The Assertive and Vulnerable Wife of Bath
Society was different in Chaucer's time; males dominated and women were suppressed. The manipulative and destructive nature of women was emphasized by men. Much like Eve in the Bible, women were blamed for the 'downfall of man'. Through the Wife of Bath, Chaucer investigates the difficulty of self-realization for a woman in this restrictive environment. The wife of bath, Alison, represents antifeminist stereotypes and searches for happiness and a place in a patriarchal society. Unfortunately, Alison is never in tune with who she really is as a woman. Chaucer uses a series of ironies to eventually show that under her seemingly confident guise, there hides the soul of a vulnerable, lost woman.
The Wife of Bath argues in favor of women. She disparages the works of the male scholars that denigrate women. Using her "savage lion" analogy, she reasons that "if women had but written the stories", then such negative portrayals would not exist. Therefore, at first, the Wife of Bath appears to be in favor of women's rights. Ironically, the Wife of bath does not help women, her actions coinciding with the scholars' accusations. Alison DOES dress gaily, with her stockings of "fine scarlet red". The color red is indicative of a quarrelsome, bold lady, as is the symbol of the gap in her teeth, to indicate licentiousness. When she goes "walking out by night", and "followed on my appetite, Whether the lad was short, long, black, or white."(275), the Wife does prove to be adulterous. In relationships with her husbands, the wife IS devious and deceitful, making up accusations to pre-empt any on the part of the husbands. Therefore, while on one level attempting to protest the "negative s...
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...son into obedience, and has been the partner who dominates and controls all along. Her efforts to find true happiness are futile, and she lives a lie.
The Wife of Bath is admirable in that she is assertive and has attempted to succeed in her life. Despite being a woman of the fourteenth century, her ideas, beliefs, and actions are more like a woman of the twenty-first century. She is truly a woman ahead of her time. Unfortunately, her restrictive environment prevented her from self-realization. Therefore, she fails to effectively cope with and change her situation. The wife of bath is a sad, lost woman, who used the wrong methods to find true love and happiness. Hiding behind a confident mask, this woman is never truly free.
Works Cited:
Chaucer, Geoffrey.“The Wife of Bath’s Tale.” The Canterbury Tales.Trans. Nevill Coghill. New York: Penguin, 1977.
The Wife of Bath is portrayed as a strong-willed, alpha female. The Wife of Bath upholds the misogynistic ideas of Chaucer's time because she is a controlling, manipulative, know-it-all woman. Her personality and behavior both reflect the negative attributes that women were shamed for during that time. She is opinionated, dominate, and diabolical; all qualities that were not accepted easily in a woman. She defied the norm of that time.
Who suggested that “we feel sorry because we cry . . . afraid because we tremble”?
It is first important to understand the background of both The Wife of Bath and Margery Kempe’s stories. The Wife of Bath was a character created by Geoffrey Chaucer who is radically different from the nonfictional character of Margery Kempe. The Wife of Bat...
Wife of Bath. Her character is noted to be strong and bold and we learn
The Wife of Bath is a complex character-she is different from the way she represents herself. Maybe not even what she herself thinks she is. On the surface, it seems as though she is a feminist, defending the rights and power of women over men. She also describes how she dominates her husband, playing on a fear that was common to men. From a point of view of a man during that time period, she seemed to illustrate all of the wrongs that men found in women. Such as a weak parody of what men, then saw as feminists. The Wife of Bath constantly emphasizes the negative implications of women throughout the ages. She describes women as greedy, controlling, and dishonest.
Carruthers, Mary. "The Wife of Bath and the Painting of Lions" The Geoffrey Chaucer Page. 30 June 2000
D. it is very difficult to lead people to construct memories of events that never happened.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
Chaucer, Geoffrey. “The Wife of Bath’s Prologue and Tale.” From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson. New York: Houghton Mifflin, 1987.
Chaucer, Geoffrey. “The Wife of Bath Tale.” The Canterbury Tales. Trans. R.M. Lumiansky. NY: Bantam, 2006. 184-192. Print.
Eisner, Sigmund. A Tale of Wonder: a Source Study of the Wife of Bath’s Tale. New York: B. Franklin, 1969.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
Chaucer, Geoffrey. “The Wife of Bath’s Prologue.” The Canterbury Tales. Ed. Larry D. Benson. Boston: Wadsworth Cengage Learning, 2000. 87-98.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.