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Charles foster kane character analysis
Charles foster kane character analysis
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The first scene in the film is the scene of Charles Foster Kane’s death. It begins by showing a sign that reads “No trespassing” which shows the isolation of Kane. The chain-link fence keeps unwanted people as well as possible friendships from approaching. The scene then continues with exterior shots of his mansion, Xanadu. Some of the various locations other than the massive castle itself sitting on a hill are an empty dock, an abandoned golf course, and a closed drawbridge. These deserted locations foreshadow a lack of visitors and the loss of friends. We see that only one light is on in the house and when shown inside there’s the hand of Kane holding a snow globe containing a small house. It cuts to his mouth which is partially covered by
In the opening scene, Elsinore Castle looms over the soldiers and people standing outside. The camera angle forces one to look up at the dark castle; then the camera surveys the people, revealing that the evil from witnhin the castle is not self-contained but looms over and affects everyone in Denmark.
Mise-en-scène, cinematography and editing are used in all forms of cinema. Within the “Declaration of Principles” scene of Citizen Kane, lighting, blocking and panning are three of the main sub aspects that work in unison to consistently demonstrate important aspects of the film. Welles uses these attributes to portray to the audience how this younger Kane is an important newspaper owner, with an even more important document. He creates a scene that has a heavy emphasis on panning to continuously preserve a frame that centers Kane while also lighting the document so viewers can constantly see the important plot and characters of the movie.
The film introduces to us in the beginning a single word, Rosebud.' The audience having just tuned into the movie has no clue what the word means. In the opening music score there are many parallels that can be seen. This includes images on top of images, images digressing with other images, and images that clash with other images. Throughout the film you have these parallels not only with shots, but with people and real life figures. Private lives are not private at all. If you are a substantial figure in the world then people have clear access to you and your life. This goes along with the life of Kane. From his childhood he did great things and his life was publicized by his guardian. It is very important in the scheme of things because after Kane's second wife divorced him he became a recluse and people had that curiosity about what he was doing in Xanadu.
In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?
Thus, the reason why British Westerns have an unconventional tradition of being sympathetic towards Native Americans is clear. Although directors certainly bring their own personal artistic vision to their projects, mainstream film production is still ultimately governed by commercial interests, as both Nowell-Smith and Neale attest. In order to make a profit at the box-office, movies have to meet the expectations and desires of their viewers, ensuring positive reviews and word of mouth endorsement. With government approval high in the United States during the 1950s, there was very little incentive for production companies to release a movie which challenged the dominant myth of the nation’s founding and its virtuousness, as it is unlikely that audiences would have been open to these ideas. Consequently, during the “Golden
The scene in Citizen Kane that struck me the most was the opening. It began with a shot of a “no trespassing sign” and then faded into images of chain link fences. After, a gate with a large “K” is shown, followed by a snowy scene. Then a snow globe is shown, which is in an old man’s hand. The man, Kane, whispers “rosebud” and drops the globe, which rolls and shatters. It can be known that Kane had died because a nurse comes in and covers him with a white sheet. The rest of the movie is focused on finding out the identity of “rosebud”. The images are related to the scene because they created an ominous mood. The empty estate, save Kane and his nurse suggest a lonely atmosphere. The “no trespassing” signs perhaps suggests that the following
The scenes in Wyatt Earp expressed a feeling of comfort between the viewer and the film. The development of the characters reflect upon the hardship of the Old Western lifestyle. In this film, we are introduced to the idea of genre and the components that differentiate films altogether. However, Wyatt Earp has showed us a different side of genre, where two genres are joined together as one. The film Wyatt Earp has displayed examples of genre-breaking through its plot, character development and connection to modern day society.
How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher. It was hard for him to make new friends in a new place and he believed that Mr.Miyagi would be the only best friend he ever met.
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
The film, Out in the Night documents a 2006 case in which a group of young African American lesbians were accused of gang assault and attempted murder. The film portrays how unconscious bias, institutional discrimination and racism contributed to the convictions of seven African American lesbian women. Three of the women pleaded guilty to avoid going to trial, but four did not. Renata Hill, Patreese Johnson, Venice Brown, and Terrain Dandridge maintained their innocence and each were charged with several years in prison. I cried through out the documentary because it dawned on me that it’s not safe for women, especially gay women of color. The four-minute incident occurred in Greenwich Village where Dwayne Buckle sexually and physically harassed
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
Also, Welles furthers the image of how demanding Kane is of Susan and many others. Mr. Welles conveys the message that Kane has suffered a hard life, and will continue until death. Welles conveys many stylistic features as well as fundamentals of cinematography through use of light and darkness, staging and proxemics, personal theme development and materialism within the film, Citizen Kane. Welles prominently portrays his figures with a specific amount of light or darkness, stunningly affecting whole scenes stylistically. The scene at Xanadu establishes Mr. Kane as an overbearing, controlling character.
The opening scene in David Lynch’s Blue Velvet portrays the theme of the entire film. During this sequence he uses a pattern of showing the audience pleasant images, and then disturbing images to contrast the two.
The film The Green Mile was originally written by Stephen King and later directed by Frank Darabont. It is based on the guards and inmates of a penitentiary’s Death Row during the great depression. There is a certain monotony that comes with working on Death Row and Paul Edgecomb, played by Tom Hanks, has become numb to the fact that he is paid to take lives; that is until John Coffey gets sentenced to death and is sent to Paul’s “green mile”. John Coffey is a very large black man that was accused of rape and murder of two little girls, and in the 1930’s having charges like that brought upon you was grounds for the death penalty, especially for a black man in the south.
Charles Spencer Chaplin was born on April 6th, 1889 in London, England. Him and his half-brother Sydney were raised by his music hall singer mother, Lily Harley. He didn’t have a father figure growing up because his birth father was a drunk and left him not long after his birth. Sadly, his mother suffered severe mental issues and had to be admitted to an asylum later in his life. However, she was able to support her family for a few years and teach her youngest son the way to stardom. Charlie’s fame started at an early age when his mom lost her voice during a show and they pushed 5-year-old Chaplin onto the stage. He astonished the crowd with his natural stage presence and