In The Catcher In The Rye by J.D. Salinger, Holden is constantly having internal conflicts dealing with intimacy. Holden constantly battles with himself over wanting intimacy and not wanting intimacy. Holden longs for intimacy with other people while simultaneously rejecting such intimacy, a self-destructive paradox that leads to his great suffering. Holden reaches out to Mr. Spencer for empathy, but when they start talking Holden regrets his decision and refuses to open up about how he feels. Holden initially goes to his teacher's house to say a final goodbye. Holden points out that "He'd written me this note asking me to stop by and say good-bye before vacation started, on account of I wasn't coming back. I'd have come over to say good-bye …show more content…
Throughout the book Holden has these recurring thoughts about sex which is a typical trait for a sixteen year old boy. Holden had just walked back from Ernie's when Maurice, the elevator man, asks Holden if he is “Interested in a little tail t’night”(91). Holden unwittingly says yes to Maurie’s proposition: “It was against my principles and all, but I was feeling so depressed I didn’t even think”(91). Holden then returns to his room to prepare himself for the girl the Maurice was sending. Holden admits that “I was starting to feel pretty sexy and all, but I was a little nervous anyway”(92). When Sunny arrives she seems very keen to get the intercourse done and over with fast. Holden is affronted by the fact that Sunny is so eager to get things done quickly. Holden observes that he “felt peculiar when she did that”(94). Holden was referring to when Sunny “stood up and pulled her dress over her head”(94). Holden the acknowledges that “you’re supposed to feel pretty sexy when somebody gets up and pulls their dress over their head, but I didn’t”(95). Holden quickly rejects the intimacy of sex and instead asks Sunny if she feels “like talking for a while”(95). Sunny isn’t very jubilant with the fact that Holden does not want to have sex, but instead talk. There is something inside of Holden that always prohibits him from …show more content…
This is a self-destructive paradox that leaves Holden suffering under the weight of his thoughts and feelings. Holden’s paradoxical longing for and rejection of intimacy is something that indicates just how ill Holden is. Holden feels so alone that he seeks out intimate relationships in order to feel like someone is listening or caring for him. When Holden finds himself in situations that involves intimacy he recoils back into himself. Instead of talking about how he feels during these situations Holden decides that it is no use telling people how he feels because they will not understand. What Holden doesn’t understand is that there are people all around him who are willing to listen to him if he would open up to them. Because Holden thinks that no one cares about him he carries his emotions with him and this eventually takes a toll on his mental health. People do go through stages in their life when they long for intimacy more than they would at a different age. Holden’s case, however, is very exaggerated to the point where it borders abnormality. Holden’s constant shift of feelings towards intimacy leads him to become confused which eventually leads to his own
The Catcher in the Rye by J.D Salinger is a popular novel that was originally published in the 1950’s. In the book, Salinger explores various themes through the main character Holden and his interactions with others. Some of these themes include, alienation, loss and betrayal. Holden constantly feels betrayed throughout the novel by several people, including his roommate, teacher, and sister.
Holden struggles to make connections with other people, and usually resorts to calling them phonies whenever they upset him. He finds natural human flaws in people and runs away from connection immediately. His date with Sally shows this. Near the end of the date, Holden tells Sally about his plans to run away from life. When Sally gives him practical advice, Holden is quick to escape connection by calling her “a pain”. Sally’s advice would definitely guide Holden in a more realistic direction, but that is not what he wants to hear. Conflict always arises in his mind even if there is little in reality. His struggles with finding connection also make him too apprehensive to call his old friend Jane. Holden likes to think of Jane as a pure and perfect girl that he can
The reason Holden has a hard time talking to people about his feelings is because in the time period he lives in people have a stereotypical image of not sharing emotional feelings with others. Losing his brother, Holden has to adjust to keep his composure without having the direct outlet of Allie to comfort
Holden’s childhood was far from ideal, with Allie dying, his dysfunctional parents and the revelation that he had some “perverty” stuff happen to him when he was a kid. Due to this, he isn't ready to step into adulthood and leave his childhood behind. This is why Holden is mostly alienated from adults and connects more to the innocence of children like the girl at the park and his sister, Phoebe. However, Holden is disillusioned with both adulthood and childhood. He already knows how it feels to be an adult; drinking alcohol, being independent, living by himself and caring for Phoebe, but isn’t ready to immerse himself in it.
Holden’s apparent desire to be separated from the majority of his family and friends appears to have been triggered by the death of his younger brother Allie. From Allie’s there has been a downward spiral in Holden’s relationships, as he begins to avoid contact with others and isolate himself more. The reason I believe this is because we can see how immense his anger is after Allie’s death, ‘I slept in the garage the night he died, and I broke all the goddam windows with my fist’. The death of Allie has become like an awakening to Holden, and has alerted him how precious childhood innocence is, when Holden comes to this realisation he convinces himself to do everything within his power to protect the innocence of himself and those around him, to protect them from what he sees as a false adult world. Although Holden clearly fails to protect himself, as he falls into all sorts of situations which hardly boasts of innocence and virt... ...
J.D. Salinger’s novel The Catcher in the Rye is a compelling narrative on the themes of isolation and individualism. Holden Caulfield’s loneliness, a distinct manifestation of his isolation problem, is a driving force throughout the book. A majority of the novel portrays his almost frantic quest for companionship as he darts from one meaningless encounter to another. However, while his behavior is a stark indicator of his loneliness, Holden consistently shies away from self-reflection and therefore doesn’t really know why he keeps behaving as he does.
