-known stories in literature. It is so successful in the world of literature because of Chaucer’s descriptions of the characters, the tales, and also because of his creative and clever writing style. In the General Prologue to the tales, Chaucer introduces the Friar as a greedy profiteer. As the prologue progresses, Chaucer describes each pilgrim 's appearance and character traits in vivid details. After the General Prologue, the tales begin by each pilgrim telling his or her own creative story. From the tale told by the Friar, we can see the resemblance between the events told in the story and the events that