Brendan Behan’s The Quare Fellow and Samuel Beckett
Existential works are difficult to describe because the definition of existentialism covers a wide range of ideas and influences almost to the point of ambiguity. An easy, if not basic, approach to existentialism is to view it as a culmination of attitudes from the oppressed people of industrialization, writers and philosophers during the modern literary period, and people who were personally involved as civilians, soldiers, or rebels during WWII and witnessed the worst aspects of life and war. These attitudes combined the aspects of loss of identity and autonomy, the uselessness of pain, a sense of alienation, and the meaninglessness of a harsh life where death is the only way out; all of these things helped give birth to a new philosophy that for the first time dealt with the cold reality of life after WWII. The canon of existential literature almost singularly deals with native authors from France, Germany, Russia, and the former Czechoslovakia; however, there has yet to be a universally accepted Irish writer to belong to this category. Some argue that this segregation of Irish writers has to do with Ireland’s geographical location and its neutrality during WWII; however, if existentialism is purely an amalgamation of attitudes, then a country’s location and direct political policy play a meager role in the classification of a work as existential. Moreover, those arguments pay no attention to expatriates, or the simultaneously related socio-political condition of other countries; thus, a reevaluation of the canon, or at least a reconsideration of Irish works as existential is appropriate.
Two Irish playwrights who epitomize the attitudes of existentialism a...
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...which criticism and interpretation of modern society are available. Behan and Beckett are trying to open society’s eyes in order for them to question their lives and the world in which they live. When the representations are understood, the audience can begin to question the establishments of society, the rationality of blind or complete faith in a soulless and seemingly meaningless world, and the real purpose and meaning of their own lives. Behan and Beckett heighten expectations of existential writing and thought through their unforgiving and callous treatment of society, which reflects the abominable demeanor and absurdities of modern society and life.
Works Cited
Beckett, Samuel. Waiting for Godot. New York: Grove Press, 1954.
Behan, Brendan. The Quare Fellow. Modern Irish Drama. Ed. John P. Harrington. New York: W.W. Norton & Co, Inc, 1991. 255-310.
Friel examines this issue by describing the effects that certain changes have on individual characters; Irish and English. One may think a play with this issue could not help being biased towards the Irish. However, Friel ‘did not wish to write a play about Irish peasants being suppressed by English sappers.’ In order to ascertain whether he achieves this, we should look to his often complex characters and how they develop throughout the play. and so we must look at individual characters, as Friel does, to see whether this play is pro-Irish or not.
There seems to have developed a pattern in modern literature ironic and paradoxical, that involves the hero in struggle for identify in a world that almost always is rejected by him as incomprehensible or absurd. Because of the omnivorous nature of the novel as a literary form, both the intellectual theme of defiance and the metaphysical anguish are presented not only in sophisticated, cosmopolitan, intellectual settings, but also in provincial atmospheres, where daily routines, sounds, and smells are very familiar.
James Joyce is the author of Dubliners, a compilation of Irish short stories that reflect on the feelings he associates with the city of Dublin, where he grew up in a large impoverished family. After he graduated from the University College, Dublin, Joyce went to live abroad in Paris, France. This action indicates a sense of entrapment that led to his desire to escape. The situations in his stories differ significantly, but each character within these stories experiences this sense of escape that Joyce had. In “An Encounter”, two boys make their first real move at being independent by skipping school to explore Dublin. In “Eveline”, the main character has a choice between taking care of her unstable father or leaving him to lead a new life with a man she has been seeing. In Joyce’s story, “The Dead,” a young man is thrown into deep human assessment, becomes unsure of who he is, and soon after is frightened of this newly discovered truth. The stories in Dubliners implicate this need for independence through characters in different situations and experiencing the feeling of entrapment.
classicmoviescripts/script/seventhseal.txt. Internet. 4 May 2004. Blackham, H. J. Six Existentialist Thinkers. New York: Harper, 1952. Choron, Jacques. Death and Western Thought. New York: Collier Books, 1963.
