During the course of practically every novel, character development occurs, Adeline for instance, has developed in the novel for both positive and negative reasons. ‘Chinese Cinderella’ is an autobiography published by Ember and written by the woman who experienced the cinderella lifestyle, Adeline Yen Mah. Adeline is a persistent, kind girl who’s overcome the rough edges in life. The cold reality for Adeline is being an unwanted daughter and living in the shadow of her older siblings, as a young girl she is willing and curious, as she slowly matures from adolescence to adulthood , she becomes fearful and anxious. Her relationship with her abusive stepmother Niang becomes worst and by the end of the novel, they both despise one another. The
The bitter cold bit against the starved girl’s skeletal body. She was tired. Her parents discussed ways to get to good lands. They told her the only way to have a better life was to sell her into slavery. The girl, only ten years old was silent. She dreamed of fine clothing and good food. The girl went to the House of Hwang. She was too ugly to be in sight; she was kept in the scullery. All dreams of any kind were lashed out of her young mind. Mistreated, beaten, and underestimated, young O-lan learned to work hard and became resigned to her fate. One day, the Old Mistress summoned her and told her that she was to be married to a poor farmer. The other slaves scoffed, but O-lan was grateful for a chance to be free - they married. O-lan vowed to return to the great house one day in fine clothing with a son. Her resolve was strong; no one could say otherwise. Her years of abuse as a slave had made O-lan wise, stoic, and bitter; whether the events of her life strengthened or weakened her is the question.
Therefore, the younger generations obtain some sense of sympathy toward their ancestors and dreams that were to be fulfilled in The United States. American-born children, ostensibly, are liberated from their parents‟ past. Still, they are obsessed dramatically about their ancestral land. They are haunted by past, and the mystery associated with it; a mysterious past that existed only in the memories of their parents. Intelligently, Tan has used this strategy to narrate her stories. All of Tan‟s novels have parallel narratives, one related to the past which is retold by mothers, and in one case a step sister who has come back from China; and the other is associated with the present stories of daughters about the cultural conflicts and alienation, they feel regarding the ancestral heritage of their home which has been transmitted to them by means of past memories. The point is that storytelling plays an essential position in creation of a new, more Chinese identity, in contrast to the previous American one, McDaniels (2004) states that, Basically, both versions of the stories, mother‟s and daughter‟s are necessary for revealing the complete story, including the painful secrets, whether the pain is alleviated or just changes its context. Both mothers and daughters need to tell their versions and listen to the others‟ versions in order to have all the information necessary to arrange their
Coming of age is essential to the theme of many major novels in the literary world. A characters journey through any route to self-discovery outlines a part of the readers own emotional perception of their own self-awareness. This represents a bridge between the book itself and the reader for the stimulating connection amongst the two. It is seen throughout Paradise of the Blind by Duong Thu Huong, Hang’s coming of age represents her development as a woman, her changing process of thinking, and her ability to connect to the reader on a personal level.
Adeline, from the novel Chinese Cinderella, has many hardships and difficulties in her life, particularly abuse, neglect and loss. It’s clear that she never gives in and is always able to overcome these difficulties, with her determination and resilience, her optimistic and hopeful attitude, the support from loved ones and her imagination. By using these strategies, Adeline is able to push through her troubles and eventually win in the end.
In the classic story of “Cinderella”, a beautiful young woman is treated badly but in the end lives happily ever after with a prince. The French version of “Cinderella” is romantic and happy, where the Cinderella character forgives her bad stepsisters by finding them husbands and allowing them to live in the palace with her and the prince. However, in the German version of “Cinderella” by Jacob and Wilhelm Grimm, the stepsisters are violently punished for mistreating Cinderella.
Bettelheim, Bruno. ""Cinderella" A Story of Sibling Rivalry and Oedipial Conflicts." Bettelheim, Bruno. The Uses of Enchantment. 1976. 279-282.
Adeline doesn’t get much support from her family, except for two, Aunt Baba and Yeye. With the constant depressing situations in the book, Adeline has been blessed with two people who actually care. Aunt Baba and Yeye actually want to encourage Adeline to do her best because unlike the other members in her family, they do not treat her as just an unwanted child. In the novel, Chinese Cinderella, by Adeline Yen Mah, Adeline is greatly supported by Ye Ye and Aunt Baba although out the book and I do not believe that she would've succeeded without them.
Anne Sexton’s poem “Cinderella” is filled with literary elements that emphasize her overall purpose and meaning behind this satirical poem. Through the combination of enjambment stanzas, hyperboles, satire, and the overall mocking tone of the poem, Sexton brings to light the impractical nature of the story “Cinderella”. Not only does the author mock every aspect of this fairy tale, Sexton addresses the reader and adds dark, cynical elements throughout. Sexton’s manipulation of the well-known fairy tale “Cinderella” reminds readers that happily ever after’s are meant for storybooks and not real life.
Cinderella is a fairytale for children that displayed love, loss and miracles; however, when it is further analyzed, it has a deeper meaning. Cinderella is a story about a young girl who became a servant in her own home after her father remarried a malicious woman with two spoiled daughters. She was humiliated and abused yet she remained gentle and kind. She received help from her fairy godmother to go to the prince’s ball after her stepmother rejected her proposal. Cinderella and the Prince fell madly in love but she had to leave at twelve o’clock and forgot to tell him her name but she left her glass slipper behind. He sent his servants to find her and Cinderella was the only maiden in the kingdom to fit into the shoes. She was then free from her Stepmother and married the Prince. This report will examine the key events and the main character through an anthological, psychological and sociological perspective. The story of Cinderella demonstrated gender roles and family and marriage roles, Conformity and obedience and Erick Erickson’s theory and feminist theory.
Many people know her as a princess who is sitting in house where her step-mother and her two step-sisters abused her. One day, she went to the ball from the help of her fairy godmother. The prince fell in love with her of her talents. In reality, she was mostly not have survived. In reality, this is Cinderella’s story.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
Bettelheim, Bruno. “’Cinderella’: A Story of Sibling Rivalry and Oedipal Conflicts”. Behrens and Rosen 651-657.
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Today, adults reading Charles Perrault’s Cinderella realize similarities and differences between Cinderella and a modern western woman. Adults recognize that Cinderella in Perrault’s fairy tale has undesirable qualities for a modern western woman, today. Cinderella is affectionate, goodwill, forgiving, and loyal. On the other hand, Cinderella is not independent, outspoken, confident, and strong. Cinderella has low self esteem and is incapable of solving problems. Inferiority, dependence and passiveness are characteristics that represent Cinderella do not characterize a modern western woman.
In today 's society, it is normal for young children to believe in fairytales. These fairytales are normally seen throughout books and movies but also through parents reading them as bedtime stories. These tales in our society have unrecognized hidden guidelines for ethics and behaviors that we provide for children. One such children 's story is Disney’s Cinderella, this film seems to be a simple tale of a young woman whose wishes work out as to be expected. This tale reflects the expectations of women 's actions and beliefs of a proper women.