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Dracula and comparisons to gothic literature
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Vampires in Today's Society
How would a vampire be described in today’s society? The author Abraham “Bram” Stoker is the creator of the novel Dracula. Bram Stoker was born in Dublin 1847 and Bram Stoker was born with an unknown Malady which made him not walk until the age of eight years old. The treatment Bram Stoker received from doctors was leeches, the leeches treatment was supposed to cleanse his blood. Bram Stoker then received the “University Athlete” and earns a BA in mathematics. Bram Stoker was a very intelligent man and was very interested with vampires. At a young age, Bram Stoker took interest of vampires, since the treatment he received when Bram Stoker was a child. Bram Stoker saw the leeches as an example of a vampire and he
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First of all, the author’s depiction of the vampire is described as a monster. Bram Stoker uses a character named, Jonathan, to describe the vampire in Dracula, by describing the features. “His face was strong… though thin” (Stoker 18). Jonathan was a man on a business trip, to help Count Dracula with some paper work. In Jonathan’s point of view, the author describes Dracula as a elderly man with odd features. In today's society, the vampire is to be considered more of a younger male, handsome and attractive. Secondly, in the book How to Read Literature Like a Professor, the author Thomas C. Foster, describes the characteristics of the vampire in literature, describing vampires as an older figure. “The essentials of the vampire story, as we discussed earlier: an older figure representing corrupt” (Foster 19). The description of the vampire in Dracula and How to Read Literature Like a Professor, have the same description of the vampire. They are same because they describe the vampire as an elderly man. Later in Dracula, the vampire starts to create havoc on the main characters in the story. Foster’s depiction of the vampire also says that the vampire is an elderly man and also causes havoc or corruption. Last of all, in the novel Twilight by Stephenie Meyer, the description of the vampires in the novel are to be considered as beautiful, young and …show more content…
First, Van Helsing describes to the men ways to kill the vampire or the so called “undead”. He tells them everything they need to know, “The branch of wild rose to keep him that he move not from it;… with our eyes” (259). The authors description of the ways to kill vampires are very different compared to other novels. Secondly, the ways to kill a vampire in today's society are very different from Bram Stoker's, as it is very difficult to do. In the novel Twilight the ways to kill a vampire is very different. They ways to kill Dracula are totally different than the ways to kill a vampire. The ways to kill vampires in Twilight are very difficult and it is unlikely to happen. The vampires in Twilight are immortal and the only way to kill them is to chop them up and burn each part of their body. According to the Twilight Saga Wiki “In the Twilight universe, vampires are not known to be killed by human effort, The only known way to kill a vampire is to dismember his or her body and burn the remains before it can reconstruct
Firstly, Stoker describes Dracula’s physical appearance in Chapter two, ‘a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck
First off, in Stoker’s Dracula the reader’s suspension of disbelief is lower as compared to folklore tales. He is a tall creepy old person when first revealed, but later on in the novel he is shown to be more sinister. This creates a sense of mystery and confusion. Another reason is that he is a well developed antagonist. Often times he outsmarts the main characters creating a sense of suspense and irony because the readers know what is going to happen but the characters do not. But the most important reason of them all is the fact that Count Dracula takes elements from folklore and builds upon it. Stoker uses classic folklore to create a foundation for Dracula, for example; Dracula’s powers give him the ability to live forever, or shapeshift into other creatures as well. They also give him weaknesses such as: holy objects and daylight which mitigates his powers. These powers regularly add to the mysterious tone in the book. Count Dracula climbing down the castle wall upside down or moving slowly across a yard as a cloud of vapor makes the reader question what is happening. He has the ability to control the weather and animals as well. Stoker gives him powers from legend to make him a formidable force in the story. Although his appearance is unpleasant, he is quite the seductive character. He uses this to his advantage when trying to turn Mina and Lucy into vampires. Dracula preys on ‘weaker’ beings in a hierarchical system where he feasts on the women and once the women have turned to vampires, they feed on children. He can also use telepathy to tell where other vampires are, however, this works against him in the final chase of the book. In short his powers are unique and interesting and help to make the Count a powerful
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In chapter 23, Professor Van Helsing mentions that Count Dracula was in life a “wonderful man,” a soldier, and a statesman, (Stoker, 1897/2001, pp.289). Although Stoker in his original book does not clarify how count Dracula became a vampire, there are references in the text that suggest it was the result of necromancy. In chapter 18, Van Helsing reveals that the Count was a student of alchemy, necromancy, and the occult (Stoker, 1897/2001). He further mentions that Dracula attended the “Scholomance,” a mystical school in the mountains, where the students are tutored by the devil himself (Stoker, 1897/2001; pp. 231). This point is taken further by Montague Summers (as quoted in Laycock, 2009, pp.19-20), through his words- “The vampire is believed to be one who has devoted himself during his life to the practice of Black Magic…”. These references in the book and interpretation in the Laycock’s work, lead to the conclusion that the Vampire-Dracula was the result of his deeds and practices during his lifetime. On the other hand, Cullen was the son of a pastor, who hunted monsters like “…witches, werewolves… vampires” (Meyers, 2005, pp. 331). When the pastor grew old, Cullen assumed the mantle of the monster slayer. Unfortunately, during a hunt, he was bitten by an old vampire he was chasing. After his transformation, Cullen, repulsed by what he had become,
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Conclusively, while Bram Stokers novel Dracula is seen as a gothic and horror story, I argue that it is a novel that seeks to address female sexuality directly. Seen through numerous passages, Stoker confronts and battles the views between sexuality during the Victorian era though his genius of characterization of characters present within the novel. As it seems highly intentional to me, I respect the way in which he criticizes and critiques upon female sexuality by bringing into light new ideas regarding female desires. When contrasting his text upon today’s culture, the differences to how one perceived the vampire has changed significantly.
