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Chapter 1 the nature of art and creativity
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ANALYSIS OF JOHN WOLSELEY’S “BOTANIST’S CAMP” WRITTEN BY ANTHONY NGO, 8E The “Botanist’s Camp” is a lithograph illustrated by John Wolseley during 1997. As a botanist, John Wolseley takes inspiration from Australia’s unique outback, detailing the minutiae of the flora and fauna in his artworks. His unconventional yet innovative artistry style includes an abstract method whereby natural agents act as printmaking tools or as stimulus. With these principles, John painted many diverse sets of masterpieces and in this case the infamous “Botanist’s Camp”. Within the 74 cm by 93.5 cm canvas, John depicted an assortment of desert wildlife. These include a frog, frill-neck lizards, and various types of flora. Furthermore, as a contribution to the painter’s
‘Triptych: Requiem, Of Grandeur, Empire’ by the contemporary artist, Gordon Bennett in 1989 is a series of three artworks that depict the Australian landscape through stylised means in combination with appropriated and geometrical imagery. Through this series, Bennett effectively showcases the impact Western European culture had upon Indigenous lives and cultures post colonisation and how it has led to the destruction of Aboriginal culture as a whole. This is portrayed through the excellent utilisation of appropriated imagery, diverse art styles, and visual metaphors within his work.
Through her masterful usage of color and lighting, painter Alexis Rockman seeks to display the overwhelming beauty of the natural world and its inhabitants in her painting Kapok Tree. With a color scheme of bright colors that pops out and grab the attention of the viewer and an emphasis on lighting that divides the painting into two separate scenes, Rockman’s Kapok Tree delivers its timeless message with ease.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
The distinctively visual provides a means of which a composer can connect with his or her audience in order to create a clear, distinct visual image of other people and their worlds - conveyed through the use of visual or literary techniques in their media. Composers such as Henry Lawson and Dorothea Mackellar are able to effectively depict an image through an exceptional use of language and techniques that help shape our understanding of the Australian people and their world. In particular, Henry Lawson’s short stories ‘The Drover’s Wife’ and ‘The Loaded Dog’ and the Dorothea Mackellar Poem ‘My Country’ are able to effectively depict the unique environment of the Australian bush landscape.
“New Field” by Theodoros Stamos is part of the “Edward Joseph Gallagher III Memorial Collection of the University of Arizona” exhibition at the University of Arizona Museum of Art. The artwork is part of this exhibition because Mr. Gallagher donated it. The exhibition featured several pieces of work that all used color and lines to produce the essence of scenery. The artwork depicts Theodoros Stamos’ abstract expressionist style, where he uses a distinguished set of colors on a large flat canvas.
In the early 16th century the Netherlands experienced what was called “tulip mania” this was the beginning of the nations love for flora and foliage (Taylor 13). The result of this impressive flower invasion was a society that took a historical turn from which the results still remain today. Flower merchants, botanists and floral still life artists, were occupations that were an accurate reflection of the Netherlands demands (Brown). An interesting example of a life that was effected by, and devoted to the archiving of the flower craze was Rachel Ruysch (1664-1750) the 17th century Dutch flower painter. Rachel Ruyschs’ career straddled the 17th and 18th century, and her stunningly accurate floral pieces reflect the maturing, yet evolving art of floral still life painting (“Rachel Ruysch: Bibliography”). Ruyschs’ Still Life with Flowers on a Marble Tabletop (1716) is an excellent example of a painting that appropriately represents the genre of art that was created solely through specific societal events.
Beauty can be defined in many ways. Though, regardless of its definition, beauty is confined by four characteristics: symmetry, health, vibrancy and complexity. Michael Pollan, in the book The Botany of Desire, examines our role in nature. Pollan sets out to discovery why the most beautiful flowers have manipulated animals into propagating its genes. Most people believe that humans are the sole domesticators of nature, although, beauty in some sense has domesticated us by making us select what we perceive as beautiful. In flowers, for example, the most attractive ones insure their survival and reproductive success; therefore the tulip has domesticated us in the same way by insuring its reproduction. Whether it is beauty or instinct humans have toward flowers they have nevertheless domesticated us.
