Binary Oppositions in Leda and the Swan
Yeats' "Leda and the Swan" uses the binary oppositions of the beauty and viciousness of Zeus as a swan and the helplessness and eventual strength of Leda, Yeats reveals that even the mightiest entities may suffer the consequences of their misuse of power.
In "Leda and the Swan," the beauty of the swan is contrasted with the physical attributes of a swan who acts out his male animalistic power over his female prey, demonstrating the raw male and female relationships in nature. Swan are huge birds, and as pointed out in the Internet site "The Swan and Leda" (a poem on the same subject as "Leda and the Swan") "Swans, unlike most birds, have external genitals" (1). Thus, the swan is a perfect animal for such a hideous crime as Zeus performs on Leda.
In further developing the underlying repercussion theme, the basis of the poem must be analyzed. In Greek Mythology, Zeus disguises himself as a swan in order to lure the pure and sexually ripe Leda into violence. Critical Survey of Poetry, edited by Frank N. Magill, says, "In the tale from antiquity, a Spartan Queen, Leda, was so beautiful that Zeus, ruler of the Gods, decided that he must have her. Since the immortals usually did not present themselves to humankind in their divine forms, Zeus changed himself into a great swan and in that shape ravished the helpless girl" (3716). Zeus as the swan is described as being "great" and of "feathered glory" (lines 1-6). He is a terrific product of nature, yet his male sexual tendencies get the better of him, and he gives into his uncontrollable lust for Leda. Zeus is a selfish male who uses his superhuman powers to exploit an innocent human. Clearly, the oppositions Yeats uses provoke intrig...
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‘villain’; he is a complex mix of both. In the first part of the play,
Jove disguises himself as a bull in order to take Europa away to Crete so he can rape her. Not only that, but she becomes pregnant afterwards and “bores” a child. Europa was physically “away” from her home because Jove had stolen her, but Jove “bored away” at her physically as well as emotionally. Finally, in line 8, the “Swan’s featherless bride” refers to Leda, who was raped by Zeus in the form of a swan. Not only is she not mentioned by name, but she is owned by the “Swan” as demonstrated by the possessive noun.
of 4 line stanzas. It has a traditional rhyme scheme consisting of ABAB CDCD EFG EFG. It is interesting in the fact that 4 of the rhymes aren't perfect: "push" "rush" and "up" "drop." The poem starts out aggressive and ends in a passive tone. Words used to describe Leda directly were: "the staggering girl" "her thighs" "her nape" "her helpless breast" and "her loosening thighs." An indirect word describing Leda is "terrified vague fingers." Indirect words used to describe the swan indirectly were: "great wing" "dark webs" "that white rush" "blood" "indifferent beak" "feathered glory." Direct terms used to describe the swan were "wings" "bill" and "beak." The swan was never actually called Zeus or even the swan in the poem. Agamemnon was the only name to be mentioned in the poem.
...swan and paganism, both being held in a negative light. The swan becomes a sort of eternal damnation, or exile for the innocent children of Lir, as they were exposed to the wicked ways Aoife, the druid of the tale. In consequence, magic and the belief system of the celt offers no help, not even to the God of the Sea, Lir himself. The only way the children of Lir can be saved is by the healing force of christianity. To conclude, the form of the swan in the is a clearly negative symbol of paganism and those who practiced it, by which can only be saved by the acceptance of christianity into the country and the people.
In regard to the Nationalists, he incorporates traditional Irish characters, such as Fergus and the Druids, to create an Irish mythology and thereby foster a national Irish identity. After the division of the Cultural Nationalists, Yeats feels left behind by the movement and disillusioned with their violent, "foolish" methods. He is also repeatedly rejected by Gonne. These efforts to instigate change through poetry both fail, bringing the function of the poet and his poetry into question. If these unfruitful poems tempt him from his ?craft of verse,?
In “Crazy Jane Talks with the Bishop” Yeats employs two themes, the theme of good versus evil, and the theme of sexuality. He conveys the theme of good versus evil through the Bishop’s statements in the first stanza, as well as J...
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
from the messenger at the end of Act 2 Scene 9 before he enters unlike
William Yeats is deliberated to be among the best bards in the 20th era. He was an Anglo-Irish protestant, the group that had control over the every life aspect of Ireland for almost the whole of the seventeenth era. Associates of this group deliberated themselves to be the English menfolk but sired in Ireland. However, Yeats was a loyal affirmer of his Irish ethnicity, and in all his deeds, he had to respect it. Even after living in America for almost fourteen years, he still had a home back in Ireland, and most of his poems maintained an Irish culture, legends and heroes. Therefore, Yeats gained a significant praise for writing some of the most exemplary poetry in modern history
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Keats, John. “Letters: To George and Thomas Keats.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 967-968. Print.
“I am a jew?”-Shylock the merchant. The Merchant of venice is a play from William Shakespeare, in which a merchant called Antonio gets a loan from Shylock to pay for Bassanio's trip. Through a string of unfortunate events lead to a angry Shylock nearly killing Antonio, but that is narrowly averted. Shylock in the play “The Merchant of Venice” can be seen as a victim due to the hostile prejudice towards his kind, unfair treatment of him, and the random events that cause him misery.
Yeats and Eliot are two chief modernist poet of the English Language. Both were Nobel Laureates. Both were critics of Literature and Culture expressing similar disquietude with Western civilization. Both, prompted by the Russian revolution perhaps, or the violence and horror of the First World War, pictured a Europe that was ailing, that was literally falling apart, devoid of the ontological sense of rational purpose that fuelled post-Enlightenment Europe and America(1). All these similar experience makes their poetry more valuable to compare and to contrast since their thoughts were similar yet one called himself Classicist(Eliot) who wrote objectively and the other considered himself "the last Romantic" because of his subjective writing and his interest in mysticism and the spiritual. For better understanding of these two poets it is necessary to mention some facts and backgrounds on them which influenced them to incorporate similar (to some extent) historical motif in their poetry.