bout Dracula as the class system. Changing into a vampire could represent the changing of social class. Being involved with someone of a different social class was rarely done, and looked down upon. As well as that, it was nearly impossible to change classes once in one.
The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this transformation is to compare arguably modern day’s most famous representation of the vampire, Stephanie Meyer’s “Twilight” with “Dracula”, the foundation from which a large number of modern works draw inspiration. Examining this comparison closely, one finds that a new socially acceptable, sexually abstinent and desirable creature is fast replacing the fearsome and sexually voracious monster, as depicted in early tales of the vampire.
When the vampire came about the thought of the monsters themselves were terrifying, and to view one they were ghostly pale with dark sunken eyes, large nose similar to that of the stereotypical witch, pointed ears like an elf and dark hair usually dark brown if not black. The original folklore on vampires showed a terrifying creature that you would know if you would see it out and about during the night. Today’s films and novels want to present you with an attractive vampire, like dying and becoming an immortal being is something a human would want to do because they would become more attractive. But also in today’s depiction of the vampire they have no obvious tells that a person is a vampire until they get angry and the fangs elongate. The idea of the vampire has shifted so drastically over the course of time, from fear to an admiration of a creature that could kill you in seconds. In the popular culture of today, the vampire is something attractive that girls pine after and want to be since there are a multitude of romance novels printed today with the male leads being portrayed as a
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
The biggest difference is the fact that unlike in the earlier vampire tales, modern vampires are perceived as inhumanly attractive. Afterall, Dracula is described as a “tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of color about him anywhere.” (Dracula, 42). Whereas in Twilight, “Everyone of them was chalky pale… They all had very dark eyes despite the range in their hair...were all, devastatingly, inhumanly beautiful.” (Twilight, 18-19). Another dissimilarity is that Dracula does not have a reflection. While Jonathan Harker may be unable to see the Count in his mirror, in Twilight, Edward shows up in pictures and has a reflection. Lastly, another major difference between the two kinds of vampires lies in their sleeping habits. Twilight vampires do not sleep in coffins, in fact, they do not sleep at all. But in Dracula, Jonathan discovers the count sleeping in a
When Van Helsing figured out what was happening to Lucy he told Dr. Seward and after Lucy passed away the men went to where she was buried and it had been weeks and her body. The sight they saw was “more radiant and beautiful than ever; and I could not believe that she was dead. The lips were red maybe redder than before” (Stoker 171). This line should that Lucy turned into a vampire because Dracula had been sucking her blood. Jonathan Harker was also a victim of Dracula’s games but he fought through his mental trauma with the help of his Wife, Mina. The rein of Dracula’s evil ways came to an end and although Lucy lost her future, all of her friends were finally safe from
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
He is an undead centuries-old vampire who sleeps in a coffin in the basement, can assume the form of animals, control the weather and is stronger than twenty men, he cannot come into a house unless invited, he cannot walk in water and his favorite meal is human blood, which these traits are consistent with his portrayal in both the novel and the movie (Stoker). Although the novel and movie share many likenesses with Count Dracula’s character there are some unique qualities that are slightly different the book describes a shadow coordinated with Count Dracula’s body while in the movie his shadow works separately from his body movements (“Dracula (Universal Classics)”). Another feature of Count Dracula’s character in the novel is that he cannot be in or near the sunlight or it will kill him, but in the movie, he meets Mina in the daytime and it does not harm him (Bram Stoker’s). Nevertheless, in the book Dracula is a pure evil, terrifying blood hungry monster that wreaks havoc on anyone he meets and feels the need to take life or end life with his arch nemesis being with anyone who wants to preserve life (Stoker). But in the movie when he meets Mina on the streets of London, he pursues her, starts a courtship with Mina and he falls in love with her so when he