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A streetcar named desire blanche character study
Themes in a streetcar named desire essay
Themes for a streetcar named desire
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In A Streetcar Named Desire by Tennessee Williams, Blanche Dubois is regarded as an immoral person because of her need to lie to everyone who loves her. She is dishonest, putting herself into prostitution and engaging in several impersonal affairs, not to mention she had sex with a seventeen-year-old boy she had taught. Even though Blanche’s actions are deplorable, William’s sympathy lies with her because she is portrayed as an injured, innocent women victimized by her surroundings. From the beginning of the play, Blanche’s flaws are seen through her interactions with others. When she first meets Mitch, Blanche introduces herself as an English teacher taking a sabbatical just to visit Stella, keeping the reality of her recent past to herself; she lost her job after a parent exposed her for having sex with one of her students. The lies she tells are intended to maintain her old school maiden image. More so, deprived of any income, she attempts to retain her position as an elite member of society by wearing “gaudy clothing” and speaking down to others. She insults Stanley time and time again, calling him greasy, Polack, and swine. …show more content…
After the foreclosure of Belle Reve (her forefathers paid for their fornication with land), Blanche lived in a run down hotel known as the Flamingo. She was notorious for bringing random men into her room and having impersonal relations with them, until she was forced to leave. She was no longer welcome in Laurel because her reputation was tarnished; she was a prostitute. Even though these actions alone should be reason enough to mark Blanche as a terrible human being, there are parts of her life story that helps the reader sympathize with her
The complex protagonist in A Street Car Named Desire, Blanche Dubois, traveled to New Orleans to stay with her sister, Stella, leaving a litany of tragedy and trouble back home in Mississippi. It is revealed in scene one that Blanche allowed the ancestral estate to foreclose after a series of family deaths and her inability to pay the expenses. She irrationally attacks her sister for leaving the family behind and uses her departure as a way to blame her lost family estate. Another aspect of Blanche’s disparity is the untimely death of her husband, a suicide which she carries blame for. His death created an intimacy void in her life and subsequently leads to her overtly flirtatious and hypersexual behavior. She admits this by saying, “After the death of Allan, intimacies with strangers was all I seemed able to fill my empty heart with” (Streetcar, Williams, p.146). It w...
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
Inside, Blanche had wantonness, sexual desire that she apparently gave into frequently at the Flamingo Hotel. Though it was never stated directly in the movie, the assumption placed before the audience was that Blanche had been involved in a form of prostitution. This may have been a factor to her declining mental health, or could have been a side effect of her condition. Mental illness presents differently through each person. What may have appeared to the other characters as choices for Blanche may have been something she was not able to control. It is not clear whether she had been that way before her marriage.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
Tennessee Williams has said, “We have to distrust each other. It is our only defense against betrayal.” Betrayal is prevalent in life and literature and creates uncertainty. According to Williams, without questioning people, one will eventually be betrayed. Characters deceive each other and, occasionally, themselves as they try to mend their lives. In A Streetcar Named Desire by Tennessee Williams, betrayal is evident in every relationship — Blanche and Mitch, Blanche and Stella, and Blanche and Stanley — and contributes to the theme of uncertainty in the novel. Blanche Dubois is the ultimate example of betrayal because she ends up being betrayed and betraying others throughout the play, which serves as a basic model of the effects betrayal can have on a person.
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.
Her first problem is with the heroine of the play, Blanche DuBois, who, she claims, is "ironically made guilty for her own victimization. No longer fully human, she is simply a metaphor of all that is vile about women. Blanche cannot, then, claim tragic stature or even our sympathy precisely because she is a victim of rape. And as she becomes responsible for her own victimization, Stanley is left to glory in his ascendancy. This aspect of Streetcar arises from the misogyny which colors the play…" (Lant 226). Admittedly, Blanche does flirt with Stanley briefly at the beginning of the play—just as many women playfully flirt with their brothers-in-law. But as her relationship with Stanley deteriorates, she makes it quite obvious to him that she loathes the sight of him. Though the world in which Lant lives may be one in which a woman, playfully sprinkling her brother-in-law ...
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
pretensions of aristocracy. She is now as poor as Stanley and Stella, but she cannot help but
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
A very important moral lesson that I gained from A Streetcar Named Desire is to always tell the truth. Telling lies ultimately got Blanche Dubois nowhere. She was lonelier than ever at the end of the play. She starts off lying intentionally. For example, she tells Stella at the beginning that the school superintendent, “suggested I take a leave of absence” from her job as a teacher (Williams 14). In reality, the principal fired her for having an affair with a student. It is suspected that she is lying and later our suspicions are confirmed. Even though a reason isn’t mentioned as to why she lies, it is probably to save herself grief from her sister or to possibly keep up her appearance. Towards the end, Blanche says she received a telegram from “an old admirer of mine... An old beau” who invited her to “A cruise of the Caribbean on a yacht” (Williams 152, 153). At this point, she even begins to believe her own lies. She has lied for so long to others and even to herself that she ultimately ends up believing them. When Tennessee Williams shows us through the sound of the polka music and the shadows on the wall what is going on in Blanche’s head, we are left to wonder if something is truly wrong. She even told Mitch that she didn’t lie in her ...