The literary works of Samuel Beckett and Franz Kafka have created environments in which the characters are implanted into ludacris and gloom filled realities. The characters are in absurd situations with no explanation of the events that are happening, or going to happen. The question stands, why did these authors place the characters in these destroyed worlds with no hope of resolution? I argue that the history of the authors and the environments in which they lived has a direct correlation to the charactaracters and the dark writing styles of the authors. To relate the characters and environments of the stories to the authors lives, one must first take a look at the history of the authors as well as characters. Looking at the lives of Beckett and Kafka at the time these stories were being written can help to determine the mindset and styles of both authors and how they relate their own real life problems to their characters fictional settings.
Ross, Kelly L. "Existentialism." The Proceedings of the Friesian School, Fourth Series. Kelly L. Ross, Ph.D., 2013. Web. 25 Nov. 2013.
...ession, Hamm and Clov act the class roles of bourgeoisie and proletariat though it defies meaningful progress. Through this Beckett implies that the political systems we create are nothing more than an attempt to stave of the nothingness that really exists. More of the play could be analyzed regarding the delusion of Marxism, especially with regards to the characters of Nagg and Nell. Further study might include also the consideration of the authors time period and how historicism is tied into the meaning of the play.
Gainor, J. Ellen., Stanton B. Garner, and Martin Puchner. The Norton Anthology of Drama, Shorter Edition. New York: W. W. Norton &, 2010. Print.
Maxwell, Margaret. ‘The Claim of Eternity': Language and Death in Marina Carr's" Portia Coughlan. Irish University Review (2007): 413-429
In “The Dead,” James Joyce presents the Irish as a people so overwhelmed with times past and people gone that they cannot count themselves among the living. Rather, their preoccupation with the past and lack of faith in the present ensures that they are more dead than they are alive. The story, which takes place at a holiday party, explores the paralyzed condition of the lifeless revelers in relation to the political and cultural stagnation of Ireland. Gabriel Conroy, the story’s main character, differs from his countrymen in that he recognizes the hold that the past has on Irish nationalists and tries to free himself from this living death by shedding his Gaelic roots and embracing Anglican thinking. However, he is not able to escape, and thus Joyce creates a juxtaposition between old and new, dead and alive, and Irish and Anglican within Gabriel. His struggle, as well as the broader struggle within Irish society of accommodating inevitable English influence with traditional Gaelic customs is perpetuated by symbols of snow and shadow, Gabriel’s relationship with his wife, and the epiphany that allows him to rise above it all in a profound and poignant dissertation on Ireland in the time of England.
Humans spend their lives searching and creating meaning to their lives, Beckett, however, takes a stand against this way of living in his novel ‘Waiting for Godot’. He questions this ideal of wasting our lives by searching for a reason for our existence when there is not one to find. In his play, he showcases this ideology through a simplistic and absence of setting and repetitious dialogue. Beckett’s ability to use these key features are imperative to his ability of conveying his message of human entrapment and existence.
2. Setterquist, Jan. Ibsen and the Beginnings of Anglo-Irish Drama. New York: Gordian Press, 1974. 46 - 49, 58 - 59, 82 - 93, 154 - 166.
Ronsley, Joseph, ed., Myth and Reality in Irish Literature, Wilfrid Laurier University Press, Canada, 1977
---. “O’Neill Talks about his Plays.” O’Neill and His Plays: Four Decades of Criticism. Ed. Oscar Cargill, N. Bryllion Fagin, and William J. Fisher. New York: New York UP, 1961. 110-112.
James Joyce emerged as a radical new narrative writer in modern times. Joyce conveyed this new writing style through his stylistic devices such as the stream of consciousness, and a complex set of mythic parallels and literary parodies. This mythic parallel is called an epiphany. “The Dead” by Joyce was written as a part of Joyce’s collection called “The Dubliners”. Joyce’s influence behind writing the short story was all around him. The growing nationalist Irish movement around Dublin, Ireland greatly influences Joyce’s inspiration for writing “The Dubliners”. Joyce attempted to create an original portrayal of Irish middle class life in and around Dublin at the end of the 19th century and beginning of the 20th century. The historical context for Joyce’s written work was the tense times before the Irish-English civil war broke out. An examination of his writing style reveals his significance as a modern writer.