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Modern capitalism and greed
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Just north of Vancouver Island, there is an archipelago of islands shaped like an upside down triangle. Sitting just east of the Pacific fault line, experiencing upwards of fifty inches of rain per year, wind speeds as fast as 165 km/h, and heavily populated with trees weighing as much as three blue whales, one would expect the most turbulent part of these islands to be the environment, but they’d be wrong. The history of Haida Gwaii is one of the most complex and bloodiest in Canadian history. John Vaillant takes a look at this history and the way it forever changed the landscape of Haida Gwaii in the novel The Golden Spruce. By telling the stories of both the European loggers and the Haida, Vaillant demonstrated just how easily capitalism and greed can affect entire communities, the diplomacy between these communities, and how one tree brought these communities back together again.
Throughout this book, Vaillant outlines the often fatal sacrifices made by the loggers for their job and a paycheck. Spruce trees on the island were often hundreds of years old and could weigh more than three hundred tons, almost as much as three blue whales (pg. 16). Taking down these behemoths was an incredibly daunting task to even the most experienced of loggers, and was often fatal. Throughout this novel, Vaillant effectively portrays the struggles and sacrifices made by those in the logging industry just
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However, in contrast to this fairly dark narrative, Vaillant uses techniques such as anthropomorphosis to depict the strong positive impact of the golden spruce on the world around it. Through the story of the actions of Grant Hadwin, Vaillant tells a story of greed and capitalism as a cautionary tale and then proceeds to show us how something as seemingly insignificant as a tree can bring people
...sion Native Americans made a connection with the earth that was an ongoing affirmation to be close to nature. To witness the beauty of the land and all it had to offer them. Seattle’s address took a strong and powerful stance against the Americans, not only did he stand up for his people but he showed the wrong in the Americans. The essay and art work have affected the progress and solidity of the Native American culture in the past and the present. Each piece possess vitality, power and a drive to move forward, they also coincide on different levels where as to the message, that they bring forth understanding the environment and relationship between land, and man.” At night when the streets of your cities and villages are silent and you think them deserted, they will throng with the returning hosts that once filled and still love this beautiful land” (Seattle, 57).
Billy affectionately described his homeland (the key component of “peoplehood” i.e., the Nisqually watershed on South Puget Sound of the Nisqually River, creeks (Muck Creek), rolling prairie and forestland as well as the foothills of the Cascades Mountains and Mt Rainier) as “a magical place” where his family “never wished for anything: fish from the water¬shed, vegetables up on the prairie, medicines, shellfish, and huckleberries…clean water, clean air.” He describes the arrival of L...
“Clearing the Plains” begins set in the time period of 1100 C.E before Europeans ever settle into Canada. It depicts the laid back lifestyle that Indgienous people became accustomed to where everyone had a role and the community worked together to survive. However, as time goes on the Indigenous populations becomes thrust into a disease stricken society where there is no hope for survival due to minimal resources. The author, James Daschuk goes on to argue the reasons for this
The Grassy Narrows (Asubpeeschoseewagong) First Nation is an Ojibwa First Nation located north of Kenora, ON. The community has been fighting against environmental injustices imposed on them from various actors over the last 40 years (Rodgers, 2009, para. 10), involving issues with mercury poisoned fish (para. 1) clear cutting of their lands (para. 27) and subsequent degradation of their land, water and food sources. This essay will detail the environmental justice struggles of the Grassy Narrows First Nation, point out the unfair treatment and environmental racism they have been subject to and will also question the role that authority, power and litigation have played within the community.
Dr. Daniel K. Richter is the Roy F. and Jeannette P. Nichols Professor of American History at University of Pennsylvania. His focus on early Native American history has led to his writing several lauded books including Before the Revolution: America’s Ancient Past, and The Ordeal of the Longhouse: The Peoples of the Iroquois League in the Era of European Colonization. Richter’s Facing East is perhaps, a culmination of his latter work. It is centered from a Native American perspective, an angle less thought about in general. Through the book, Richter takes this perspective into several different fields of study which includes literary analysis, environmental history, and anthropology. Combining different methodologies, Richter argues Americans can have a fruitful future, by understanding the importance of the American Indian perspective in America’s short history.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
The novel Through Black Spruce is an incredible book that shows the real truth and real life scenario of the First Nation community across Canada, it shows the real hardship and struggles the community faces every day and how they overcome it. The presence of the symbolism does give the novel a whole new meaning to it, the symbolism of beaver representing family and how they stick together, this shows Will bird a bush pilot in the novel, his struggles. The symbol of a bear portrays protection and love, proving once again the hardships the characters face throughout the novel and seeking for protection. While the symbol of Gosse represents seeking freedom, taking on a long journey, and seeking someone is what both of the main characters in the novel try to do. In the novel Through Black Spruce by Joseph Boyden, reveals to the reader that symbolism is a self-reflection of the character’s struggles’ and culture which helps the reader understand their own way of living.
