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Horror movies analysis
Horror genre essay
Gender analysis of buffy the vampire slayer
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Buffy the Vampire Slayer as Horror Genre The horror genre has very set conventions and rules and horror films
have stuck to these but in Buffy the vampire slayer a new set of rules
are written. Joss Whedon has given the audience another dimension to
horror by subverting the genre, in doing this the effectiveness of the
program is increased.
In the first episode Buffy arrives in Sunnydale, straight away she is
under the male gaze but unconventionally the boy gets hurt looking at
Buffy. This continues through out the program with the roles reversed;
now the heroine is the hero. This is the bases that Buffy as a
character works and the fact that she is female complicates the genre.
Unlike most kids starting a new school, Buffy ignores the popular girl
who offers friendship but instead goes to the social outcast showing
that she can be independent. The popular girl Cordelia is shocked as
she is rejected and at Buffy's intellect to outsmart her in what
develops into a comic foil between the two.
At the school Buffy meets her watcher Giles, at first she doesn't know
that this is the case, but it soon becomes clear that she can't get
away from the responsibility that being a slayer requires. This is
significant as Buffy thought for a while that vampires had gone out of
her life, as this is not true the vampires are the return of the
repressed. Instead of moaning Buffy excepts that she is to carry on
slaying, this is her super ego telling her that it's the right thing
to do.
In the rest of season 1 Buffy makes new friends like Will...
... middle of paper ...
...to combine everyone's powers is made possible with
Willows witchcraft skills.
As Buffy fights Adam the others perform witchcraft to send her powers,
the plan works as once again the group succeeds against evil.
Throughout Buffy the vampire slayer Buffy and her mum have a very
strong relationship and whenever they are together, Buffy is safe. The
home is also used as a place that is safe, which complicates the
genre, because the home is usually a vulnerable place.
In Buffy the vampire slayer the genre is subverted by Buffy in many
ways through the use of the group dynamic, dreams, gender identity
being blurred and the physical appearance of the hero and heroine.
Joss Whedon has re-written his own genre, which is the reason for the
programs success, it gives a new dimension to the horror genre by
subverting it.
The horror genre of film captives the frightfulness of individual fear, horror is the only genre that is meant captive the terror of the audience. The horror- the genre has been around well over one hundred- years there has been an extension of different types of horror and how the audience perceives horror. Many would even argue that horror films often reflect the fear of society in that certain time period. The evolution of horror reflects the evolution of society’s fear.
Audiences love to be scared. Horror films attempt to find some sort of trigger in the audiences mind, and develop it to create horror. Preceded by the great horror novels such as Dracula, and developed in the early nineteen twenties and nineteen thirties in Germany. From slash movies, to the post-modern psychological thrillers, horror films have evolved into an art form. This genre relies heavily on the basic horror conventions.
In Buffy, the film style is stereotypical and over exaggerated. The blonde bimbo cheerleader who faces the evil vampire with the black cape and fangs. The dialogue sounding somewhat like "that was so 5 minutes ago" and "oh, get out of my facial". Perhaps the stereotypical settings are used to make a clear contrast with Buffy when she begins to accept her true identity. She drops the bimbo attitude and takes life more seriously,
“Do you like scary movies?” purred a sinister voice over the telephone, and immediately Scream had marked itself out as something new in a tired genre. When it was released in 1996, the classic slasher franchises had all pretty much ran out of steam. Scream was different, it was a breath of fresh air: smart and self-referential, it reminded horror fans what they loved about the genre in the first place, and scared them silly at the same time.
Finally, horror became ‘Slasher.’ The 1970’s became obsessed with realistic news stories and characters and films became more stylize and followed similar storyline conventions. Texas Chainsaw Massacre (1974), Halloween (1978) and Night Mare On Elm Street (1984) where full of psycho villains, teens in danger and the sole survivor leading to plenty of sequels. The only other horror genre or thriller genre focused on suspense, movie...
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
The Buffy the Vampire Slayer series is a very popular show that engages well with most youthful audiences, including teenagers and young adults. Teenagers are quickly captivated by the show’s great amount of comedy, adventure, and science fiction. Although it is remarkably entertaining, the show also teaches important life lessons pertaining to love, friendship, and family. In the episode “Hush” from the series Buffy the Vampire Slayer, the theme that through clear acts, one can develop clarity in relationships is presented.
What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but instead, it turned into a spectacular psychological, horor film in which Kubrick deeply thought about each scene and every line.
Halloween is a perfect example of a cliché slasher film. This film features some of the most
This depends on the location - is it a business mans office or an old
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
Horror literature has been around since as long as man has been on earth. While usually in the form of ghost stories, many have often told stories orally, or on paper, to play on the horrors and darkest fears that we as humans face. While large populations of people do not like the horror genre, some get a satisfaction or enjoyment at looking at some of their worst fears being played out in front of them via a book or movie. As the stories have advanced through history and been examined and read through many different lenses both by history and literature experts, one aspects remains to be examined, and that is the changing role on of women in the story. While many of the early stories early stories portray them as simple, one-dimensional characters, weak and unable to help themselves, they evolve into more complex and eventually pushing through the damsel in distress mantra into the complex villain or hero.
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.
This essay will be examining the genre of Horror, its conventions and origins. A dark genre that aims to unsettle. Wholly unique in the aspect that traditionally film often attempts to lull the audience into a comfortable sense of detachment. A voyeuristic element of disconnect from the screen, yet Horror's appeal is it's aim to immerse. Mise en scéne, the use of lighting and sound all common film techniques. Used to play upon the audience's most basic instinct, fear.