“All I know is, I sort of miss everybody I told you about. [….] Don’t ever tell anybody anything. If you do, you start missing everybody” (Salinger 277). Holden Caulfield comes in contact with many females throughout the novel. Some of them are for better, and some cause him to be more depressed. Holden is currently in a mental institution. He is telling a psychoanalyst everything that has happened to him a few weeks before last Christmas. In J.D. Salinger’s novel, The Catcher in the Rye the author demonstrates how two characters can help Holden hold his sanity or can make his whole world fall apart through the use of Sally and Phoebe to show that relationships can be difficult and confusing or the exact opposite.
Holden's brother died when he was growing up and throughout his life he has always been getting kicked out of school. Later, he then goes to New York for a couple of days so that he doesn't have to go home early and explain to his parents that he got kicked out. He then goes to his sister Phoebe's school to give her a letter and finds something inappropriate written on the wall and scrubs it out. At the end of the book, Holden and his sister Phoebe go to the carousel.
The Catcher in the Rye by J.D Salinger is a coming-of-age novel set in New York during the 1940’s. Holden Caulfield, the protagonist of the story, is a detached seventeen-year old boy harboring feelings of isolation and disillusionment. He emphasizes a general dislike for society, referring to people as “phonies.” His lack of will to socialize prompts him to find nearly everything depressing. He’s alone most of the time and it’s apparent that he is very reclusive. This often leads him to pondering about his own death and other personal issues that plague him without immediate resolution. Holden possesses a strong deficit of affection – platonic and sexual – that hinders and cripples his views toward people, his attitude, and his ability to progressively solve his problems without inflicting pain on himself. The absence of significant figures in his life revert him to a childlike dependency and initiate his morbid fascination with sexuality. In this novel, Salinger uses Sunny, Sally Hayes, and Carl Luce to incorporate the hardships of discovering sexual identity and how these events affect adolescents as they try to understand their own sexuality.
I guess you can say he is trying to transition from adult hood but he can’t. He believes childhood is a beautiful and innocent thing where as adulthood is evil and corrupted. In the text Holden says “That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose” Pg. 204 Another reason why Holden is stuck between adult hood and childhood is because he doesn’t understand the concept of sex. He doesn’t get how two adults can have sex without loving each other. Holden tells Luce "You know what the trouble with me is? I can never get really sexy—I mean really sexy with a girl I don’t like a lot. I mean I have to like her a lot. If I don’t, I sort of lose my goddam desire for her and all.”Pg148 Luce then later says “When are you going to grow up?"Pg. 144. This is another example how Holden can’t really grow up. Mr. Antolini brings up an examples that goes “this fall I think you’re riding for – it’s a special kind of fall, a horrible kind. The man falling isn’t permitted to feel or hear himself hit bottom. He just keeps falling and falling."Pg. 187. This quote is illustrating that Holden doesn’t know where to go, he’s lost and confused from the transition from childhood to
Holden’s inabilities to sustain a normal life, according to the standards of people in modern times, led to him contemplate his life and the emotional damage he suffered from. His parents were preoccupied with their lifestyle and keeping up with appearances to really teach him good values. Due to the complex childhood that he experienced Holden found himself unable to connect to anyone other than his brother Allie, who suddenly passes during his childhood. After Allie dies Holden goes through a period of psychological dysfunction where he loses sense of not only his life, but hi...
Many young people often find themselves struggling to find their own identity and place in society. This search for self worth often leaves these young people feeling lonely and isolated because they are unsure of themselves. Holden Caulfield, J.D. Salinger's main character in the book The Catcher In the Rye, is young man on the verge of having a nervous breakdown. One contributor to this breakdown, is the loneliness that Holden experiences. His loneliness is apparent through many ways including: his lack of friends, his longing for his dead brother, and the way he attempts to gain acceptance from others.
In today's world many people do not show their true self to people that they do not feel comfortable around. Readers can see this in J.D. Salinger's The Catcher in the Rye. Holden only shows his true authentic self to women and girls. Although Holden seems that he does not like to talk to anyone, when he is around women he pays attention to them, is comfortable, and expresses his true feelings.
The perception of Holden Caulfield in The Catcher in the Rye has two extremes; many find him likable, others find him irritable. Given Holden’s age and experiences, readers often relate to his thoughts and views of the world around him. On the opposite side of the spectrum, readers also find him to be repetitive and hypocritical of the world around him. This interpretation of Holden is derived from the lack of a climax in the book, but in reality, life is often anti-climatic. The majority of the story is not told by Holden’s actions, rather by Holden’s thoughts. Human minds are complex in nature; in order to understand the human mind, it is important to not only consider one’s actions, but their possible thoughts as well. Holden’s mindset of a teenager born into a privileged life that, due to his traumatic experiences, lead him to act and think a certain way that may not seem realistic; when most teenagers minds are constantly conflicted. Holden Caulfield exemplifies qualities of an ideal teenage rebel given his extreme cynicism and unrealistic perception of the world.
Holden's nervous impulse to protect women seems to have sprung up in his psyche from a very young age. After his brother, Allie, started to experience more severe symptoms of leukemia, Holden notes that his mother seemed "nervous as hell." His own mother's emotional problems (Lombardi) transfer to Holden on a very deep, psychological level because he feels partially responsible for his brother's fate in the first place. Seeing his mother in such a distraught state makes him feel even guiltier. The unintended consequence of this is that Holden grows up with a constant fear that he is going to hurt any woman that he grows close to. This manifests itself many times during his time in New York, with one of the earliest examples being his meeting with Sunny in the hotel room. Holden protects her innocence, but not for any particularly noble reason. He hangs her dress back up and insists that he just wants to talk, but Holden did not do this in an attempt to be some paragon of righteousness. Holden, on a deep, psychological lev...