The protagonist shows his character’s perspective and seems to be a reliable narrator because his opinion about everyone bound to do something wrong is true. Although he is truthful, he is not bold enough to speak out. Like Hiyama, “It’s become a hard world to write in.” He, also, didn’t want to expose himself by writing. The author’s theme expresses even if you are punished it’s more honorable to speak up, then lay back and not change. The symbols of pillars and trees are vegetized or planted cats, dogs, and people. These symbolize punishment and having to be embarrassed in front of the city to encourage others not to free speak. Being embarrassed can be shown when people want to grow into a tree faster by not eating. They become emotionless and quickly forget about others. When the pillar becomes a tree, it helps fill the society with more greenery and forget about the free-speaking people. The steps of how the tree was developed was explained in this imagery,“The face had become a brownish color tinged with green, and the eyes are tightly shut...The body, which has become a tree, and even the face no longer move at all.” The metaphor, “Dried grasses that never flower.” compares people in the society to grass and flowers. Meaning eventually everyone will become a pillar and the society will not change. They will only become a flower if someone speaks up and people grow from learning that change their
The story Crew has written is a sophisticated topic for such a young age that pushes boundaries, however the illustrations Tan has done allows the children to visualise the story and allows them to have an imaginative experience of a historical event. Memorial tells the story about a historical tree which was planted in1918 to commemorate the end of
Welch, James. "The Earthboy Place." Native American Literature: A Brief Introduction and Anthology. Ed. Vizenor, Gerald. United States of America: Addison-Wesley Educational Publishers, 1995, 165-174.
As majority of the narrative in this poem is told through the perspective of a deceased Nishnaabeg native, there is a sense of entitlement to the land present which is evident through the passage: “ breathe we are supposed to be on the lake … we are not supposed to be standing on this desecrated mound looking not looking”. Through this poem, Simpson conveys the point of how natives are the true owners of the land and that colonizers are merely intruders and borrowers of the land. There is an underlying idea that instead of turning a blind eye to the abominations colonizers have created, the natives are supposed to be the ones enjoying and utilising the land. The notion of colonizers simply being visitors is furthered in the conclusion of the poem, in which the colonizers are welcomed to the land but are also told “please don’t stay too long” in the same passage. The conclusion of this poem breaks the colonialistic idea of land belonging to the colonizer once colonized by putting in perspective that colonizers are, in essence, just passerbys on land that is not
The books author, James (Sákéj) Youngblood Henderson came to write this book as a result of living with his wife, Marie Battiste (a celebrated Mi’kmaw scholar and educator) in her Mi’kmaq community of Eskasoni (10). It was the community of Eskasoni that compelled Henderson to compile their histories in a form that would not disrupt the Mi’kmaq worldviews, culture and spirituality they represent but as well easily conveyable to non-Aboriginal peoples.
The novel “A Tree Grows in Brooklyn” by Betty Smith is a both significant and interesting novel for its fascinating story of Francie Nolan’s physical and emotional growth. To begin, young Francie lets the reader understand that even through poverty, it is important to enjoy the little things in life, to value life itself even when it is evidently polluted by greed. Secondly, as Francie grows up, her fall from innocence during her conflicts in life causes her not to be jaded with the world but to become stronger. Growing up is filled with both joy and acrimony, and Francie Nolan’s life is a great example of how a young woman should grow up to be.
Since 1840 the Hawaiian Islands have been an escape to a tropical paradise for millions of tourists. People all over the world encounter alluring, romanticized pictures of Hawai'i's lush, tropical vegetation, exotic animals, beautiful beaches, crystal clear water, and fantastical women. This is the Hawai'i tourists know. This is the Hawai’i they visit. However, this Hawai'i is a state of mind, a corporate-produced image existing on the surface. More precisely, it is an aftermath of relentless colonization of the islands' native inhabitants by the United States. These native Hawaiians experience a completely different Hawai'i from the paradise tourists enjoy. No one makes this as clear as Haunani-Kay Trask, a native Hawaiian author. In her book, From a Native Daughter: Colonialism and Sovereignty in Hawai'i and through her poetry in Light in the Crevice Never Seen, Trask provides an intimate account of the tourist industry's impact on native Hawaiian culture. She presents a negative perspective of the violence, pollution, commercial development, and cultural exploitation produced by the tourist industry. Trask unveils the cruel reality of suffering and struggling through a native Hawaiian discourse. Most of the world is unaware of this.
Her spry, Timberland-clad foot planted itself upon a jagged boulder, motionless, until her calf muscles tightened and catapulted her small frame into the next stride. Then Sara's dance continued, her feet playing effortlessly with the difficult terrain. As her foot lifted from the ground, compressed mint-colored lichen would spring back into position, only to be crushed by my immense boot, struggling to step where hers had been. My eyes fixated on the forest floor, as fallen trees, swollen roots, and unsteady rocks posed constant threats for my exhausted body. Without glancing up I knew what was ahead: the same dense, impenetrable green that had surrounded us for hours. My throat prickled with unfathomable thirst, as my long-empty Nalgene bottle slapped mockingly at my side. Gnarled branches snared at my clothes and tore at my hair, and I blindly hurled myself after Sara. The portage had become a battle, and the ominously darkening sky raised the potential for casualties. Gritting my teeth with gumption, I refused to stop; I would march on until I could no longer stand.