“The Yellow Wallpaper,” a short story of a women’s deterioration into mental illness, is Charlotte Perkins Gilman’s opinion on the domination of males in the medical environment, and the patriarchal formation of the household in the nineteenth century. Gilman is informing the reader of the consequences of a society dominated by males on fixed gender roles. The man is the authoritative and working figure, while the women is confined to her household duties and to obey the authority of her husband. This story is a depiction of the narrator who is constrained to her gender roles, and develops a worsened illness because of it. The first sentence of “The Yellow Wallpaper” gives insight to the setting of the story and traits of the narrator. It …show more content…
It becomes obvious that the physician is unaware of the mind of women, and believes the best form of treatment for his wife is confinement and rest. The narrator states, “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?” (Gilman, 3). Further support can be proved when viewing “The Yellow Wallpaper” in historical context. Pouba and Tianen illustrate how many of the medical theories and practices of the nineteenth century often misunderstood the female psyche. Physicians often misdiagnosed and placed women in mental institutions for questionable reasons such as nervousness, suppressed menustruation and religious excitement. Women had minimal rights during this time period, even regarding their own mental state …show more content…
Gilman clearly emphasizes that John’s arrogant and paternal demeanor toward his wife is not relevant to her illness. He often disregards her opinions and criticizes her creative desires. For example, the narrator states, “I don’t like our room a bit … but John would not hear of it” (Gilman, 5). He treats her as he would treat a child, saying to her, “What is it, little girl?” (Gilman, 11) and speaking of her, “Bless her little heart!” (Gilman, 12). Since he is a physician, he overrules her suggestions on the best course of treatment for her illness, like he does on any situation, forcing her to live in a house she opposes, stay in a room she despises and in confinement, making her feel depressed and
“The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.” (US Constitution, Amendment XIX). The above is the 19th amendment of the United States of America Constitution. Ratified in 1920, after supporters worked tirelessly to change the mindset of a nation. But even with the law, there are still stereotypes. There are still people set on what they think. The issue is not the rights of women. Since 1920, they have had the rights. The issue does not even focus on disputes such as money, working, or privileges. The issue is being understood. In the short story, “The Yellow Wallpaper,” Charlotte Perkins Gilman presents a clear and relevant example of the suppression
"The Yellow Wallpaper" features an unnamed female narrator who serves to exemplify the expectations placed upon women of the time period. As we are told early on, she is suffering from a "nervous condition" (Gilman 1). While we are not told the specific nature of this condition, we do discover that the cure prescribed by John, the narrator's husband and doctor, entails taking "phosphates or phosphites--whichever it is, and tonics, and journeys, and air, and exercise" while intellectual "work" is "absolutely forbidden Ö until [she is] well again" (Gilman 1). This poses a particular problem for the narrator, due to her desire to write, which she continues to do "in spite of them," and causes her to hide her writing to avoid facing "heavy opposition" (Gilman 1). The treatment to which t...
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
The unnamed narrator finds herself trapped within a large room lined with yellow wallpaper and hidden away from all visitors by her husband-physician John. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, a summer spent in the large ancestral hall to find healing through rest turns into the manic changes of her mind. The overbearing nature of her husband inspires a program designed to make her better; ironically, her mind takes a turn for the worse when she believes the wallpaper has come to life. In Janice Haney-Peritz’s “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’ ”, she tells that until 1973, Gilman’s story was not seen with a feminist outlook. “The Yellow Wallpaper” was misunderstood and unappreciated when it was published. The patriarchal attitudes of men in this era often left women feeling they had no voice and were trapped in their situations. Although originally interpreted as a horror of insanity, this initial perspective misses the broad, provocative feminist movement that Gilman supported. With the changes in perspective, over time this work has come to have a voice for women and the husband-wife relationship through the theme of feminism.
All sense of individuality and self worth is taken way from the narrator when her name is never revealed to the audience. Furthermore, John continues to belittle his wife by giving her the command to not walk around at night. Although the John thinks in his mind that he is looking out for the best interest of his wife, in actuality, he is taking away his wife’s abilities to make choices for herself. There is a possibility that John’s controlling personality is one of the factors that led to his wife’s psychosis. Such a controlling life style more than likely limited the narrator’s ability to live any life outside of the home.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions society places on her as a woman have a worsening effect on her until illness progresses into hysteria.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
“The Yellow Wallpaper” is written in the first person narrative of a women's secret journal and her descent into madness. With the medical community of the nineteenth century misunderstanding and mistreating women, despite the protests of women. The treatment that John, the narrator’s husband, offers does not help at all, in fact throughout the story the narrator’s journal entrees and condition progressively worsens. Spending the summer in an abandoned mansion in order to recover from what her physician husband believes is a “temporary nervous depression- a slight hysterical tendency” (648). Her husband does not believe that her illness is serious the narrator states,“You see he does not believe I am sick” (647)! According to history men thought that they knew better than women, especially women who were “hysterical.” ...
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
The Yellow Wallpaper from the Point of View of a Doctor's Wife "The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes place in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
A woman driven crazy by post partum depression and a dangerous treatment summarizes the short story of “The Yellow Wallpaper”. The story was influenced by the 19th century women’s depression and their vision of life. Through phantasmagoric symbolism in “The Yellow Wallpaper” Gilman is able to speak volumes on the destruction and autonomy of feminist self-expression, the restrictions of gender roles, and the patriarchal paradigm.
In conclusion, this story, “The Yellow Wall-Paper”, provided a great social and psychological criticism. It shows the reader how women have progressed so far in the recent years. This woman was the start of many, which finally led to making men and woman more equal, and this is the society that this woman wanted.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.
(Lanser , 2008) describes one of the main views of feminist criticism as being ‘that narrative texts ... are profoundly ( if never simply) referential’. Semiotics in relation to verbal language is described by Herman as 'a conventional relation between signifier and signified' (p281) One way of combining the mimetic and semiotic is to look at the conventions in the semiotics of verbal language ‘which suggests a synthesis of feminist narratology reflecting the referential or mimetic as well as the semiotic experience of reading literature’. (Lanser, 2008 , p. 345)