Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Hamlet's tragic flaws
Psychological events of hamlet
Psychological events of hamlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Hamlet's tragic flaws
Shakespeare uses tragedy plays that delight the audience by displaying the characters’ flaws that bring them to their destruction. This is very accurately presented in one of his plays Hamlet where William Shakespeare uses the characters: Hamlet, Ophelia, and Claudius to show how they become the victim of their own flaws. Hamlet becomes a victim to his own inability to take actions against King Claudius.While, Ophelia becomes a victim of her emotions and dependency on other characters and King Claudius becomes a victim of his greed to achieve more power. In William Shakespeare’s Hamlet, the character flaws of Hamlet, Ophelia and Claudius lead to their downfall throughout the play. First of all, Hamlet who is the protagonist of …show more content…
It is seen that women in the Elizabethan era do not have a much free will and the women depend on men for telling them how they should act. Hamlet reacts to Ophelia’s betrayal by mentioning that, “Or, if thou wilt needs marry, marry a fool, for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell” (3.1.127-130). Ophelia is losing Hamlet’s trust due to her dependency on Polonius and Claudius when she shares Hamlet’s private love letters with Polonius and obeying his advice to stay away from Hamlet. Moreover, Ophelia even plays a part in the plan to test Hamlet to see if he is insane just because the king and her father ask her to, not caring how would Hamlet feel. Because of these reasons,Hamlet is telling Ophelia that nunnery is the only place where she will be faithful and cause the least amount of damage. This quote also conveys a theme of betrayal in the play, where Ophelia betrays her true love, Hamlet.Therefore, the attitude towards woman in the Elizabethan era is the reason why Ophelia betrays Hamlet . After her father’s death, Ophelia emotionally goes mad and sings, “He is dead and gone, lady, He is dead and gone. At his head is a patch of green grass, And at his feet there is a tombstone. Oh, ho!”(4.5.27-30). Ophelia goes mad because she realizes the double loss of …show more content…
Claudius expresses some guilt towards his horrifying deed when he mentions, "That cannot be, since I am still possess 'd/ Of those effects for which I did the murder/ My crown, mine own ambition and my queen" (3.3.54-56). King Hamlet shows his guilt at first but then he realizes he does not need to be forgiven, for he is the King now and his possession is of more importance than his morals.Claudius ' ambition for power only pushes the plot of the play further. Claudius’ greediness for power also foreshadows his downfall as his greed leads him to never think about the consequence of his actions .Therefore,the character Claudius shows the theme of greed throughout the play. Claudius even forgets his own morals as a king because of his selfishness for power and seen at the end of the play when he says, “Gertrude, do not drink” (5, 2, 286). After Gertrude drinks from Hamlet’s cup, he said “(aside) It is the poisoned cup. It is too late” (5.2,288). This quote illustrates that not only does the crown stops Claudius from doing the right, moral things, but also, he chooses the crown over his love for Gertrude. The example of Claudius in the play Hamlet is very similar to the character Macbeth in the play Macbeth because of the fact that Claudius and Macbeth share the same flaw which is their greed for power. The demise of both Claudius and Macbeth is very similar due
Since everyone is unaware of Hamlet’s true feelings of his mother’s new marriage and knowledge of Claudius poisoning his father, Polonius convinces Claudius and Gertrude that Hamlet is driven mad by love for Ophelia. So once again, Ophelia follows the orders of her father and the king to meet with Hamlet in a place where they can test this theory and watch the two young lovers in secret. Maki then quotes a scholar, “ ‘Polonius [and Claudius] snoop behind the arras, and she becomes the bait to catch the conscience of the Prince’ (Hunt 15)”, this sets up the scene that Polonius and Claudius quickly learn that a lot of Hamlet’s nonsense does in fact have truth and meaning. An example of this is when he crushes any of Ophelia’s hope of Hamlet still loving her with this reply, “If thou dost marry, I’ll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery” (3.1.135-37). This is the second time that Ophelia is told she will have no value if she has any pre-marital sexual relations and during the time period of Hamlet, a woman who does not follow tradition could potentially be ostracised by her family and remain a maiden the rest of their life. So in the end, Maki draws the conclusion that, “Hamlet then rejects
Claudius is responsible for the death of King Hamlet, regardless of this, he wants to portray himself as someone that is worthy of running the nation of Denmark. Claudius connects to the people of Denmark by demonstrating that they are all participating in the grieving of King Hamlet, “Though yet of Hamlet our dear brother’s death The memory be green, and that it us befitted To bear our hearts in grief” (I.ii.1-3). King Hamlet’s death is very recent, but Claudius places himself as someone that is part of the kingdom that will be mourning the death of King Hamlet. This is demonstrated through irony since instead of mourning he is actually enjoying what King Hamlet has left behind; the nation of Denmark and his wife, Gertrude. Through this, Claudius also demonstrates that he wants others to believe that he has not done anything wrong. In order to convey the image of being healthy, Claudius and his court drink merrily within the castle; making the excesses that the court enjoys apparent. Hamlet is not fond of the drinking but then comes to the conclusion that “His virtues else, be they as pure as grace, As infinite as man may undergo, Shall in the general censure take corruption” (I.iv.33-35). Hamlet then foreshadows his own destiny. No matter how good a person may be, that person can become corrupt due to something that has ...
