Robert Hayden’s “Those Winter Sundays” depicts a man remembering and examining his childhood. The speaker recalls how his father worked tirelessly despite receiving no recognition or appreciation. The father continued to labor everyday for his family because the strength of his love overpowered the despair of the thankless job that his son could not understand. As the speaker looks back on his father’s constant labor, he reflects on how he did not understand the true meaning of love as a child. He asks himself “[w]hat did I know, what did I know / of love’s austere and lonely offices?” (Hayden 13-14). The utilization of a rhetorical question asserts how, as a boy, the speaker did not comprehend the expressions of love his father showed. He
Although, Conventional wisdom dictates that the age at which children started work was connected to the poverty of the family. Griffith presents two autobiographies to put across her point. Autobiography of Edward Davis who lacked even the basic necessities of life because of his father’s heavy drinking habit and was forced to join work at a small age of six, whereas the memoir of Richard Boswell tells the opposite. He was raised up in an affluent family who studied in a boarding school. He was taken out of school at the age of thirteen to become a draper’s apprentice.
The narrator faces an internal Man vs. Himself conflict in “A Secret Lost in the Water” when he realizes that he no longer remembers his father’s gift. “Somewhere along the roads I’d taken since the village of my childhood I had forgotten my father’s knowledge. ‘Don’t feel sorry… nowadays fathers can’t pass on anything to the next generation’” (Carrier, 96). This impacts the narrator because it gives him a sense of regret. Consequently, the statement made him feel like he, who is a father now himself, may not be able to pass down any of his knowledge to his kids. Although, this teaches him that it is important to hold onto certain knowledge passed down because it is the only way that it can be remembered and preserved.
“Those Winter Sundays” by Robert Hayden, “My Father as a Guitar” by Martin Espada, and “Digging” by Seamus Heaney are three poems that look into the past of the authors and dig up memories of the authors fathers. The poems contain similar conflicts, settings, and themes that are essential in helping the reader understand the heartfelt feelings the authors have for their fathers. With the authors of the three poems all living the gust of their life in the 1900’s, their biographical will be similar and easier to connect with each other.
In Raymond Carver’s “What We Talk about When We Talk about Love,” Mel McGinnis’ occupation as a cardiologist, a physician that mends broken hearts, stands in stark contradiction to his claim to understanding the workings of the heart as it pertains to loving and being loved. The discord between healing his patient’s heart and his inability to recognize his own heart malady is exaggerated by how he deals with the relationship of Ed and Terri, as well as that of the elderly accident victims and his ex-wife Marjorie. As both the dominant and dominating character in the story, Mel has very strong ideas about love. He believes that “.real love is nothing less than spiritual love” (137), something reinforced by his seminary training. This commitment to proclaiming real love is synonymous with spiritual love, however, is quickly brought into question when the topic of his current wife Terri’s former relationship with her abusive ex-husband Ed is brought up.
This narrator is sad and burdened by the lack of work and by the lack of people that actually know what work is. “You know what work is----if you’re old enough to read this you know what work is, although you may not do it. Forget you.” (Levine 1036) The narrator is waiting for hours in the rain to be lucky enough to get work, however at some point he knows he may be turned away, “to the wasted waiting, to the knowledge that somewhere ahead a man is waiting who will say, “No, we are not hiring today.”” (Levine 1036) The narrator then goes on to also describe the work that relationships require, the one in the poem is between the narrator and his brother. The narrator speaks of a brother that works nights and that he is now disconnected with, he has never said that he loved him, nor kissed his cheek, “You love your brother now suddenly you can hardly stand the love flooding you for your brother, who’s not beside you or behind you or ahead of you because he’s home trying to sleep off a miserable night shift at Cadillac so he can get up by noon to study his German.” (Levine
"Those Winter Sundays" by Robert Hayden is a poem about a how the author is recalling how his father would wake up early on Sundays, a day which is usually a reserved as a day of rest by many, to fix a fire for his family. The mood of this poem is a bit sad. It portrays a father, who deeply cares for his family but doesn't seem to show it by emotions, words, or touching. It also describes a home that isn't very warm in feelings as well as the title" Those Winter Sundays" The author describes the father as being a hard worker, in the line "…with cracked hands that ached from labor in the weekday…", but still even on Sundays--the day of rest, the father works at home to make sure the house is warm for his family. The "blueblack cold described in the poem is now warmed by a father's love. This poem describes the author reminiscing what did not seem obvious at the time, the great love of his father, and the author's regretting to thank his father for all that he did.
