The critically acclaimed and commercially successful film, Spiderman 2, was hailed as a landmark film that illustrated the unfamiliar concept of a hero with an underlying humanity. Throughout the film, Peter Parker demonstrates a remarkable, organic character that makes him and his alter ego, Spiderman, accessible to a wide audience, allowing various age groups to easily identify and connect with him. This action-packed clip is no exception to the fundamental theme of the sequel to the 2002 film, Spiderman. Despite a tight story space, the clip has been one of the enduring hallmarks of the film. Through enrapturing cinematographic techniques, dynamic secondary characters, and a reflective artistic context, “Spiderman Stops the Train” has been and most likely will always be a favorite thematic scene for generations to come.
The clip opens with the villainous Doctor Octopus disabling the controls of the train and leaping off to safety, thereby leaving Spiderman to realize that, without him at least trying, lives will be lost. Thus, at the onset of the film clip, the dramatic question is raised, “Can Spiderman stop the train from derailing and plummeting into the city streets, thereby killing hundreds of innocent citizens?” The battle between Spiderman and Doctor Octopus soon shifts to a physical and mental struggle between man and machine.
The “point-of-no-return” section of the clip occurs when the unmasked Spiderman warns everyone in the train to “hang on.” It is within this very brief moment that Peter Parker consciously makes the decision to do whatever it takes to save them, even if it requires sacrificing himself. This character objective is effectively represented by the character’s two main tactics in which he first tries ...
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... through which the creators of the film evoked a sense of urgency and established an atmosphere of imminent danger. This aspect was then further augmented through the use of long-shots to portray the speed of the train and the danger that loomed several hundred meters away. Personally, the presence of dynamic secondary characters that are typically acknowledged but virtually flat and static allowed viewers to effectively comprehend the transformation of the perception of Spiderman. Through these effective cinematographic techniques and character development, the director creates a clip that is symbolic of the power of the individual and the fact that, regardless of our social situation or context, we can strive to accomplish the unimaginable. It is therefore of no surprise that audiences and film experts hail this sequel as a paradigm in the genre of the superhero.
The play God of Carnage by Yasmina Reza begins with a simple set-up, four parents from different social classes coming together to discuss a dispute between their sons. As the play continues we see the characters slowly becoming less polite and civil as they start yelling at each other, getting piss drunk, and everyone’s favourite, vomiting. Throughout the play these characters are constantly being tested and judged. When Veronica and Michael attempt to show off their material possessions to the Raleighs they are given a metaphorical slap to the face as they physically ruin what the Novaks hold dear to them. In return the Novaks judge the Raleighs on their sense of righteousness and responsibility, the Raleighs social standing allowing them
People have goals everyday, believe it or not some people think that dreams aren't worth it. I believe that it is worth it to dream because it gives a person a goal, it makes them feel good, and it makes them stronger. I know this from The Pearl, A Cubs video, the Susan Boyle video, and We Beat the streets.
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
In Tim Burton’s Nightmare Before Christmas a pivotal change in way animation is performed and viewed takes place. The film epitmozes the use of stop motion animation and created the standard of all stop motion from then and into the future. Nightmare Before Christmas is regarded as an iconic movie and is the basis of the stop motion, gothic animation, and the entire stylistic choices that are associated with Tim Burton.
There are various important innovations that shape the film into a novel superhero movie. One important alteration is the combination of drama, action and science fiction with three-dimensional characters and various underling messages. Generally, “Haunters” does not only offer action but also explores in some extent, one of life’s biggest themes and conflicts. On the one hand is the importance of understanding and acceptance of all people, despite their obvious or unapparent differences from the mazes and on the other hand, is the desire of people to fit and to be part of what is widely considered socially acceptable and norm. Furthermore, the films puts a clear question and answers it: What can make someone a
Change is important, and if we do not experience change, then we become stagnant and will not grow in our everyday lives. In his novel, Hero, S.L. Rottman exposes the character change of the protagonist, Sean Parker. He undergoes change that one would believe is not possible in such a character, but with the help of a mentor, the reader is opened up to the changes that occur in society today. In S.L. Rottman’s Hero, Sean Parker’s experiences over the course of his community service change him from a negative and stubborn teenager into a wiser more sustainable learner due to the community service he endures and role model he encounters.
During those ages when we are just a little kid, we dreamt to be a superhero that could protect the world from being attacked or destroyed by enemies. We always worship to the superheroes that we liked when we watch the superheroes movies. Not only that, we also even act as them by using a scarf, tie on our necks and crazy around with our friends. Recently, I adored with two kinds of superhero movies after I watched them. Those movies are The Kick-Ass 2 and The X-Men 2 which mainly attract teenager’s attention nowadays when they plan to watch a movie. However, there are many differences between these two superheroes movie that we could see from their abilities, costume, and even their operation when they fight criminal.
Kant: Wow Darwin you either did not read the book, or you completely missed what was going on. Superman had superpowers that consisted of super hearing, super vision, super strength, and flying.
“Guardians of the Galaxy” still suffers from the same elements that plague many superhero films, including uninspired antagonists and a heavy reliance on deus ex machinas. Plus, the looming presence of larger puzzle pieces waiting to be further utilized in subsequent installments or sequels to the various intermingling franchises stalls several sequences. But such setbacks can’t quash the fun or the impressive level of creativity flowing through everything from the character designs and action choreography to the pleasantly unusual employment of classic rock ‘n’ roll-steeped ambiance.
While the Batman character grown into an international franchise, many of his fellow superhero peers have fallen by the proverbial road side. Riding on his mysterious and dark persona, he is one of the most famous fictional characters of modern times. It is a unique blend of super-hero fantasy and realism that has allowed him to be accepted by such a wide audience, and it is to the credit of his producers that they have been able to mould the character the character to fit their needs while capitalizing on the character’s essence.
The director of Spider-Man (Sam Raimi) has introduced the audience to a feeling of aspiration through a variety of different techniques and captures the viewer’s attention to the smallest details with great success and deliverance to become the character that is Peter Parker.
Have you ever heard about the hippie who had to go to a Middle School after living on a remote farm in the novel Schooled by Gordon Korman? Well, Capricorn Anderson is a flower child who lives at Garland Farms until his grandmother, Rain, falls out of a plum tree, which changes this hippie’s life. Now, Cap has to go to a public middle school and live with Mrs.Donnelley, a social worker, which he is not prepared for.He is just a hippie with a soul of good, who is not prepared for physical fights, cursing, and even video games! He doesn’t understand this modern world; he’s as lost as a kit who couldn’t find her mother.
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
...n (Director) mistakenly seems to believe can carry the whole film. On the strength "based on a true story", he has rejected attention-grabbing characters, an imaginative plot, and unforgettable villains.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.