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Overview of greek mythology
Overview of greek mythology
Overview of greek mythology
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Casina: A Review When we came together with ideas for what text we wanted to use to inspire our performance, we ended up with about 10 ideas. Fairy tales, Edgar Allen Poe, Dr. Seuss, and urban legends had all been thrown out as ideas, but the play we chose was is a much lesser known greek play named, Casina. Casina, looking through one lens, is a comedy about two men fighting over a woman. Through a different lens, Casina is a power struggle between husband and wife and seeing which of the two will win over the other. One of the big objectives for the play was establishing the story and what was happening within it. Casina is sizeable play with a lot of characters, working on multiple levels to get what they want. Which meant that our group had to condense the whole story into a 7-8 minute performance. To do this, we had to choose a central character for our version of the story and try to shape our performance around just their view. We chose the wife, Cleostrata, because our group liked the level of agency that she was able to have within the story.
Once we chose her as the focal point, we had to
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I was not the director of the play, so I had to negotiate a lot with the people around me and find the most effective way to present my ideas to the group without overstepping my boundaries. Also, when I was giving notes, I was continually pushing and pulling away from being a bossy backseat driver. I had a lot of note but did not want to micro-manage everyone. I tended to pose my notes as questions but sometimes the lack of authoritativeness meant no one actually listened to my notes. For instance, before we even started rehearsing I hinted that the “puppets controlling puppets” part of the middle scene might be clunky but no one listened until you gave us that note on run-through day. My directness is something i need to work
Olive, David. "Possibilities of Performance: New Ways of Teaching Dramatic Literature." Links & Letters 2 (1995): 9-17. UAB Digital Repository of Documents. Web. 30 Mar. 2012.
In Shakespeare’s “Othello”, the role of women is deeply emphasized; the significant characters of the play Othello, Iago, and Casio, each have a lady that stands behind him. These women each have commitment to remain faithful and respect their husband's needs, especially Desdemona and Emilia.
In The Tragedy of Julius Caesar, women did not have strong roles. The roles of women are not common in the play, and their appearances are very limited. In fact, there are only two female roles in the play; the subservient Calphurnia, wife of Caesar, and the daring wife of Brutus, Portia. These two contrasting characters bring an element of foreshadowing to most of the notable events that occur during the play. One example of Calphurnia being used to foreshadow events is when she tells Caesar to “not go forth today; call it my fear” (2.2.50), indicting that she believes something dreadful will happen to Caesar. Calphurnia has also seen many omens that she believes are indicators of Julius Caesar’s death.
The theme of the play has to do with the way that life is an endless cycle. You're born, you have some happy times, you have some bad times, and then you die. As the years pass by, everything seems to change. But all in all there is little change. The sun always rises in the early morning, and sets in the evening. The seasons always rotate like they always have. The birds are always chirping. And there is always somebody that has life a little bit worse than your own.
Schmitz, Johanna. (Oedipus lecture and Sophocles) "Theater 111: The Dramatic Experience." Peck Hall 1406. Edwardsville, IL. 22 Sep. 2011. Lecture.
Accidentally, incidentally, unintentionally, intentionally; no one ever really knows, but we are for certain one thing: “the heart isits own fate.” For Romeo Montague and Juliet Capulet, two star-crossed lovers in Shakespeare’s masterpiece play ‘Romeo and Juliet,’ this holds especially true. Romeo and Juliet’s “misadventure piteous overthrow” is fueled by their love for each other and their determination to be together, no matter what. Romeo and Juliet’s love with stands the hate surrounding them. Thus, fate is undoubtedly the most responsible influence for the two young lovers’ heartbreaking tragedy.
Since this is a review and its based on my opinion, I would have to say this was one of the worst plays I've ever seen in my life. I wasn't entertained by the play at all. The only good parts were the good-looking girls in the play. I like the main character Marisol based only on her looks. She played on ok job of acting. I realize she had a lot of lines to memorize which she had down, but she just didn't get to me. I think the costumes were ok. They had nothing special, or out of the ordinary except for the angel's wings, which were pretty nice. I didn't like the lighting or the scenery. I didn't know where the scene was supposed to be at some points.
Play is such an important part of the learning and growing, especially for children. Children engage in many different types of play, but the play I saw the most when I observe the children of my daycare is sociodramatic play. The book Understanding Dramatic Play by Judith Kase-Polisini defines sociodramatic play as “both players must tacitly or openly agree to act out the same drama” (Kase-Polisini 40). This shows that children play with each other and make their worlds together as equal creators. Children also work together without argument. There is also some personal play involved in their sociodramatic play. The children involved in the play worked to make a family having dinner, which is great example of how this will prepare them for
Written in 1962-3, Play depicts three characters, a man (M), and two women (W1 and W2) trapped in urns with only their heads showing. These characters each present their own version of a love triangle, which once occurred between them. It becomes clear during the play that the characters, once tortured by each other, are now tortured by their situation. A spotlight acts as a "unique inquisitor," compelling each to speak when it shines on them, and to stop when it goes out. As this assault continues, the characters become increasingly maddened by the light, and increasingly desperate to make it stop. The play repeats itself, providing the audience with a sense that these characters have been saying the same words for an eternity, and will continue to do so until the light decides they can stop. Beckett demonstrates how "A style of living, theatrically communicable, is used to express a state of mind."
Bianca, Desdemona, and Emilia, the three main women from the play, attest to the struggle of male dominance and the issues of societal stereotypes of the classification and limitation of female roles. At the surface, the powerful women seem timid, loving, and willing to care and aid their freelance husbands. However, when explored in a deeper sense, the females can be described as able, having a sense of self, and have attributes that qualify them as much more than housewives, maidens, and objects; Bianca, Desdemona, and Emilia are described as individuals that allow part of themselves to be shared with men that underappreciate their abilities and profounder
Greek Drama is different from our contemporary experience at the movies or the theater because of the size and scale of these events. But not only that, the purpose and the setup of these events are much different too. Although there are some slight comparisons, these two experiences are immensely different.
Corrigan, Robert W. Classical Tragedy, Greek and Roman: 8 Plays in Authoritative Modern Translations Accompanied by Critical Essays. New York, NY: Applause Theatre Book, 1990. Print.
Othello would appear to have a beauty about it which is hard to match. Helen Gardner in “Othello: A Tragedy of Beauty and Fortune” touches on this beauty which enables this play to stand above the other tragedies of the Bard:
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Dramatists are able to relay their message behind their work more effectively when they use real life experience as their themes. They use a combination of imagery, language and symbolism to explore their concerns with certain ideas or issues within their society. People are better to relate to something that they have experience or witness, which helps draws the audience into the turmoil of the plot and characters. The work of dramatists expresses universal themes, as what we have experience in the works of Othello and Oedipus. The characters are at the center of all works of drama and the theme is presented around these characters. They present their themes in an assortment of ways often through the use of different techniques and the themes hint upon problems that are related to human experiences. The themes makes up the message that the dramatist wants to put across to the audience, and the goal of this message is to make the audience see things from a specific point of