For as long as I can remember, the week after Thanksgiving my father would get up even earlier than usual, get all bundled up in his camouflage clothes, and head up into the woods bright and early. I wasn’t exactly sure why this morning routine was so mundane compared to his usual work day routine, but as I grew older I would begin to understand. Time went on and I finally learned where he was going, though I still didn’t exactly know why he was going hunting.
The central conflict in Robert Hayden’s poem “Those Winter Sundays”, is the unfortunate realization that the speaker never truly thanked or appreciated his father’s sacrifices when he was a child. After growing up, taking on responsibilities, and achieving a rehabilitated understanding of the world through experience, Hayden expresses his ingratitude that often accompanies with youth. The first line of the first stanza writes, “Sundays too my father got up early/and put his clothes on in the blueblack cold” (Hayden, 17). Out of these two lines, the word “too” is filled with importance because Sunday’s are dedicated to either religious practices, or rest for a working man. Fortunately, this was not his father’s case as his father would wake up early in order to perform his loving and self-sacrificing duties.
The essay begins as the author describes the February morning when he was working on his daughter’s wall and banged his thumb with a hammer. The author immediately got frustrated but then thought
The boy comprehends the severity of the situations he is faced with, such as lack of food or water, and treats his father with the same respect and equality that the man gives him. He insists on sharing his portions with his father when they are uneven, and he remains cautious at all times, even when his father is not. The boy’s fire is fueled by his love for his father, which is shown by the boy’s priority on caring for his father’s wellbeing, just as the man does for him. This love and responsibility, manifesting in the form of self-sacrifice and compassion, lies in direct juxtaposition to the rest of the world, where selfishness and indifference reigns
Christmas is a season for all ages young or old, but for this eleven year old east coast boy, from Cape Breton, it is a source of conflict and a coming of age. In the short story “To Every Thing There is a Season”, Alistair MacLeod makes three arguments that captures the main themes and conflicts within the story, ignorance to knowledge, innocence to reality, and idealization to realism. MacLeod short story is a metaphor for growing up and a rite of passage.
Often times in life, people begin to appreciate relationships when reflecting on one’s previous actions and regretting what one has done. In “Those Winter Sundays,” Robert Hayden describes how a son remembers his father’s sufferings and sacrifices that he did not appreciate in the past. Hayden uses visual and auditory imagery, personification, alliteration, and drastic shifts in tone to show how the son recognizes his father’s physical and emotional pain, and regrets his former indifference.
The poem “Those Winter Sundays” by Robert Hayden shows us how love can be presented in a way that is not necessarily obvious at the time. The speaker of the poem is an adult, most likely a male, which is looking back on his childhood and seeing a different perspective than he did so many years ago. This child’s father is the main character throughout the short, but powerful sonnet.
A son’s love for his father is sometimes not acknowledged until he is an adult. Children often become so wrapped up in their own tasks and obligations that they take for granted the simple acts of loving support given to them by their parents. And parents sometimes feel scared that obvious signs of love and emotion will scare off a child, so they just do all they can to make the child’s life run smoothly and try to fade into the background when it comes to tender moments. In the poem “Those Winter Sundays,” Robert Hayden uses figurative language and other literary devices to show a father’s love for his son as well as the son’s realization of that love.
Love is a part of it. What is the meaning of love? A question many have pondered for ages. As children we believe one day our true love will come on a white horse sweeping us off of our feet, and then we will live happily ever after. Then as we grow older and realize the world isn’t full of happily ever afters, but instead the world is real, not a fairy tale.