Ophelia’s obedience towards her untrusting father is indescribable ( I; iii; 101-103. "Affection? Pooh! You speak like a green girl, unsifted in such perilous circumstance. Do you believe his tenders, as you call them"?). Why a grown woman would listen to her father and not help the man of her dreams in his time of need is disheartening. A man’s girlfriend should be there for him when a family member passes away, no matter what. If she had been with him on the plan to kill Claudius and knew about his fathers ghost who told Hamlet that Claudius was the one that murdered him, than neither one of them would have went crazy.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
It is also through these women that Shakespeare alludes to various symbols of dishonesty and hidden truths. Ophelia struggles to tell Hamlet the truth of what she sees, hears, and feels. It is for this reason Ophelia’s disloyalty enrages Hamlet: “Get thee to a nunnery, farewell. Or if thou wilt needs marry, marry a fool, for wise men know well enough what monsters you make of them / I have heard of your paintings too, well enough. God hath given you one face, and you make yourselves another” (3.1.132–37). Hamlet commands Ophelia to go to a convent in order to remain virtuous, on the other hand, if she is to marry, marry a fool who will not recognize she is cheating on him. He continues expressing his disgust by alluding to the fact that women are frauds that paint themselves to be something they are not for the sake of deceiving men. Shakespeare utilizes women characters to balance their male counterparts and add a different dimension to the relationships, hierarchies, and social changes in his works. Tina Packer, founder and artistic director of Shakespeare & Company writes, “The actor Shakespeare could feel in his body the truth; the writer Shakespeare could record what he saw in the outside world and he gave to the women the words to expose the dichotomy between what lay within and what was expected from
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
In Hamlet, Ophelia is unaware of the evil is spreading around her. She is an obedient woman, and is naive in that she takes what people say at face value, which makes her an innocent lady. "You should not have believed me, for virtue/ cannot so inculate our old stock but we shall relish of/ it. I loved you not." (III.ii. 117-119). Hamlet says these lines as a mask of his madness, but Ophelia does not understand his true motives and takes Hamlet's words very seriously to heart. The words that Hamlet says to Ophelia both confuse and hurt her greatly. Hamlet's lines are what eventually lead Ophelia to insanity, and Ophelia's insanity is what causes her death by drowning.
Firstly, the castle of Elsinore is notable for its evocation of place where it initially begins to shape Ophelia’s character and create Ophelia’s imagination beyond her life of limitations. It is undisputable the love Ophelia and Hamlet once shared in their past relations. This is clearly evident when Hamlet jumps out from hiding at the graveyard and expresses his feelings for Ophelia proclaiming his love. “I lov’d Ophelia: forty thousand brothers could not, with all their quantity of love, make up my sum. What wilt thou do for her?” (5.2. 270-72) Although Polonius, Ophelia’s father, instructs her to never see Hamlet again and to never trust his promises, she continues to honour Hamlet’s love and defend him to her father; “My Lord, he hath importun’d me with love in honourable fashion” (1.3. 110-11). Since, Ophelia is dependent on her father, and the men in her life; she now finds herself alone after his sudden death, which causes her grief and unhappiness (4.5.11-13). Ophelia’s distracted behaviour gives the impression that some great unhappiness has befallen her (Ibid). Claudius suggests it is a result from her father’s death; “Conceit upon her father” (4.5. 43). Ophelia’s abrupt behaviour shows the nature of her mind and her songs suggest tragic irony, since it is paradoxical to the Ophelia that is introduced at the beginning of the play; a sweet and innocent young girl, who obeyed her father and brother (1.3.90-98).