This week was slightly different than previous weeks. Instead of discussing stories, we talked about the technicalities of film and how they are produced to be on a screen. We also covered the two types of filmmakers in the industry. Using various clips of different movies, I was able to distinguish the difference between those filmmakers that trust in the image and those that trust in reality. The topic of realism was covered heavily using the movie of the week, Children of Men, as a prime example. First, we covered the act of directing a film. The process usually began with a script. The director's role is to visualize a script and make it come to life. Scripts are supposed to catch the attention of directors and convince them it can be turned into a film. These are usually not read by the general public, but only by the production team. A common misconception with scripts is that the final cut of the film ends up exactly like the script intended. In reality, it is rare and highly unlikely that a final product will be like the original script. A script’s purpose is to give the basis for a movie. …show more content…
This happens for a number of reasons. Writers changing their mind, mishaps on set, and practicality are just a few examples of what can cause change in the script. These changes are referred to as accidentals. David Mamet, a playwright that has directed several movies, states that consciousness reduces something in humanity and when we act without reflection or consciousness, we are the most human. On screen, accidentals look and feel like the most organic types of scenes, thus causing directors to create conditions to promote accidentals. In some instances, directors force improvisation and let the camera roll capturing long takes. Other techniques directors use include using more than one camera and increasing the field of
In his first thought, Greg M. Smith establishes nothing is random within fictional lives. First off, he points out how easy it is to treat films like everything happens by chance, but proceeds to prove this is not the case. We are encouraged to get caught up in the movie’s world. Even a pedestrian of a scene has specific directions to follow. Outfits are chosen at length. Environments are carefully picked for being utilized by filmmakers. Everything in a movie has a purpose and has been edited and reviewed several times before reaching the big screen.
Many novels are transcribed from their original texts to films. Some of the movies are similar to the original plots, others do not follow the authors work. Alice Hoffman’s novel Practical Magic is altered when it is made into a movie; and Arthur Miller’s play The Crucible which was also made into a movie, was extremely similar to his original writing. There are multiple variables that account for how a movie is made some of them include; the amount of income, how much can be changed, and the author’s approval. The two recreations previously mentioned, have two completely different outcomes, the results all depend on the amount of creative licensing the movie company has.
When novels are adapted for the cinema, directors and writers frequently make changes in the plot, setting, characterization and themes of the novel. Sometimes the changes are made in adaptations due to the distinctive interpretations of the novel, which involve personal views of the book and choices of elements to retain, reproduce, change or leave out. On the contrary, a film is not just an illustrated version of the novel; it is a totally different medium. When adapting the novel, the director has to leave out a number of things for the simple reason of time difference. Furthermore, other structures and techniques must be added to the film to enhance the beauty and impressions of it. Like a translator, the director wants to do some sort of fidelity to the original work and also create a new work of art in a different medium. Regardless of the differences in the two media, they also share a number of elements: they each tell stories about characters.
Films of this era are criticized for substituting violence and special effects for "substance". Many believe that creating a movie script is a juvenile form of writing, a shrub to the oak of a novel. Upon reading both the novel The Scarlet Letter by Nathaniel Hawthorne and viewing the film produced by Roland Joffe, one notices the tremendous effort put into both. This essay will explore the many differences and similarities between the book and movie.
In film however, the production is definitely a directors medium as he or she has total control over what parts of the texts are necessary and what parts are not. The director can lead an audience's attention in film by moving the camera to various angles and from various viewpoints whereas on stage this is limited as the only way in which to catch the audience's attention is by moving the spotlight on to someone at a certain part of the stage but even so they can still look around to other parts of the stage. In films their is a different chronology of events and intercutting is often used. This could be because a director feels that it's necessary to have the audience see what's happening in the other character's lives at the time something crucial is perhaps happening in another character's.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
The television's new “golden age” is now upon us. As the internet continues to make filmmaking more accessible to public, Hollywood will continue being one of the biggest and greatest influences on today’s society and politics. It is much easier to create and share your ideas through film than ever before. Independent studios before, greatly expanding the number of debates and arguments people have access to. Never has the power to express yourself and your views through film been so great, and we are better off for it.
This is done so the character development is clearly shown, the duration of the film can be limited and so the film can be kept interesting and engaging for the audience. The plot in the film is changed slightly from the novel it is based on to show the development of characters. Some settings are excluded or changed to limit the time of the movie. The character’s characteristics are slightly altered so the movie is kept interesting and engaging for the audience. By modifying these aspects of the film the producer is able to keep the audience engaged whilst showing character
Whenever a film adaptation is being made, validity and usefulness of fidelity is always a concern. In the first essay, I discussed how being faithful was the most important thing a director can do. But in this case, I will explain why it is okay for an adaptation to not be faithful. A lack of faithfulness and an increase in originality can actually do a film justice. An original adaptation has the ability to make scenes apparent that may have been overlooked in the readings.
Imagine if your work was to be published, but the publishers required you to change even the most minute detail to fit their need. This work would be unrecognizable, not at all what you wanted to convey with your story. This is essentially what happens with every movie adaptation of a popular novel, and readers are always enraged. One such case is The Book Thief, by Markus Zusak, which was unnecessarily changed. The lack of many important details in the movie adaptation of The Book Thief shows how obvious it is that movies must stay true to the book for full effect.
A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line producers. They all do very different things. Some are the producers are responsible for raising the funds for the movie while others are responsible for the production that goes on during the filming of the movie and still other producers are in charge of what physically goes on the set. Then it is time for the director. The director is in charge of the actors. The director works with the actors to visually bring to life what was written on the screenplay (Fortunato, Who Does What on a Film). Now the idea needs to come together. The idea of writing, “what you know” is not always true and writing, “what you come to know” is in fact a more accurate way to write. Other good ways to formulate ideas are to use existing plays, novels, short stories, life stories, new articles, or even past TV shows and film. When using existing work a person needs to make sure that one secures the copyrights before starting write. Securing the copyrights does not mean one is finished yet. Now a person needs...
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
When reviewing a movie you do of course have to understand the changes that will happen
The development of editing - Editing - actor, film, voice, cinema, scene, story. 2014. The development of editing - Editing - actor, film, voice, cinema, scene, story. [ONLINE] Available at:http://www.filmreference.com/encyclopedia/Criticism-Ideology/Editing-THE-DEVELOPMENT-OF-EDITING.html#ixzz2sNiIEQqt. [Accessed 10 February 2014].
Before any physical shooting can take place, a series of preparation steps must occur to ready the production crew and actors alike. The beginning of any film starts with the story, much like a novel. Instead of words in a book, however, a script serves as the backbone of the film, containing all of the characters, settings, and action that takes place in the story. The script’s story will comprise of a conflict posed at the main character, a goal for that main character, and some sort of resolution. The elements of storytelling generally stay the same for scripts; the format for writing the script accounts for largest difference to that of a regular novel. Instead of ...