The Weedpatch camp was very friendly and caring towards Joads’ family. In their long Journey, they tried different places. They were searching for work, therefore they had to make a journey during the entire day. The time, they had to assemble in the small place, they pressed each other, and they had to stand on their feet. They faced problems in every place they tried to settle, because their freedom of doing things was blocked by the brutal systems. As stated by John Steinbeck, every place they tried to make camp, the condition was very bad. As Ma mentions, Ma is expressing her sufferings on the road. Her entire family was oppressed by the landowners and by the cops. In Weedpatch camp, her family was accepted as they were, and was viewed
I have never seen myself as an art museum enthusiast, nor have I ever been able to actually appreciate art and the messages it expresses. But never before have I ever been so taken away by an artist's work. Through his unique, inventive use of technology, Robert Buelteman proves in his images of "Through the Green Fuse," the momentary beauty of plants and their visual metaphors for human life. Buelteman's "Cortaderia Selloana" meaning Pampas Grass, caught my eye as soon as I entered his gallery. The colors and form of the image are breathtaking and even furthermore, his process for the creation of this image is fascinating. His choices of exotic plants all of whose characteristics range from delicate to dramatic seem to have been so meticulously chosen and for this piece in particular, pampas grass was a perfect selection because of how sharp and defined each blade of grass is. Buelteman's true messages of these images are expressed not only through his inventive process but through the media he incorporates into the process.
This is an image that I think of when I consider Japanese culture. They love gardens like this and you see similar images often when considering their culture. It is difficult to tell for sure, but the people in the distance appear to be dressed up. It is as though they have put on their best clothes to step out and enjoy this relaxing setting. I believe that this print is successful at capturing a moment in the mid 1800’s very well. It causes me to sense and experience what the artist was trying to capture. This print seems to conform to the formal theory of art. The print has only images of each object. None of them are particularly detailed or real to life but they do a very good job of organizing and describing the basic elements of the scene. It uses similar colors, shapes, and lines to those one might find in this garden in
“The power of imagination makes us infinite.” (John Muir). Both John Muir and William Wordsworth demonstrate this through their use of language as they describe nature scenes. John Muir studies nature and in his essay about locating the Calypso Borealis he uses scientific descriptions to grab his reader’s attention and to portray his excitement at finding the rare flower. William Wordsworth on the other hand shows his appreciation for the beauty of nature and its effect on a person’s emotions in the vivid visual descriptions that he gives of the daffodils in his poem ‘I wandered lonely as a cloud.’ Wordsworth with his appreciation of beauty and Muir through scientific descriptions provide an indication of the influence that nature has had on them as they capture their reader’s attention both emotionally and visually through their personal and unique use of tone, diction, syntax and vocabulary.
Vincent van Gogh’s development in stylized representations of nature, created by the application of dark colors, bold lines, and thick paint all show an expressionistic view of the natural world as seen through the eyes of the artist. While we will never find a definite answer for whether or not Vincent van Gogh intended for Wheat Fields with Crows to be any indication of his suicide, we continue to draw on conclusions of what this painting really meant. Even though we can say with certainty that this was not Vincent van Gogh’s last painting, the subject matter and formal elements suggest that it probably was - intended or not - some indication of van Gogh’s unhappiness.
Hirsch, E. 1995. “Introduction, Landscape: between place and space” in Hirsch, E. (ed.) The Anthropology of Landscape: Perspectives on Place and Space. Oxford : New York: Clarendon Press.
The novel gives us a glimpse how in the nineteenth century colonialism destroyed the ecosystem of the country. The description of a French Botanist as assistant curator of Calcutta’s Botanical Garden does little for the conservation of native plants in comparison to the destruction caused by the colonial rule. But the character of Paulette is an example of a child of nature in the novel.
Imagine arriving at a farm, friendly people greeting and directing you, apple trees as far as you can see, and even spotting a corn maze! With Wagons strolling around and farm animals to interact with, it sounds like the best place to visit for a weekend. At Lynd’s Fruit Farm, this is the site you see when you arrive at the fun and friendly farm.